“You may think you know what you’re dealing with, but believe me, you don’t.” – Noah Cross (John Huston) to Jake Gittes (Jack Nicholson) in Roman Polanksi’s.

Slides:



Advertisements
Similar presentations
Film Noir Black Film Or Dark Film. The film noir genre was born from crime films: audiences grew bored with the criminal protagonist. audiences grew bored.
Advertisements

GENRE = type or category that most films fit most comfortably in. These formulas were crystallized in the Classical Hollywood period and still define how.
Film Noir Guy, Mica, Sam, Shanel. Origin Classic film noir started after the second world war. Much of the fear, mistrust, bleakness, loss of innocence,
Film Noir: Overview.
American Film Comparative Study. American Film – Comparative Study Context 1.Why are the classic noir films obsessed with the femme fatale? 2.Why are.
Crime, usually murder is the key theme of almost all film noirs, It is also often centred around:
What is Film Noir Film Noir (literally 'black film or cinema') was coined by French film critics who noticed the trend of how 'dark', downbeat and black.
Chapter 1 review Film Noir Literally means “ black film” and was coined by French film critics (Nino Frank, 1946) who noticed that a trend of dark, downbeat.
American Cinema  Today – finish Black Hawk Down – Film Noir notes – time to work on War reviews  Tomorrow – War unit due –Notes –African Queen –Tora!
Page to Stage to Screen Analyzing the Cultivation of The Bad Seed Michelle Tvete.
By Tara Smith. The genre of a film dictates how the film will be presented, the cast involved, and the overall storyline. When creating a thriller film.
Gaslight Today : 1)What is the film noir genre? 2)Start watching “Gaslight”
Genre One: Classic Film Noir Literally ‘black film’ Bogart in The Maltese Falcon (1941)
The First Film Noir? John Huston’s The Maltese Falcon (1941)
LOGLINE THE QUESTIONING is a film noir exploring morality. Jack Somerset is an aspiring writer at a creative impasse, though grisly events witnessed on.
1 Lecture 5: The Many Forms of Noir Professor Michael Green L.A. Confidential (1997) Directed by Curtis Hanson.
O By Sharon Naretto. What is it??? Film Noir is cinematic term used regularly to describe stylish Hollywood crime dramas, particularly those that emphasize.
Films of the 1940s and the genre of film noir. Films during this time were often dramatic, melodramatic, or considered a film noir. Other genres like.
Oli Tapping.  Complex shot types are rarely used to save money.  Cuts and continuous editing used as much as possible  Low angle shots are used to.
HUM 110: Introduction to American Film JC Clapp, North Seattle College.
Dates Film noir is a genre Noir films flourished between Many film scholars believe the 1941 film The Maltese.
Film Noir Paul Schrader, ‘Notes on Film Noir’ Howard Hawks’ The Big Sleep.
 French phrase meaning “black film”  Film Noir was identified in 1946 following World War II and the German occupation of France.
Film Noir An Introduction. The Classic period With the ‘Western’ noir is an indigenous American form. Presents a vision of society A reflection of its.
Film Noir Styles Ollie Brocklehurst. Basic Film Noir Film noir films were marked visually by expressionistic lighting, deep-focus or depth of field camera.
What is Film Noir? ‘The world doesn’t make any heroes any more’. The Third Man.
Light and Noir. Painting a Dark Picture “Noir” means “Black” in French. Style and message are dark, gritty, violent, corrupt or even evil. The look and.
Film Noir and Hardboiled Detective Fiction Terms best describing noir Cynicism Pessimism Darkness Shadows Disillusionment Guilt Moral ambiguity Moral.
Humanities  Today – Presentations  Wednesday – practice music criticism – bring devices and headphones  Thursday – Test cards (turned in) – Binder Checks.
1 Film Noir TV Studies 1A Rita Hayward. 2 Film noir indicates a darker perspective upon life than what was standard in classical Hollywood films.
Life in the Dark Nelson IB Film Studies. Film Noir: What is it? "A term coined by French critics to describe a type of film that is characterized by its.
Gender, Power and the Film Noir Student Edition Based on Works by Andreia Thaxton Jeneen Surrency Aaron Simmons Greg Thompson Created and Edited by: Dr.
Film Noir Location/setting, costumes, props and timeline.
What is Film Noir?  Film Noir – Black Film or Cinema  Coined by French film critics Nino Frank (1946) started this term ○ Observed the ‘dark’, black,
Film Noir French for “Black Film”. What is it? 0 Crime Fiction.
Directed by Billy Wilder 1944 Budget $980,000. In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive.
What is film noir?. Made in the U.S.A. American films produced by Hollywood in the 1930s and 40s B movies Common themes of loneliness, alienation, despair,
Frank Miller Is best known for his grim film-noirish comic book stories using characters like Batman and Daredevil as well as original works like Sin.
Film Noir “Play it again Sam.”. What constitutes Film Noir?
Film lighting film noir. "I killed him for money – and for a woman. I didn't get the money. And I didn't get the woman." Double Indemnity (1944 )
Monica Fuentes  ‘Black film or cinema’ with trends of darkness, lines, shadows, smoke, and shades of grey.  Became prominent in the post WWII era 
Film Noir planning  How Film Noir has evolved  Typical conventions and how I plan to challenge them  How I intend to incorporate my research into my.
What makes film noir distinctive By Joe Osborne. Contents Visual Extras Themes Genre convention.
Film noir. "I killed him for money – and for a woman. I didn't get the money. And I didn't get the woman." Double Indemnity (1944)
Film Noir By Chloe Sarrington. Film Noir Classic film noir developed during and after World War II, taking advantage of the post-war ambience of anxiety,
Film Noir “Black Film” Or “Dark Film”. The film noir genre was born from crime films:  audiences grew bored with the criminal protagonist.  wanted more.
Films of the 1940s and the genre of film noir
FILM LINGO (terms to describe movies)
Playing with Shadows – an introduction to
The seedy side of the film world . . .
Film noir.
Film Noir: Overview.
Critical Approaches to Film
American Film –Comparative Study
“Black Film” Or “Dark Film”
The Arc. The Arc The Arc of Film Noir Film Noir:
GENRE = type or category that most films fit most comfortably in. These formulas were crystallized in the Classical Hollywood period ( )and still.
STUFF TO KNOW BEFORE WATCHING TOUCH OF EVIL
Film Genres.
Today: What is the film noir genre? Start watching “Gaslight”
FILM NOIR.
Thriller, Terror, horror
Film Noir ‘black/dark film’ Bogart in The Maltese Falcon (1941)
Film Noir: Overview.
Duality is a Norm Considering the Humanity of Jekyll and Hyde
Stylistics, Codes & Conventions
Film Noir.
Detective/Crime Genre
Literally ‘black film’
Genre: Classic Film Noir
Presentation transcript:

“You may think you know what you’re dealing with, but believe me, you don’t.” – Noah Cross (John Huston) to Jake Gittes (Jack Nicholson) in Roman Polanksi’s Chinatown (1974) FILM NOIR “Black Film”

FILM NOIR A term coined by French film critics (first by Nino Frank in 1946) who noticed the trend of how dark, downbeat and black the looks and themes of many American crime and detective films released in France following WWII were. Although the term became widely used after 1946, the first noirs were before that.

FILM NOIR Content is focused on crime or some crime about to be committed In early noir, characters were criminals and gangsters As noir progressed, the focus shifted to regular people caught up in criminal plots OR women of questionable virtue who plot to kill with the help of a clueless man : Double Indemnity; The Postman Always Rings Twice; Gilda; The Killers

FILM NOIR Also focused on detectives on the fringe of the law: The Maltese Falcon; Murder, My Sweet; Laura; Kiss Me Deadly

FILM NOIR STORYLINE CHARACTERISTICS OF FILM NOIR: Non linear, twisting narrative Convoluted, maze-like plots Flashbacks Witty, razor sharp, acerbic dialogue Reflective and confessional First person, voiceover narration

FILM NOIR Claustrophobic framing devices (doors, windows, ceilings) VISUAL CHARACTERISTICS OF FILM NOIR Claustrophobic framing devices (doors, windows, ceilings) Mirrors are prominent (reflections of dark side or duality of human nature) Extreme high angle shots to show “helpless” victims Low key lighting

VISUAL CHARACTERISTICS OF FILM NOIR Disorienting visual schemes Ominous shadows Skewed, bizarre camera angles Unbalanced screen composition

PROTAGONISTS OF FILM NOIR Cynical, obsessive, sarcastic Disillusioned, frightened and insecure loners Struggling to survive Often detectives or con men

ANTAGONISTS OF FILM NOIR “Femme Fatale” CHARACTERISTICS: Beautiful, promiscuous, double-dealing, seductive Questionable values Betrays, manipulates or double crosses the hero

SETTINGS OF FILM NOIR Interiors with low-key lighting Venetian-blinded windows and rooms Dark, claustrophobic Exteriors were often urban night scenes Wet asphalt Dark alleyways Foggy scenes near water

FILM NOIR “CLASSIC” Film Noirs: Double Indemnity (1944), dir. Billy Wilder The Big Sleep (1946), dir. Howard Hawks Kiss Me Deadly (1955), dir. Robert Aldrich The Third Man (1950), dir. Sir Carol Reed The Maltese Falcon (1941), dir. John Huston Touch of Evil (1958), dir. Orson Welles

FILM NOIR “REVISIONIST” (modern) Film Noirs: Chinatown (1974), dir. Roman Polanski Body Heat (1981), dir. Lawrence Kasdan Pulp Fiction (1994), dir. Quentin Tarantino The Usual Suspects (1995), dir. Bryan Singer L.A. Confidential (1997), dir. Curtis Hanson