The Cask of Amontillado.

Slides:



Advertisements
Similar presentations
Basic Film Elements Student Edition Edited by: Dr. Kay Picart.
Advertisements

The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge.
Working with Cinematic Techniques Ms. Claytor & Mrs. Sberna.
By Edgar Allan Poe. Exposition  First three lines: “The Thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult,
SHOT 1SHOT 2SHOT 3SHOT 4 “… Once more, let me implore you to return. No? Then I must positively leave you…” The Amontillado?! Sample Storyboard for.
“The Cask of Amontillado” By Edgar Allen Poe
Working with Cinematic Techniques Ms. Dedwylder English I Pre-AP Modified SB
WARM UP Decide which of the following are TRUE for you: ( ) I have nightmares when I see a horror movie. ( ) Old movies are not so interesting because.
(Two answers) “He began to count his strokes. He could possible do a hundred more and then…” (42). 8 8.
To Shoot an Elephant Storyboard by: Kody Everson.
Working with Cinematic Techniques. Film Analysis  Much like how a writer uses stylistic devices to achieve specific effects in their writing, directors.
Film Terminology Shots and Framing Camera Angles Camera Movements
The Cask of Amontillado
English I Honors—March 4, 2015
Working with Cinematic Techniques English 9 Perry High School.
CINEMATIC TECHNIQUES ENGLISH 12 Q4 Film. FILM ANALYSIS Much like writers use stylistic devices to achieve specific effects in their writing, directors.
Situational Irony Montresor chose the Carnival atmosphere as the setting for his horrible crime. Medoc: Montresor gives Fortunato “another draught of Medoc”
Top left Lighting: Scene filmed with darkening sky's, and street lamps Sound: There was no sound apart from general background noise Dialogue: No dialogue.
Cinematic Techniques. How movies are made Cinematic techniques the methods a director uses to communicate meaning and to evoke particular emotional responses.
Action Adventure The Key Points.
The 8 Methods of Characterization
Cinematic Techniques And their Effects.
Multimedia Terminology.
Brick, 2005 Rian Johnson
Turn in HW: P121 Story Diagram
Characterization.
The Cask Of Amontillado written by Edgar Allan
Working with Cinematic Techniques
Daniel Pierson Period Five November 7, 2011
Film Analysis Knowledge Base.
For example: Shot no. 1 Description of the action: two members of the rival gang approach the protagonist Shot type: long shot, low angle Camera movement:
English Through Movies
Working with Cinematic Techniques
By: Oliver Valean, Chris Evans, Jacob Kurschner, Amanda Nyuma
Film Studies Need to Know (Or what I should have gotten 1st Semester)
UNIT 2 task 3 By Matei Turcu.
Plot Climax Rising Action Falling Action Resolution Exposition
Learning Intentions To be able to identify the different types of camera shots and camera angles used in film. To be able to comment on the purpose of.
Film Terminology.
Working with Cinematic Techniques:
Film Terminology.
By: Ann Marie Anderson Marigolds.
The 8 Methods of Characterization
Bank on the 15th street.
Film Production Elements
The 6 Methods of Characterization
Dialectic Journals Mrs. Fogelson PHHS English
Film Techniques Quiz.
Working with Cinematic Techniques:
Cinematic Techniques.
Storyboarding.
Cinematic Techniques.
Suspense and Thrills in Movies
FILM Key Terms.
Shot # 1 Action Description: Police officer in his house and a man comes and tells him that there is a rampaging elephant and they need his help. Framing:
Working with Cinematic Techniques:
Dramatic Irony This occurs when the reader becomes painfully aware of what will become of Fortunato even though the character continues his descent into.
Working with Cinematic Techniques
Working with Cinematic Techniques
Dr. George’s 9th Lit. Agenda
The Cask of Amontillado Literary Analysis
The Writing Process Body Paragraphs.
RACE FORMAT Copy into 2nd section of notebook:
Visual Literacy & Film As Literature Analysis of Motion Pictures
Working with Cinematic Techniques
Story & Production elements
Film Language Media Studies 120 Ms. White.
SHOT TYPES/ANGLES/MISE-EN-SCÈNE
The Cask of Amontillado
Working with Cinematic Techniques
Presentation transcript:

The Cask of Amontillado

Shot 1 Action description: Montresor & Fortunato walk down the stairs into the crypt. They stop and start to talk. Framing: This is an establishing shot and a two shot since it shows a long shot of two people and shows the setting. Angle: This from a high angle two show that they are at the bottom of the stairs. Music/Sound: This would be non-diegetic sound and would be an ominous/eerie type of music. Editing Techniques/Camera Movements: The camera would zoom in on the characters as they walk down the stairs. Dialogue/Narration: There would not be any dialogue or narration in this scene. Lighting: This would have low key lighting coming from the torches on the walls and some moon light from behind them.

Action description: Fortunato stops to talk to Montresor. Shot 2 Action description: Fortunato stops to talk to Montresor. Framing: This is a close up of Fortunato. Angle: This is shot at eye level. Editing Techniques/Camera Movements: The camera is stationary and this shot starts a shot-reverse-shot. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Lighting: This is low key lighting from torches behind him and on his face. Dialogue/Narration: Fortunato- “Where is the pipe?”

Shot 3 Action Description: Montresor turns and begins to respond to Fortunato. Framing: This is a close up of Montresor. Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Editing Techniques/Camera Movements: The camera is stationary and continues the shot-reverse-shot and starts and eye-line-match. Dialogue/Narration: Montresor- “It is farther on, but observe the white webwork which gleams from these cavern walls.” Lighting: This is low key lighting from torches behind him and on his face.

Shot 4 Action description: The two characters look at the walls that have nitre on them. Framing: This is an extreme close up on the nitre. Angle: This is shot at eye level Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: There is no dialogue/narration in this shot. Editing Techniques/Camera Movement: This is eye-line-match and the camera cuts from the previous shot to this shot. The camera is stationary. Lighting: This is low key lighting from the side by torches.

Shot 5 Action description: Fortunato looks back at Montresor and responds . Framing: This is a close up of Fortunato. Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: “Nitre?” Editing Techniques/Camera Movement: This continues the shot-reverse-shot and cuts from the last shot. The camera is stationary. Lighting: This is low key lighting from the torches behind him and on his face.

Shot 6 Action description: Montresor agrees and points at Fortunato as he starts to cough. Framing: This is a close up of Montresor Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: Montresor- “Yes nitre. How long have you had that cough?” Editing Techniques/Camera Movement: This continues the shot-reverse-shot. The camera is stationary. Lighting: This is low key lighting from the torches behind him and on his face.

Shot 7 Action description: Fortunato is coughing for a while. Framing: This is an extreme close up of Fortunato covering his mouth Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: Fortunato-coughing Editing Techniques/Camera Movement: This continues the shot-reverse-shot. The camera is stationary. Lighting: This is low key lighting from the torches behind him and on his face.

Shot 8 Action description: Montresor points at the stairs and motions for Fortunato to follow him Framing: This is a medium shot of Montresor pointing at the stairs Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: Montresor- “ Come, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill and I cannot be responsible.” Fortunato- still coughing Editing Techniques/Camera Movement: This continues the shot-reverse-shot. The camera is stationary. Lighting: This is low key lighting from the torches behind him and on his face.

Shot 9 Action description: Fortunato waves his arm as he finishes coughing to signal he does not want to go back. Framing: This is a close up of Fortunato waving his arm. Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: Fortunato- “Enough; the cough is a mere nothing; it will not kill me. I shall not die of a cough.” Editing Techniques/Camera Movement: This continues the shot-reverse-shot. The camera is stationary. Lighting: This is low key lighting from the torches behind him and on his face

Shot 10 Action description: Montresor hands Fortunato a bottle of wine. Framing: This is an extreme close up of Montresor giving Fortunato the wine. Angle: This is shot at eye level. Music/Sound: The sound would be a diegetic drop of water from the ceiling. Dialogue/Narration: Montresor- “True – true, and, indeed, I had no intention of alarming you unnecessarily -- but you should use all proper caution. A draught of this Medoc will defend us from the damps, drink.” Editing Techniques/Camera Movement: This continues the shot-reverse-shot. The camera is stationary. Lighting: This is low key lighting from the torches behind the two.