9.25/9.26 Tue/Wed warm-up: Your Thatcher essays

Slides:



Advertisements
Similar presentations
Soapstone AP Acronym Analyzing text.
Advertisements

Speaker Occasion Audience Purpose Subject Tone
A tool for analyzing visuals, poetry, and nonfiction
Chapter One – Thinking as a Writer
Weekly Objectives Weekly Objectives  Students will demonstrate mastery of argumentative techniques by writing a persuasive piece that expresses their.
Rhetorical Triangle, SOAPSTone, and Appeals
Active Reading with SOAPSTone and Dual-Entry Notes.
Rhetorical Triangle The intertwining of context, intention, and genre
A Strategy for Active Reading & Writing
SOAPSTone STRATEGY FOR READING and Analysis --Collegeboard AP Central.
POLITICAL CARTOONS: PICTURES WITH A POINT 9 TH GRADE LIT/COMP ELAGSE9-10RI5: Analyze in detail how an author’s ideas or claims are developed and refined.
 College requires critical reading and writing skills. This tutorial is designed to get you started by teaching you to attend to critical features of.
An introduction to RHETORIC adapted from THE LANGUAGE OF COMPOSITION by SHEA, SCANLON and AUFSES.
Nonfiction is the broadest category of literature
SOAPSTONE ANALYSIS NOVEMBER 17.
Rhetorical Triangle and Key Terms
Wed./Thurs., February 03, 2016 You will need a few sheets of notebook paper for what we’re doing today.
Agenda, Homework, Warm-up
A Strategy for Reading and Writing
Rhetoric and the Reader
Reminders! Revised essay is due typed, printed, and stapled by 5:00pm.
Rhetoric for the Struggling Writer
Rhetorical Situation.
Intro to Rhetorical Criticism
SOAPSTone Analytical Tool.
Speech to the Virginia Convention Patrick Henry
A Strategy for Reading and Writing
Analyzing a text using SOAPSTone
Speaker Occasion Audience Purpose Subject Tone
A New Way to Think About Writing
3.28/4.9 Wed/Mon Objectives: Analyze texts rhetorically.
10.12 Thu warm-up: debriefing the released essay (“Wii Girl”)
8.31/9.4 Fri/Tue warm-up: How did you score the essay?
3.28/4.9 Wed/Mon warm-up: Was that a reboot camp?
an introduction to RHETORIC
9.11/9.12 Tue/Wed warm-up: debriefing Chavez’s essays
Literature Analysis Paper
Wednesday, 22 August Write into the Day
Persuasive Techniques in Writing
A Way to Analyze Non-Fiction
Speaker Occasion Audience Purpose Subject Tone
S.O.A.P.S.tone Possibly the dumbest acronym ever created to help students with the concept of critical analysis.
Watch the following clip from the film “Independence Day”, as you watch jot down notes on the following questions… Speaker- Who is the speaker? Subject-What.
ENTERING THE CLASSROOM
A methodology for analyzing NON-FICTION texts
Rhetorical Situation.
Another way to think about Text Analysis
SOAPSTONE English I.
Reading an Interview Narrative
8.30 Thurs. Objectives: Discuss the purposes of rhetoric.
Speaker Occasion Audience Purpose Subject Tone
Persuasive Techniques in Writing
Chapter 4: Writing a Rhetorical Analysis
SOAPSTone A method for analyzing short stories, video clips, essays, cartoons, propaganda, etc.
Political Cartoons.
SOAPSTone Analysis Pre-AP English 9.
AN INTRODUCTION TO RHETORIC
SOAPSTone Analyzing Writing Credit to Gonzalez. Thank you.
Agenda (for me) Few minutes: ATSS – discussion of Chaps – finish discussion – power quotes, sharing inference frame, etc. Photo Essay Analysis.
Speaker Occasion Audience Purpose Subject Tone
Rhetorical Analysis.
S O A P.
Rhetoric : the art or skill of speaking or writing formally and effectively especially as a way to persuade or influence people.
SOAPSTONE Mr. Jarot English I.
Analyzing Documents through Thoughtful Annotations
Another means of analyzing a text
Rhetorical Analysis Analyzing Text.
Analyzing Documents through thoughtful annotations
SOAPSTone.
A Strategy for Reading and Writing
Presentation transcript:

9.25/9.26 Tue/Wed warm-up: Your Thatcher essays activity 1: Adding in a new rhetorical technique activity 2: Using the new rhetorical technique close: Who is right? The political cartoon game continues HW DUE: Thatcher essay. In tracker as “Iron Lady.” (Thatcher’s nickname.) HW Tonight: SOAPS analysis of Abigail Adams’ letter to John Quincy Adams Upcoming: 10.1/10.2: Orwell seminar 10.5/10.8: grammar 1 due 10.9/10.10: TEST 1 (rhet. triangle / SOAPS) (formal grade) 10.17/10.18: rhetorical analysis FRQ (formal grade) 10.19/10.22: vocab. 2 due

9.25/9.26 warm-up: Thatcher and you You should have, at a bare minimum, an intro and a BP for the Thatcher FRQ. Two things I want you to do. Swap intros. Peers should identify elements of the rhetorical triangle in the intro. (NOTE: If the audience or speaker is just listed as a name, then it doesn’t count. Fail.) Read the intro from the released essay. Same game. Predict what you think the BP will be about. Compare with your BP.

9.25/9.26 notes: This unit so far We’ve focused on analyzing texts by looking at a few specific elements—namely the rhetorical triangle. We need to add in our next strategy and our last set of terms for this unit. (Don’t worry; the next unit is particularly term heavy.) Luckily, it’s a strategy with which you are already familiar . . .

HOORAY!!!

Holy heck! Written analysis??? That’s, like, all you guys do! Hooray!

This is an actual soapstone. Like a rock. Made of soap? HOORAY??? This is an actual soapstone. Like a rock. Made of soap?

So what is SOAPSTone???

Where is SOAPSTone???

Oh! It’s everywhere! Hooray (again)! How can I use it???

9.25/9.26 notes: SOAPS OK! We will totally use it in our intros! SOAPS is an acronym which stands for speaker, occasion, audience, purpose, subject. (In our next unit, we’ll add tone to complete the acronym as SOAPSTone.) SOAPS is a logical extension of what we’ve been doing so far. As Shea’s notes, “think of it as a kind of checklist that helps you organize your ideas rhetorically.”

9.25/9.26 notes: SOAPS analysis SPEAKER: Who is delivering this message. Not just the person’s name or credentials, but what this person believes. How this person presents themselves to the audience. In doing this, the speaker might adopt a persona, a “fake” or maybe exaggerated personality.

9.25/9.26 notes: SOAPS analysis OCCASION: The time, place, context or current situation of the piece. (I.e., the exigency.)   It is important that you understand the context that encouraged the writing to happen. A rhetorical text is inherently timelocked (or timebound) as opposed to literature which is timeless. (Thatcher doesn’t write the eulogy unless Reagan is dead; EBB doesn’t write the letter unless Hugo is banished.) What was happening in the world that influenced the message? What might be influencing how the audience receives the message or perceives the speaker?

9.25/9.26 notes: SOAPS analysis AUDIENCE: The audience may be one person, a small group or a large group; it may be a certain person or a certain people.  Authors do not just write and hope someone will read; they write for a specific audience and hope for a possible broader audience then intended.  Imagine the author having a conversation.  Who is he sitting across from? And what does he believe about that audience?

9.25/9.26 notes: SOAPS analysis PURPOSE: The reason behind the text.  This is especially important for examining rhetoric.  How does the speaker want the audience to react? Now armed with the speaker’s message, what should the audience think, say or do?

9.25/9.26 notes: SOAPS analysis SUBJECT: The message. This is the speaker’s thesis. This what the speaker wants her audience to react to.

S O A P S SPEAKER OCCASION AUDIENCE PURPOSE SUBJECT What does this speaker believe? How is she influenced by the occasion? How is she credible? O A P OCCASION AUDIENCE PURPOSE What is the context or current event? To what individual or group or groups is the text intended? Why was the text created? What is the time and place? How does the subject “fit” this audience? How will the audience react? What is influencing the message? What does the speaker want the audience to think/feel/say/do? S SUBJECT What is the text about? What is the thesis or message? What is the overall point the speaker is making?

9.25/9.26 activity: SOAPS it! NOTE: The character pictured is Joe Camel, a cartoon character used in advertising by Camel Cigarettes. See . .

What does the speaker believe? Who is his likely audience? What has occasioned this cartoon? (Google “FDA and ecigs” if you don’t know.) What is his purpose in delivering this cartoon? What is his message? What rhet. techniques does he use?

9.25/9.26 activity: Identify SOAPS in this intro This is legitimately an essay from one of your peers. (Or, at least, parts of an essay.) Read through his intro and identify (by annotating) where he uses SOAPS elements. Then take a look at one of his BPs. Identify the claim, grounds and warrants.

S O A P S SPEAKER OCCASION AUDIENCE PURPOSE SUBJECT What does this speaker believe? How is she influenced by the occasion? How is she credible? O A P OCCASION AUDIENCE PURPOSE What is the context or current event? To what individual or group or groups is the text intended? Why was the text created? What is the time and place? How does the subject “fit” this audience? How will the audience react? What is influencing the message? What does the speaker want the audience to think/feel/say/do? S SUBJECT What is the text about? What is the thesis or message? What is the overall point the speaker is making?

9.25/9.26 activity: New intro. Yep. Not sure why you didn’t see this coming. Write a new intro for your Thatcher FRQ. Also a topic sentence for your first BP. Clean sheet of paper b/c I want it.

CLOSE and HW 9.25/9.26 CLOSE Oh man. Look at the puppy. He’s so angry. I wonder why. Guess you’ll find out next class. HW Read and annotate Abigail Adams’ letter to her son John Quincy Adams. Complete a SOAPS analysis of the text. Your SOAPS analysis can be in bulleted or paragraph form. In either case, you should include textual evidence to support your analysis