Need more help? Attend after school sessions

Slides:



Advertisements
Similar presentations
Contest Entry Drawing and Painting By: Christine Burris.
Advertisements

HOW TO MAKE TEST STRIPS AND ENLARGEMENTS IN THE MGJH COMMUNICATION TECHNOLOGIES DARKROOM.
Show of your skill by making your studies the centre of attention – don’t overcrowd your page and hide your work away with the background!
Project Title: Lino printing using patterns in the environment
VISUAL COMMUNICATIONS GRAPHICS MR. SHEA
Task One – Digital print over watercolour Step 1 – Choose your digital image to be used.
IP10 Monday, January 13 th Using the Blurring Effect.
Project 3 Homework Tasks
Screen Printing Steps “Rembrandt Tulips” Edition of 25 By Dorothy Markert, 2007 Creating an original print with one screen.
Photography By: Jarrett Waller. Portfolio Pin Hole Camera The pin hole camera was the first project we did this year. We took a oatmeal container and.
Making a Enlargement from your negative. Making an Enlargement Part Two: Correct Exposure: Test Strips & Final Print.
♥ My Portfolio ♥ Angie Lachhab Period: 5. Pin Hole Camera This type of camera we used was our intro to photography. We used an oatmeal box as the camera,
Yr 11 Photography. Topics – Part 1 Equipment and chemicals Safety Techniques –Processing film –Creating proof sheet.
Make Your Mark Art & Writing.
WHAT DO THESE PICTURES HAVE IN COMMON? Islamic tiling, date unknown Nazca Symmetry, date unknown Kazuya Akimoto Art Museum Chrysler Building, 1930 William.
Developing in the Darkroom
Yr 11 Photography. Overview Choose negative Setup –Place negative in film holder –Select photo paper grain & size Use enlarger to expose Develop photo.
Still Life… …With Color.
Project 2: Homework Tasks
Photograms and Darkroom Procedure
Photograms: Camera-less Photography
Project 3: Cultural Card Mask
Watercolor Day 3. Bellwork 1. What is a silhouette? 2. What are ways that you can show movement in a still art form like a painting or a photograph. 3.
GCSE Art and Design (Fine Art) Mock Controlled Test 2011 Record observations and ideas – make studies, sketches and drawings. Take photographs and collect.
Final Portfolio By Emma MacArthur Still Life Drawing I-Pad Transportation Image Silk Screen Print Clay Silhouette Face Sculpture 5 Tonal Drawing- Flower.
Drill: 6/27/2016 In BCR form write the steps this student took in order to make this ribbon look real? Use the words: -Light Source -Parallel Lines -Value.
The Wacky World of Watercolours. To begin… Divide your page into 12 sections with a pencil and ruler Follow me as we experiment with different watercolour.
Film Processing ChemicalsSafety The Enlarger What’s Wrong?
Monochromatic Painting
You will create your own work based on one exam question.
Square Within A Square.
Film Development Objectives:
Alternative Photographic Printing: Double Development
Darkroom paper developing
Photography Lab.
Developing Film To develop your exposed film, you need to transfer the film from the film cassette into the light-proof processing tank. This needs to.
Adding personal touches to your portraits
Making a Contact Sheet Yr 11 Photography.
Imperfect processes Learning Outcomes:
Darkroom paper developing
Understanding the GCSE Marking Criteria
ONE IN A MILLION LAB #27.
Pinhole Camera Project
LETTERING STYLES – DESIGNING CREATIVE TITLES
Mini GCSE Project: ‘My Still-life’
Watercolor Terms Watercolor Techniques
Starter of the day Get your photos and Plexiglas pieces from the stack up front. Get your markers off Mrs. Francesconi’s desk If you are still working.
You will create your own work based on one exam question.
Need more help? Attend after school sessions
Pinhole Camera.
Pinhole Camera.
What is good about this image?
Pastel Project.
Contact Sheets.
DISCUSS: Look at this work produced by artist, Rob Ryan. 10 minutes
Year 12 transition task ART 2018.
Photogram Presented to MEDIA 203 By Laura Keri.
Drawing and Painting By: Christine Burris
Photograms.
AS-LEVEL FINE ART SECTION 3 MONO PRINTING.
Shutter speed is the amount of time that the camera shutter is open
Create a series of your own Cyanotypes.
Need more help? Attend after school sessions
Need more help? Attend after school sessions
Starter of the day Hatching & cross hatching
Printing a Photograph .
Starter of the day On the left side of the page write down the objective of the day & the steps to painting resist. If you have forgotten the steps check.
Development of ideas.
Copy all: Introduction to The developing process:
Development of ideas.
Presentation transcript:

Need more help? Attend after school sessions 5 or more techniques explored. www,ebi Creative extension of ideas explored 3 techniques explored www, ebi Write up of the chemigram process with diagrams/illustrastions 2 prints that demonstrate 1 technique Explore cameraless technique To present a series of images using chemigram technique To explore a variety of resit techniques Task 1 – watch demo on chemigram Task 2 – create own chemigrams using a range of techniques. Follow the sheet. Task 3 – use a range of resist materials to create different prints Task 4 – write up process and present along with dry prints (scanned in or photographed) in ppt Cameraless slide titled ‘Chemigrams’ Save all final images to A04 folder in student in and user area Need more help? Attend after school sessions

How do you create a positive image How do you create a negative image? To present a series of images using chemigram technique To explore a variety of resit techniques How do you create a positive image How do you create a negative image?

How do you create a positive image How do you create a negative image? To present a series of images using chemigram technique To explore a variety of resit techniques How do you create a positive image How do you create a negative image? Fixer first – wash – developer - fix Developer first – wash - fix

Four trays of DEVELOPER, WATER, FIX and WATER To present a series of images using chemigram technique To explore a variety of resit techniques Make notes The Chemigram Process 1. Choose one of the resists to draw onto the photographic paper (this can be done in the light). You can scratch into it, move it around with your fingers or other objects to create different marks. Resist materials to explore masking tape sugary drink such as Lucozade, squash vegetable oil salt, sugar granules instant coffee honey Masking fluid 2. Put the paper with the resist in either the developer (to get a black background) or the fixer (to get a white background). 3. Whenever the paper looks finished developing or fixing, move it to the water wash. Rinse well enough, still not touching the surface and marring the resist, and then put it in the opposite tray of fixer or developer, respectively. 4. The resist will start its dissolution process, some resists sooner than later. Add fixer for a white on black print. Fixer, developer, stop bath, fixer. Add developer first for a black on white print. Developer, stop bath fixer 5. When the chemigram is ‘done’, get as much of the resist off as possible, and then do a final fix for five minutes, rinse for five minutes and dry. Methods to explore 1. Developer/fixer painted/sponged/dabbed/dripped on to photo paper 2. Objects dipped in developer/fixer and printed on to paper. 3. Use of resists to create abstract shapes/patterns/textures Make notes Four trays of DEVELOPER, WATER, FIX and WATER To print

1. How easy was it to use this process? To present a series of images using chemigram technique To explore a variety of resit techniques 1. How easy was it to use this process? 2. What did you discover or notice? 3. How creative do you feel you have been? 4. What tips have you discovered to ensure good results? 5. What are the strengths and weaknesses of this processes 6. What have you learned about yourself as a learner and as an artist? 7. How could you include this technique in your portfolio?