Radio and Canadian Recording Industry

Slides:

Advertisements

Similar presentations

Commercial TV: Information for profit Media English 2 Fall 2011 Ryukyu Daigaku.

Advertisements

Norwegian switchover strategy Speech 10. April 2014 at Poznan Media Expo 2014 Conference By Rolf Brandrud, Radiodays Europe & NRK.

Today’s Agenda, Feb. 11, 2014  TV, media, and music survey  A peek into history of technology  Timelines.

Global Media (Straubhaar & LaRose, 2006). Globalization “Globalization of media is probably most pervasive at the level of media industry models – ways.

27.3 Popular Culture in the 1950s

During the 1950s, the economy booms, and many Americans enjoy material comfort.

EARLY RADIO Outgrowth of 'wireless' Marconi and Fessenden Station XWA in Montreal (later CFCF) became first radio station in Canada (1918) CKAC in Montreal,

The Australian Music Industry. Australian musicians and songwriters talk about the realities of life in the industry.

The Radio Industry. Introduction There are THREE main areas within the radio industry. They are: – Commercial Radio – Public Service Broadcasting – Non.

© 2006 Pearson Education Canada Inc. 9.1 Canadian Advertising in Action Chapter 9 Broadcast Media: Television and Radio.

Introduction to Advertising History and Roles. What is Advertising?

Advertising 101 Techniques and Forms. Definitions Advertise: to communicate information through print and digital media about a company's product or service.

Geography of Canadian Media. Canadian Media Print Media –Newspapers, Magazines Broadcast Media –Radio, TV New Media –Internet.

Business Models In Media Industries. Definitions (1) A business model is an action methodology for the systematic and routine generation of money or equivalent.

TV History (Part II) 4/21/2017 MIT2000.

OBEA 2004 The Marketing Mix. Product Price What are the pricing objectives? How much should we charge? Product What product(s) should we sell? How should.

APPROACHES TO PROMOTING AND PROTECTING CULTURAL INDUSTRIES: Lessons from Canada.

Media Economics The Global Marketplace. The beginnings of Mass Media Urbanization Urbanization Mass Production Industrialization Mass Production Industrialization.

Entertainment Distribution ENTERTAINMENT Written by: M. Reed Georgia CTAE Resource Network 2010.

Culture as an Economic Factor in the development of the city Geoffrey Brown

Television and Radio Media

GLOBALIZATION AND MEDIA

International and Comparative Media Systems

Chapter Two: Media Theory. Media economics Economies of Scale  Mass production and distribution  First copy costs  Low marginal costs.

Radio The first electronic mass medium. Early broadcasts 1 st experimental broadcast 1 st experimental broadcast U.S. inventor Lee DeForest.

“The Culture Industry” and the “Mass Culture” Critique "mass culture" is produced for masses, not individuals Made for passive consumption Culture (such.

Chapter Seven: Radio, Recording, and Popular Music

Entertainment Distribution ENTERTAINMENT. DISTRIBUTION ENTERTAINMENT Movies are over 100 years old Television is over 60 years old Public use of the internet.

Introduction to Mass Media HISTORY INDUSTRY CONTROVERSY.

American Dream Chapter Business in the 50’s  More white-collar positions  Conglomerates  Major corporations  Includes small companies in unrelated.

The American Dream in the Fifties. The Organization Changes in Business More white collar jobs Conglomerates Franchises Social Conformity No creativity.

© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 1 Preparation for Listening Chapter 1: Introducing the.

Arens|Schaefer|Weigold

broadcast advertising is known as mass marketing since national or even worldwide audiences can be reached Broadcast advertising persuades consumers of.

RADIO AND CANADIAN RECORDING INDUSTRY MIT /16/

MKM803 Integrated Marketing Communications Week 8 Chapter 9 Broadcast Media.

Media Industry Structure: Oligopoly The “few” selling to the many: Dominant firm oligopoly: One firm holds 50-90% of the market Tight oligopoly: Four firms.

International Advertising

ADVERTISMENTS WHAT MAKES A GOOD RADIO ADVERTISEMENT? The music must be easy to sing and remember using only a small number of notes. Music should be.

Commercialization of Media Pertemuan Matakuliah: O0394 – Teknik Reportase dan News Caster Tahun: 2010.

1.What is meant by “convergence”? 2.What is meant by “synergy”? 3.What is meant by “proliferation”? 4.What is meant by “globalisation”? 5.What makes illegal.

Theories of Communication Week 4 – Sound Recording and Radio MMC110 Instructed by Hillarie Zimmermann MMC110 Instructed by Hillarie Zimmermann.

Russian Media Model: Radio and Cinema and Russian Identity Professor Elena Vartanova Faculty of Journalism Moscow State University/ Aleksander Institute,

Canadian Media Our Culture, Our Identity. “ Living next to (the United States) is in some ways like sleeping with an elephant. No matter how friendly.

STEVEN GLOBERMAN DIRECTOR OF THE CENTER FOR INTERNATIONAL BUSINESS WESTERN WASHINGTON UNIVERSITY AND SENIOR FELLOW THE FRASER INSTITUTE FEBRUARY 2016 Protecting.

Broadcasting Regulation in Canada: Funding Local (Canadian) Content Local Content Development Workshop Pretoria, South Africa 28 May 2014 Presentation.

Chapter 4: Folk and Popular Culture Summary

Cultural Industry What does the fishing industry produce? What does the Oil and Gas industry produce? What does the forestry industry produce? What does.

Technologies and Promotion of Culture in a Globalizing World Chapter 3.

GLOBALIZATION AND SOCIAL ASPECTS OF SOCIETY The impact of television The impact of television Nationalized broadcasters Nationalized broadcasters.

GLOBALIZATION AND SOCIAL ASPECTS OF SOCIETY The impact of television The impact of television Nationalized broadcasters Nationalized broadcasters

PUBLIC SERVICE MEDIA POLICY AND REGULATION Irene Muli, Annet van Hunen and Larissa Hendriks Seminar 1 11/10/2012.

Media Management 10/10/2017.

TV History (Part II) 3/12/2018 MIT2000.

19.3 Notes - Popular Culture

The World of Music 6th edition

Canadian Radio-Television and Telecommunications Commission

Promotion of Language & Culture

Period 2, 5, & 6 We will examine the influence of tv and music on 1950s society. The Founder Chapter 19.3 Notes Rock n Roll 19.3 Chart.

International Marketing

Radio as Mass Communication

The Media Business: Consolidation, Globalization, and the Long Tail

A Brief History of Marketing

Introduction to Advertising History and Roles

Post War America – Late 1940’s – 1950’s

Media Industry Structure: Oligopoly

Radio, Recording and Popular Music

Hitching Your Antenna to the Stars

Presentation transcript:

Radio and Canadian Recording Industry MIT2000 11/23/2018 MIT 2000 Recording History

Canadian Radio Eras: Towards Federal Involvement, ca. 1900-1932 Golden Age (Public Radio), 1932-1955 Challenge of Television, 1955-1970 Local Radio Competition, 1970-present 11/23/2018 MIT 2000 Recording History

Radio as Mass Medium (1930s/40s) Emphasis on Evening broadcasts (drama, variety) Heterogeneous audiences US shows/stations popular (‘Amos n’ Andy’) CBC is only network 11/23/2018 MIT 2000 Recording History

Challenge of TV, 1950s Radio Audiences: Advertising: National to Local mass market to market segmentation Advertising: National to Local lower cost local retailers (auto dealerships) 11/23/2018 MIT 2000 Recording History

Radio Adapts Radio Programming: Format Programming Mixed Format to Single Format Format Programming Specific demographics Teens DJ/ Rock Music formats 11/23/2018 MIT 2000 Recording History

Music Format Radio Cheap promotion for recording industry Cheap content for broadcasters Music: national/global audiences/advertising: local Society to Segment-making Media 11/23/2018 MIT 2000 Recording History

AM to FM Share of Listening: Stereo: better transmission Post-1980s: AM saturated poor reception 11/23/2018 MIT 2000 Recording History

Listening Changes 1. In-home to out-of-home (50-50 today) Mobile listening transistor radio car radios suburbanization 2 Public (CBC) to private 11/23/2018 MIT 2000 Recording History

Canadian Content Regulations Commercial Radio; AM/FM 1970-98 (30%) popular music selections in broadcast week 1998: 35% 35% from 6AM to 6PM, Mon-Fri Goals: cultural industrial 11/23/2018 MIT 2000 Recording History

Defining Canadian Content MAPL System Require minimum 2 of: M –music: composed entirely by CDN A -artist: performing piece is CDN P -production: recorded or performed wholly in Canada; broadcast live in Can. L –lyrics written entirely by Canadian 11/23/2018 MIT 2000 Recording History

CANCON/MAPL: Exceptions Recorded before 1972 (+ one of MAPL) Instrumental performance of piece composed by CDN Live/recorded after Sept 1, 1991 and CDN has 50% credit as composer/lyricist (“Bryan Adams exemption”) 11/23/2018 MIT 2000 Recording History

Canadian Recording Industry (Straw) “Branch Plant” era (1950s-60s) press/distribute dependent on US firms (Capitol Records, etc.) Musicana, Regal, Phonodisc 11/23/2018 MIT 2000 Recording History

End of Branch Plant Era (1960/70s) horizontal/vertical integration “distribution oligopoly” harder for CDN independents to compete 11/23/2018 MIT 2000 Recording History

“Branch Plant” Case Study Quality Records, 1950- 20% market late 1970s license US songs/albums lose CDN rights for multinationals company collapses, sells assets 11/23/2018 MIT 2000 Recording History

“National” Era, 1970s/1980s Manufacturing to Talent Original content multinationals for CDN distribution CDN Independent Record Production Association (1975-) 11/23/2018 MIT 2000 Recording History

National-Era Recording Labels Aquarius, 1968- concert-booking, local recording April Wine True North Records, 1970- talent manager owner Bruce Cockburn, Murray McLaughlin Anthem Records, 1977- Rush’s production company as owners 11/23/2018 MIT 2000 Recording History

Case Study: National Era Attic Records Diverse markets/ genres Discover talent License CDN performers for foreign markets CBS, Polygram -CDN distribution Back Catalogues 11/23/2018 MIT 2000 Recording History

National Era: Summary Creative Side Multinationals for stability National Musical “Canon” Cockburn, M. McLaughlin, Lightfoot Back catalogue profits Lobby for govt subsidies, CANCON 11/23/2018 MIT 2000 Recording History

Blue Rodeo/CDN Identity Golden Era, 1980s-90s Political Economy Anti-Americanism Canadian Stories “Fools Like You” -Meech CDN places, symbols “Hasn’t Hit Me Yet” “Western Skies” 11/23/2018 MIT 2000 Recording History