Regionalism & Local Color

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Presentation transcript:

Regionalism & Local Color Realism Regionalism & Local Color

What is realism? Broadly defined, a literary technique devoted to "the faithful representation of reality" A reaction against romanticism Sparked by an interest in the scientific method, the systematizing of the study of documentary history, and the influence of rational philosophy

Realist writers … Endeavored to accurately represent contemporary culture and people from all walks of life Addressed themes of socioeconomic conflict by contrasting the living conditions of the poor with those of the upper classes in urban as well as rural societies Sought to narrate their novels from an objective, unbiased perspective that simply and clearly represented the factual elements of the story Became masters at psychological characterization, detailed descriptions of everyday life in realistic settings, and dialogue that captures the idioms of natural human speech

Local Color/Regional Literature Local color or regional literature focuses on the characters, dialect, customs, topography, and other features particular to a specific region. Between the Civil War and the end of the nineteenth century, this mode of writing became dominant in American literature.

Shared Characteristics in Local Color & Regional Literature Setting Characters Narrator Plots Themes

Setting The emphasis is frequently on nature and the limitations it imposes; settings are frequently remote and inaccessible. The setting is integral to the story and may sometimes become a character in itself.

Characters Local color stories tend to be concerned with the character of the district or region rather than with the individual: characters may become character types, sometimes quaint or stereotypical. The characters are marked by their adherence to the old ways, by dialect, and by particular personality traits central to the region.

Narrator The narrator is typically an educated observer from the world beyond who learns something from the characters while preserving a sometimes sympathetic, sometimes ironic distance from them. The narrator serves as mediator between the rural folk of the tale and the urban audience to whom the tale is directed.

Plots It has been said that "nothing happens" in local color stories by women authors, and often very little does happen. Stories may include lots of storytelling and revolve around the community and its rituals.

Themes Many local color stories share a resistance to change and a nostalgia for an always-past golden age. Thematic tension or conflict between urban ways and old-fashioned rural values is often symbolized by the intrusion of an outsider or interloper who seeks something from the community.

Shared Techniques Use of dialect to establish credibility and authenticity of regional characters. Use of detailed description, especially of small, seemingly insignificant details central to an understanding of the region. Frequent use of a frame story in which the narrator hears some tale of the region.