Ferrara Madonna (Silvestri Madonna) Marble, 1403

Slides:

Advertisements

Similar presentations

Europe during the Renaissance ou. edu

Advertisements

Chapter 19 Italy, 14th Century

Gardner’s Art Through the Ages, 13e

Gardner’s Art Through the Ages, 13e

Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.

The Visual Arts in Renaissance Florence and Venice Jonathan Davies.

The Visual Arts in Florence and Venice Jonathan Davies.

Lucca Cathedral facade

POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.

Filippo Brunelleschi (b

Images from the Italian Renaissance. Italian Altarpieces and Polyptychs.

1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.

Proto-Renaissance and International Gothic 13th and 15th Centuries Europe Instructor: Erica Ness.

The Italian Renaissance HWH UNIT I CHAPTER 1.1. How does this painting define the Renaissance?

AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Portrait of Brunelleschi after a medal by A.Cavalcanti,

Chapter 21 Italy comparisons

Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.

VARARENESANSS ITAALIAS SKULPTUUR. LORENZO GHIBERTI

GRECO, El; The Virgin Mary; Museo del Prado, Madrid.

Chapter 19 Italy, Italy about 1400 Nicola Pisano, pulpit from Pisa Cathedral baptistery,

Claims—Write a claim that could be used to begin a paragraph about this piece. The more specific your claim—the better. You are responsible for two images—you.

~Lake Oswego Art Literacy~ Michelangelo 1475 – 1564 Italian Sculptor and Painter Portrait of Michelangelo, unfinished by Jacopino del Conte ca. 1540, oil.

Ambrogio Lorenzetti FRESCOS OF THE SALA DEI NOVE (OR SALA DELLA PACE) Palazzo Pubblico, Siena, Italy Length of long wall about 46' (14 m).

Gothic. Santa Croce, Florence, Italy. Begun 1294.

From Medieval to Renaissance: Italy, Compare Byzantine (left) style and content with High Renaissance (right) (left) Bonaventura Berlinghieri,

Raphael Portrait of Julius II 1512 Tempera on wood, 108,5 x 80 cm Galleria degli Uffizi, Florence Michelangelo Tomb of Pope Julius II, begun 1505, completed.

Chapter 19 From Gothic to Renaissance: 14th Century Italian Art.

Gardner’s Art Through the Ages, 12e

Renaissance Late 13-14c Proto-Renaissance – transformational period

Italian Gothic Arnolfo di Cambo, Francesco Talenti, Andrea Orcagna, and others. Florence Cathedral, Florence. Begun 1296; redesigned 1357 and 1366;

Art of the Italian Renaissance Detail of Procession of the Magi, Gozzoli.

Siena Cathedral, Façade design by Giovanni Pisano.

Lorenzo Ghiberti, Sacrifice of Isaac, 1401, Museo Nazionale del Bargello, Florence, Italy.

By: Valeriy Zeltser Per 5 Ap Euro.. Gallery How the Art relates to the renaissance and humanism.

13th Century Italy – High Middle Ages

Art of the Renaissance. But first let’s do a little review of Medieval art.

Botticelli, The Madonna of the Magnifcat. Botticelli, Portrait of a Young Man Botticelli, Portrait of a Young Woman Botticelli, Cestello Annunciation.

The Medici Family and Palazzo Vecchio Florence. Palazzo Vecchio.

Lorenzo Ghiberti, Jacopo della Quercia,

Palazzo Medici-Riccardi

Michelangelo ( “ m i c k e l - A N - j e l - o h ” ) Italian Painter & Sculptor.

Proto-Renaissance and International Gothic

Slide List # 2: Early Renaissance* Sculpture

Filippo Brunelleschi (b

1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.

Perugino & Mantegna Jessica Samuel Vanessa Santos.

MICHELANGELO Buonarroti Creation of Adam (detail) 1510 Fresco Cappella Sistina, Vatican Web Gallery of Art.

Lorenzo Ghiberti, North Doors Gilded bronze, Baptistery, Florence (originally installed on the east entrance; Moved to the north entrance in 1452)

Glasgow Presentation T. F. X. Noble University of Notre Dame November 3, 2009.

Art History Test Review: Italo-byzanatine & Renaissance.

What are ways that societies express their values?

Palazzo Vecchio. Florence. 1299–1310. © Atlantide Phototravel/Corbis. [Fig. 13-1]

A change in how we look at art Art becomes the means to explore all facets of life on Earth Artists shifted from being anonymous craftsmen to prestigious.

Lorenzo Monaco Born Piero di Giovanni c , but took the name Lorenzo when he became a monk at the monastery of Santa Maria degli Angeli (St. Mary.

The visual and material culture of religion. Christian Art Exodus 20, 4-5: ‘You shall not make for yourself an image in the form of anything in heaven.

Art Before the Renaissance Romanesque (11-12c) & Gothic (12-15c)

Quizzle #2 Today (every other seat and utter silence)

Italian Renaissance Art

Cinquecento Italian Art (High Italian Renaissance)

The three panels, listed in the Medici Inventory of 1492 and now in the National Gallery, London, Musée du Louvre, Paris, and Galleria degli Uffizi, Florence,

GARTH 206 Quiz 1 Images.

Simone Martini (ca ) WHO? WHAT?

The Deposition from the Cross

“Make a Joyful Noise”: Renaissance Art and Music at Florence Cathedral

Pietro Lombardo Tomb of Doge Antonio Roselli c

The Origins of Renaissance Art

Filippo Brunelleschi (b

POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.

Sassetta Saint Francis in Ecstacy

Presentation transcript:

Ferrara Madonna (Silvestri Madonna) Marble, 1403 Jacopo della Quercia, Ferrara Madonna (Silvestri Madonna) Marble, 1403 Museo dell’Opera del Duomo, Ferrara

Tomb of Ilaria del Carretto, Jacopo della Quercia, Tomb of Ilaria del Carretto, View from south Marble c1406-08 Lucca Cathedral

Detail of putto holding garland, southwest corner

Detail of garland

Detail of Ilaria

Giovanni d’Ambrogio (?), (past attribution to Jacopo della Quercia) Annunciation, Marble, c.1405, Museo dell’Opera del Duomo, Florence

Detail of Carretto Coat of Arms, View from east

Detail of Ilaria’s garland

Detail of foliated Cross , View from west

Detail of dog

Detail of putto

Detail of putto

San Frediano, Lucca

View of Jacopo della Quercia’s Trenta Altar (1410/11-22) and the Tomb effigies of Lorenzo Trenta and Isabetta Onesta (1416), Trenta Chapel, S. Frediano, Lucca

Late classical sarcophagus containing relics of St. Richard

Completed in two phases (upper: 1410/11-13; predella: 1420-22) Jacopo della Quercia, Trenta altarpiece Carrara marble, Completed in two phases (upper: 1410/11-13; predella: 1420-22) Capella di S. Riccardo, S. Frediano, Lucca

Detail of Madonna and child

Detail of St. Richard St. Jerome St. Richard

Detail of St. Lawrence St. Ursula St. Lawrence

Predella: St. Jerome and the Lion Miracle of the body of St. Richard St. Cristina

Predella: Miracle of St. Richard’s body

Predella: Martyrdom of St. Lawrence

Predella: St. Jerome and the Lion

Predella: detail of Marytyrdom of St. Ursula

Bust above St. Ursula Bust above St. Lawrence

Bust above St. Jerome Bust above St. Richard

Jacopo della Quercia, Lucca Apostle, Marble, c1411-12, S. Martino, Lucca