VISUAL REFLECTION ELA 30-2.

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VISUAL REFLECTION ELA 30-2

VISUAL REFLECTION ASSIGNMENT In the Visual Reflection Assignment, you will be asked to reflect upon and support your ideas and impressions regarding a visual text that may be a photograph, cartoon, drawing, poster, or advertisement. More than one visual text may be presented. You are encouraged to choose a prose form that will enhance the presentation of their ideas.

THE ASSIGNMENT Examine the visual text. Reflect upon the ideas and impressions suggested by the visual text. What ideas and impressions does the visual text suggest to you? Consider the context, and develop your response by referring to the text. Note: You may respond from a personal, critical, and/or creative perspective. In your writing, you should select a prose form that is appropriate to the ideas you wish to express and that will enable you to effectively communicate to the reader. You should discuss ideas and impressions that are meaningful to you. Consider how you can create a strong unifying effect.

VISUAL REFLECTION The format of a visual reflection is much the same as any other written response; you state your idea and then you defend the idea with details from the photograph or painting. Visual responses are worded as follows: - What idea does the photograph/painting/cartoon communicate to you? - Explain how the details in the photograph/painting/cartoon and the photographer/painter/cartoonists choices support this idea. With the word "you" in the question, you can use "I" in the response. As it asks you what the visual communicates to "you" there is room for different responses. There is no right answer; there are defensible answers.

What idea does the photograph communicate to you?

SAMPLE RESPONSE Start with a thesis statement; your answer to the question: Even at its poorest, humanity can still find it possible to share what little they have. Explain how the details in the visual and the creator's choices support this idea. Then think of at least three points that back up your answer. i. the old man is cold and dirty, which reflects poverty. The little girl is also dirty and has only crackers to eat. They are poor and have little. ii. the old man is in pain, by his expression. He is huddled into himself as if trying in vain to gather warmth. The background is blurry and indistinct, accentuating the isolation of the two. There is no one coming to help them; they are not part of the big picture. iii. the little girl is offering a cracker; her only food to the old man. She is holding the cracker up as a gift, an offering, a hope to bring him comfort. Her facial expression, although not entirely clear, seems to be one of concern.

3. Now, you have the answer and the support - write your response. It seems that even in at its lowest, poorest, coldest, most desolate state, humans can find a way to attempt to comfort one another. This candid photograph reveals a moment between an old man and a child where the child offers all she can to ease the discomfort of the old man. She has little to offer but the offer itself. The old man in the photograph is cold and hungry; his face reflects his pain. The man's jacket seems to have a broken zipper, leaving only the buttons to attempt to shut out the cold. He huddles into himself in a vain attempt to gather warmth. The man is perhaps the girl's grandfather. As the cold and hunger of poverty can age a person prematurely, the man may even be her father. The little girl is also cold; her soiled clothing and dirty hands indicate she shares the state of poverty with the old man. The coat and hat, once a bright and cheerful pink have been covered with the dirt and soot of living in the street.

response continued… The images in the foreground, the girl and the man, are sharp and distinct. Like the hunger pains and cold winds, the images are sharp. The background abruptly blurs behind them. Like most of the poor in society, they are not part of the 'big picture'. The back ground is blurred symbolizing a separation from the rest of the scene, the rest of the world. They are isolated in their situation. There is not aid forthcoming, no help advancing from the back ground. The background, like their future is blurry and uncertain. The little girl is offering a cracker. This is all she has to offer. Her face is not entirely visible but what we can see indicates concern as does her body language. She is holding food up to her fellow man, an offering of all that she has to offer in order to ease his pain. His, most likely, has refused to eat the little food they have in order to feed the child. His sacrifice is another example of humanity in the poorest of circumstances. He refused to eat the food that would ease his hunger because he wants to prevent her hunger. She offers all that she has in the cracker, in an attempt to ease his pain. Even in their isolated hunger and cold, the man and the child both offer comfort and aid to one another.

SUMMARY Notice how the interpretation is defended with details from the photograph. You can also draw conclusions from the details. For example, we do not know the relationship of the man and child, but it was suspected or assumed they were related. It is also acceptable to draw on personal experiences as they interact with the picture. It is not acceptable to make inferences that are NOT supported by details.

What idea does the cartoon communicate to you?

What idea does the painting communicate to you? New Ball Park Construction, by Max Mason

What idea does the photograph communicate to you? What idea does the cartoon communicate to you? What idea does the drawing communicate to you? What idea does the poster communicate to you? What idea does the advertisement communicate to you?

Visual Reflection RUBRIC Ideas & Impressions Presentation The quality of the ideas generated by the student to explore the visual text(s) and the impressions that the student has formed to reflect upon the visual text(s) The effectiveness and consistency of the support provided The appropriateness of development and unifying effect to prose form  DO THESE THINGS Make sure you can prove your ideas based on the details in the picture. Make sure you understand the point of the juxtaposition between the photos. Make sure you explicitly state the juxtaposition. Follow the format provided by your teacher. Use specific details from the photo to show your understanding of how the image is working to convey its message. Connect each paragraph to the main idea. The effectiveness of voice and its appropriateness to the intended audience of the prose form that the student has chosen The quality of language and expression Consider the proportion of error in terms of the complexity and length of the response. DO THESE THINGS Make sure you have created a strong, believable character. Check that verb tense is consistent. Spell check AND check your spelling. Read it out loud and listen for sentences. A sentence ends in a period. Make sure you do not have more than one conjunction in a sentence (for, and, nor, but, or, yet, so) Create a strong voice.