Editing
editing that provides a continuous and clear movement of events/images in a film as if they had occurred continuously when, if fact, they were shot out of sequence; also refers to the degree to which a film is self-consistent without errors
continuity
the thin strip of transparent plastic coating that forms the film’s highly-flammable, light-sensitive base layer; also used as an adjective related to some aspect of cinema or as a slang word for a movie
celluloid
a splicing together of two sections of film; the most abrupt transition between shots
cut
an uninterrupted section of film produced by a single running of the camera
shot
shot = close up: Ben speaking with woman scene = close up: Mr. McGuire intercepts Ben on the stairs/tracking long to medium shot: Ben and Mr. McGuire outside by the pool sequence = Ben’s graduation party
a series of shots that together comprise the smallest narrative unit of film
scene
a series of several scenes that together create a major emotional narrative in a film
sequence
a series of shots edited together to music, developing the theme or emotional mood in a film and to quickly span time, preserving the pace of a film
montage sequence
jump cut graphic match
a shot of short duration
short take
a shot of long duration, not to be confused with a “long shot”
long take
the opening shot of a sequence which creates the context of setting or location
establishing shot
a close-up or medium shot that focuses on a particular character’s reaction to the events in a film
reaction shot
a close-up image inserted into a scene, usually to give the audience a closer look at what the character on screen is seeing, such as a letter or photo
insert shot
an abrupt, disorienting transitional device in the middle of a continuous shot in which the action is noticeably advanced in time, either a result of bad editing or done purposefully for artistic effect
jump cut
the editing technique of alternating, interweaving, or interspersing one narrative scene or sequence with another, usually in different locations to suggest parallel action
cross cutting
a transitional technique in which two shots are linked by visual, aural, or metaphoric similarities
graphic match or match cut
scenes at the beginning and end of a film that complement each other and help ties a film together
bookends
a shot transition in which the second image gradually appears on top of the first until the two are blended and the first image gradually disappears
dissolve or mix
a dark screeen that gradually brightens as a shot appears
fade-in (fade-out)
a round, constricting lens attachment that closes in the shape of a circle to end or begin a scene
iris
irismontag
a shot transition in which a second shot slides its way into the frame while simultaneously horizontally, vertically, or diagonally pushing out the first
wipe