MFA VTS: Roles Of Women Over Time Museum of Fine Arts, Boston

What is going on in this image? What do you see that makes you say that? What more can we find? The Tea Le Thé about 1880 Mary Stevenson Cassatt (American, 1844–1926) CATALOGUE RAISONNÉ Breeskin 78 DIMENSIONS 64.77 x 92.07 cm (25 1/2 x 36 1/4 in.) ACCESSION NUMBER 42.178 MEDIUM OR TECHNIQUE Oil on canvas ON VIEW

What is going on in this image? What do you see that makes you say that? What more can we find? Poultry Market at Gisors 1885 Camille Pissarro (French (born in the Danish West Indies), 1830–1903) DIMENSIONS 82.2 x 82.2 cm (32 3/8 x 32 3/8 in.) ACCESSION NUMBER 48.588 MEDIUM OR TECHNIQUE Tempera and pastel on paper mounted on wood

What is going on in this image? What do you see that makes you say that? What more can we find? In the Loge 1878 Mary Stevenson Cassatt (American, 1844–1926) CATALOGUE RAISONNÉ Breeskin 73 DIMENSIONS 81.28 x 66.04 cm (32 x 26 in.) ACCESSION NUMBER 10.35 MEDIUM OR TECHNIQUE Oil on canvas

What is going on in this image? What do you see that makes you say that? What more can we find? The Book Bindery 1850s Unidentified artist, American, 19th century CATALOGUE RAISONNÉ Karolik cat. no 32, fig. 20 DIMENSIONS Sheet: 15.2 x 22.5 cm (6 x 8 7/8 in.) ACCESSION NUMBER 58.835 MEDIUM OR TECHNIQUE Graphite and watercolor on paper NOT ON VIEW COLLECTIONS Prints and Drawings

What is going on in this image? What do you see that makes you say that? What more can we find? Women of Paris: The Circus Lover 1885 James Jacques Joseph Tissot (French, 1836–1902) DIMENSIONS 147.3 x 101.6 cm (58 x 40 in.) ACCESSION NUMBER 58.45 MEDIUM OR TECHNIQUE Oil on canvas

What is going on in this image? What do you see that makes you say that? What more can we find? European Women And Aya ブロンホフ家族図 Japanese Edo period Early 19th century Soo DIMENSIONS Image: 77 x 45 cm (30 5/16 x 17 11/16 in.) Overall: 158.5 x 58 cm (62 3/8 x 22 13/16 in.) ACCESSION NUMBER 11.8124 MEDIUM OR TECHNIQUE Hanging scroll; ink and color on silk

What is going on in this image? What do you see that makes you say that? What more can we find? The Field Hospital The Letter Home 1867 Eastman Johnson (American, 1824–1906) DIMENSIONS 56.2 x 67.31 cm (22 1/8 x 26 1/2 in.) ACCESSION NUMBER 48.434 MEDIUM OR TECHNIQUE Oil on paperboard

What is going on in this image? What do you see that makes you say that? What more can we find? In Memoriam about 1861 Alfred Stevens (Belgian (worked in France), 1823–1906) DIMENSIONS Overall: 55.2 x 44.5cm (21 3/4 x 17 1/2in.) Other (Framed): 74.3 x 8.3 x 87.6cm (29 1/4 x 3 1/4 x 34 1/2in.) ACCESSION NUMBER 23.491 MEDIUM OR TECHNIQUE Oil on panel

What is going on in this image? What do you see that makes you say that? What more can we find? Title: Emily and un-identified woman Date: 1909–13 By: Amelia Maria Ely Howe American, 1874–1932 Object Number: 2009.4364.9 Status: Not On View Dimensions: Sheet: 7.6 x 10.2 cm (3 x 4 in.) Other (Leather Album): 14.6 x 18.4 cm (5 3/4 x 7 1/4 in.) Medium: Photograph, silver prints Credit Line: Gift of Amelia Marks in memory of Emily Howe Marks and Frederick Ely Howe, and in honor of their other children: Anne Marks Morgan, Frederick Howe Marks, George Aaron Marks, Jr., and Marjorie Howe Beckler Descriptions: Page 9, light-brown, leather album, with black pages on which silver prints are mounted (mostly one to a page) Provenance: Amelia Maria Ely Howe; to her daughter Emily Howe Marks; to her daughter Amelia Marks; by whom given to the Museum of Fine Arts, Boston (Accession Date: September 16, 2009)  

What is going on in this image? What do you see that makes you say that? What more can we find? Title: The More Women at Work, The Sooner We Win! Date: 1943 By: Unidentified artist, American, 20th century Printer: U.S. Government Printing Office Object Number: 2009.2241

What is going on in this image? What do you see that makes you say that? What more can we find? Title: A Madonna of the Tenements Date: 1904 By: Lewis W. Hine American, 1874–1940 Object Number: 1981.34 Status: Not On View Dimensions: Image (round, diameter): 10 cm (3 15/16 in.) Sheet: 17.8 x 12.7 cm (7 x 5 in.) Medium: Photograph, gelatin silver print Credit Line: A. Shuman Collection—Abraham Shuman Fund Provenance: Stephen T. Rose, Boston; purchased February 1981.

What is going on in this image? What do you see that makes you say that? What more can we find? Cocktails about 1926 Archibald Motley (American, 1891–1981) DIMENSIONS 81.3 x 101.6 cm (32 x 40 in.) ACCESSION NUMBER 2011.1859 MEDIUM OR TECHNIQUE Oil on canvas

What is going on in this image? What do you see that makes you say that? What more can we find? Title: Stop the World We Want to Get On; Women's Rights March Date: published 1981 By: Garry Winogrand American, 1928–1984 Object Number: 2005.1078 Status: Not On View Dimensions: Sheet: 27.9 x 35.6 cm (11 x 14 in.) Medium: Photograph, gelatin silver print Credit Line: Gift of Jeanne and Richard S. Press Descriptions: From the portfolio, "Women are Beautiful" Provenance: Purchased by Jeanne and Richard Press, Weston, MA; gift to Museum of Fine Arts, Boston, December 31, 2006

What is going on in this image? What do you see that makes you say that? What more can we find? Title: Ubi Girl from Tai Region Date: 1972 By: Lois Mailou Jones American, 1905–1998 Object Number: 1974.410 Current Location: |, MFA, 231 Rotating Collections (B.&B.Stern Shapiro) E  Dimensions: 111.1 x 152.4 cm (43 3/4 x 60 in.) Medium: Acrylic on canvas Credit Line: The Hayden Collection—Charles Henry Hayden Fund Web Description: "Ubi Girl from Tai Region" depicts a young woman from the Tai Region of Liberia whose face is painted for the initiation into womanhood. Jones suggests the unification of Africa in this work by displaying two Congolese masks and the profile of a great fetish from the Ivory Coast alongside her Liberian model. This work symbolizes Jones's reclamation of her African heritage following a trip she took to Africa when she was in her sixties. Label Text: "Ubi Girl from Tai Region" depicts a young woman from the Tai Region of Liberia whose face is painted for the initiation into womanhood. Jones suggests the unification of Africa in this work by displaying two Congolese masks and the profile of a great fetish from the Ivory Coast alongside her Liberian model. This work symbolizes Jones's reclamation of her African heritage following a trip she took to Africa when she was in her sixties. Provenance: The artist; to Pierre Noel Studio d'Art, Washington; to MFA, Boston, 1974.