MUH Music History I The Renaissance: Prelude & Chapters 4 and 5

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MUH 3211 - Music History I The Renaissance: Prelude & Chapters 4 and 5 11/22/2018 Part II The Renaissance: Prelude & Chapters 4 and 5 DAY 16 (11 Oct 17)

“Ave maria…virgo serena” (Anthology I/34) “Ave maria...” / Oxford Camerata Published as first item in - O. Petrucci, Mottetti A (1502) Pervasive imitation (equal voices) “Points of imitation” (each new idea) Attention to text setting (audibility/meaning) Variety of textures Paratactic structure (separate, unrelated units) Exceptional control of all elements, e.g., dissonance Simultaneous composition (!)

MUH 3211 - Music History I 11/22/2018 Ottaviano Petrucci, Motetti A (1502) (earliest music printed w/ movable type) DAY 16 (11 Oct 17)

Josquin de Prez (c. 1450-1521) Born in low countries (France/Belgium?) Chapel of Rene d’Anjou (Southern France) Milan/Rome –Cardinal Sforza Papal Chapel (1489-1495) Duke of Ferrara’s Chapel Condé-sur-l'Escaut (N. France) - Provost of Church - Burial The major figure of the High Renaissance

Mass Techniques (Josquin, et al.) Cantus firmus – pre-existing “fixed song” - chant - popular song - other (solfeggio syllables, soggetto cavato) Canon – parts derived (or follow) exactly from leading line Imitation (or Parody) – all voices can borrow or emulate the pre-existing sources (closely) Paraphrase – borrowed material is freely elaborated and embellished

Examples Imitation / Parody Mass - “Fortuna desperata” (Busnois chanson, Anth I/38) - Kyrie, Missa Fortuna desperata (Josquin, Anth. I/39) Paraphrase Mass - Kyrie, Missa Pange lingua (Josquin, Anth. I/40) [see original hymn: Anth. I/4] Soggetto cavato (“subject carved out of a name”) - Kyrie, Missa Hercules Dux Ferrariae - Subject = Re-Ut-Re-Ut-Re-La-Mi-Re (DCDCDFED) (textbook Ex. 5-3)

Secular Vocal Music (to 1520) Homogeneous texture (equal parts) Chanson (“song”) Busnois, “Je ne puis vivre ainsy” (Anth I/43) Lied (German: “song”) Isaac, “Innsbruck, ich muss dich lassen” (Anth I/44) Frottola (Italy) Josquin, “El grillo” (w/ lute) (Anth I/46) A Concert (c. 1485/95) Lorenzo Costa (1459-1535),