MUH Music History I Instrumental Music,

Slides:

Advertisements

Similar presentations

Antonio Vivaldi b. March 4, 1678– Venice, Italy d. July 28, 1741Vienna,

Advertisements

Chapter 9 Baroque Instrumental Music

Sonata – Concerto – Concerto Grosso Chorale Prelude – Passacaglia - Chaconne.

The Late Seventeenth Century. Opera in seventeenth-century France Absolute monarchy — established by Cardinal Richelieu under Louis XIII Académies – 1635.

Baroque Instrumental Music

THE BAROQUE PERIOD. Music Styles Concerto Grosso 3 movements (fast, slow, fast) Small group of soloists with a larger group of players Concerto.

Baroque Instrumental Music.

The Baroque Period Baroque architecture: try/Baroque_Architecture.

Antonio Vivaldi March 4, 1678 – July 28, 1741 Born in Venice, Italy Taught to play violin by his father Age 15; entered seminary Age 25; Ordained into.

 Sonata – Chamber piece of several contrasting movements, written for a small number of instruments  Solo Sonata – Single instrument with basso continuo.

Lesson 1 – An Introduction.  Learn about the Baroque era of music  Discover one of the most famous Baroque composers  Listen to some music from the.

Johann Sebastian Bach (1685 –1750) German Organ virtuoso 1717: Named Kapellmeister of the Court Cothen Not famous or recognized in his day - Was an acclaimed.

Chapter 9 Baroque Instrumental Music

Instrumental Music in Italy

Chapter 9: Toward Late Baroque Instrumental Music.

Baroque Instrumental Music

Markham Woods Middle Music History Part 2 The Baroque Period.

Mozart’s Piano Concerto #21

The Baroque Era Dramatically different, within historical context Counter-reformation: –Art should speak to the illiterate rather than the well-informed.

© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 10: Music.

Baroque A.D.. Famous Composers Johann Sebastian Bach Antonio Vivaldi George Frideric Handel Claudio Monteverdi Jean-Philippe Rameau Henry Purcell.

Baroque Music. Sonata A work for solo piano, or a solo instrument accompanied by harpsichord. Often the basso continuo would also be played by a cello/Viola.

Music in the Baroque Period. LOs: To develop my knowledge and understanding of music history; to identify characteristics aurally; to expand my knowledge.

  What is going on during this time?  Western Art Music – Europe  At the time, baroque translates to “oddly pear shappen”  Now, just a.

Baroque Era Baroque Era Baroque is a term generally used by music historians to describe a broad range of musical styles in a large geographic.

Baroque Instrumental Music. 5 Categories in Renaissance Transcriptions Transcriptions Cantus Firmus Pieces Cantus Firmus Pieces Improvizational Works.

Chapters 9-11 Journal Entry #11 If you had to write an opera, what do you think would be the subject and overall plot?

Baroque Instrumental Music Higher. Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord.

Baroque Period Start of the Baroque Period Start of the Common Practice Period End of the Renaissance Period.

Baroque Concerto Grosso. Prominent Composers Corelli Vivaldi Telemann Handel Bach.

BAROQUE. Orchestral Instruments (Basso) Continuo A accompaniment style with an improvised, chordal part on harpsichord or organ, supported by a low-sounding.

UNIT 3 BAROQUE INSTRUMENTS  Like virtuosic voices are being featured in Opera (especially with ornamentations and embellishment s !), idiomatic.

BACH & VIVALDI Cantatas and Concertos. JOHANN SEBASTIAN BACH   Tail end of the Baroque era  Musical Family (for generations)  Orphaned by.

Baroque Music The Concerto Comes from concertare (to contend with) –the opposition of two dissimilar bodies of sound Two types of Baroque Concerto.

Music in Baroque Era During the Era, the Arts…  Reflected excess, contrast, and tension  Had the purpose of rejecting limits  Sought to.

I Can classify Baroque music Do Now: What is group buys the highest percent of pop music? What group buys the least? Add numbers to support your answers!

Test 1 -- Review Thursday, October 8, Musical selections on your CD, #1 Tracks 1-11 ****11 total selections****

Analysis.  Four seasons published in 1725 (late Baroque).  Three Movements  Solo Concerto – for solo violin and orchestra (strings and harpsichord/continuo)

Antonio Vivaldi b. March 4, 1678– Venice, Italy d. July 28, 1741—Vienna,

Arcangelo corelli February 17, January 8, 1713 Maria Eppler, Savannah Walker, Christopher Bao.

‘Tis the Season(s): Instrumental Music of the Baroque and Stories without Words.

Begins on page 121 Chapter 14 Baroque Instrumental Music: Concerto and Fugue.

Music Through the Ages Tuesday, January 26th.

Baroque Music Overview The word “baroque" came from the Portuguese word barroco, meaning ”distorted pearl.” Baroque music forms a major portion.

“Ornate style of Architecture” “Ornamentation” Baroque “Irregular shaped Jewellery” or.

Photo courtesy of sky#walker granted under creative commons licence attribution The History of Music The Baroque Period.

The Classical Era: The Enlightenment and the 18 th century.

©2009, The McGraw-Hill Companies, Inc. All Rights Reserved. 1.

Carmel Charles. Telemann was a German Baroque composer who became a musician against his family’s wishes as they wanted him to study Law He played many.

Chapter 13: Other Classical Genres The Sonata. Key Terms Sonata Piano sonata Violin sonata Sonata movement plan.

The Classical Period Chapter 18 (part 1). Classical Contexts  Classical Period:  Rise of the middle class led to music that was “of and for.

Music Through the Ages Wednesday, January 27th. Objectives  Vivaldi Review  Bach and Handel Listening Review  Vivaldi Terms  Four Seasons  Happy.

The World of Music 6th edition

The Baroque Period AD.

1. Secular vocal music 2. Religious vocal music 3. Instrumental music

Lesson 1 – An Introduction

The Height of Italian Dominance

Instrumental Music of the Baroque and Stories without Words

MUH Music History I Instrumental Music,

Baroque music..

MUH Music History I Vocal Music,

MUH Music History I Instrumental Music,

Chapter 9 Baroque Instrumental Music

Mozart’s Piano Concerto #21

Chapter 9 Baroque Instrumental Music

Music For Large Ensemble

Brandenburg Concerto No.5, 3rd movement

Presentation transcript:

MUH 3211 - Music History I Instrumental Music, 1600-1750 11/23/2018 Chapter Ten Instrumental Music, 1600-1750 DAY 35 (29 Nov 17)

Instrumental Genres (Baroque) Sonata – “da sonare” – to be sounded - instrumental technique (no vocal models) - wide ranging numbers (1-2 up to ?) - “chamber music” Concerto – “to work together” - larger groups (multiple players on parts) - based in contrasts (small/solo vs. whole) Suite – collections of dance pieces - keyboards - ensembles

Sonatas Developed from the canzona tradition - pieces “to be sounded” - Biagio Marini, Sonata per il violino con due corde Preference to two upper parts over b.c - Trio Sonata (3 parts, but maybe more players) - Maurizio Cazzati, Sonata “La Strozza” Anth I/89 – violin & b.c. = “solo sonata” - Isabella Leonarda, Sonata duodecima (1693) Separate Movements – self-contained units - Giovanni Legrenzi, Sonata Op.2 No.1 La Cornara

Archangelo Corelli (1653-1713) Sonatas (2) Classed by usage Sonata da camera (chamber) = dance suite - Corelli, Op. 2, No. 10 Sonata da chiesa (church) - Corelli, Op. 1, No. 5 - slow, fast, slow, fast Solo Sonata (violin & b.c.) - ornamentation in slow mvts (see textbook, p. 265) Archangelo Corelli (1653-1713)

Concerto (eventually) a work for orchestra - contrast between solo/small group & whole Concerto grosso - concertino vs. ripieno (tutti) - Corelli, Op. 6, No. 2 (Anth I/90) [HIP video] Solo Concerto [Anth I/91] - one (or two) player(s) vs. entire orchestra - Antonio Vivaldi, Concerto in A min, Op. 3, no. 8 - Ritornello structure

“Ospedele della Pietà” (Venice, 1782?) by Gabriele Bella (1730-1799) MUH 3211 - Music History I 11/23/2018 “Ospedele della Pietà” (Venice, 1782?) by Gabriele Bella (1730-1799) DAY 35 (29 Nov 17)

Antonio Vivaldi (1678-1741) b. 1678, Venice Violin teacher (Ospedele) “the Red Priest” Music director - Mantua (1718) - Vienna (1727) Concertos (over 400!) 46 Operas (forgotten) Gloria (chorus), etc.