Setting Up Still Life

1. Decide what to paint One of the best ways to start is to find an object that really intrigues you. If you love an object, you are more likely to be patient with the process of observing, examining and painting it. Think about the story you want to tell. Is it about color and texture? History or emotion? That story can suggest what a painting's title might be. The contrasting textures and complimentary colors of the ginger jar and clementines above really drew me in. Ginger and citrus are reminiscent of chutney, and so this piece, painted in Putney, Vermont, is called Making Chutney in Putney. Of course.

2. Where to set up Still life doesn't depend on weather, as plein air painting does, or on hiring a model as figurative painting requires. Still life can be tackled almost anywhere there is lighting, a surface and… stuff! However, controlling light and determining your horizon, or sightline, are important from the start.

3. Lighting A consistent light source is needed to render form with highlights and shadows. Any secondary or ambient light will create conflicting shadows or reflections making it difficult to understand what's really going on. If needed, set up blockers (cardboard panels) to prevent ambient light from causing confusion.

4. Horizon With still life the horizon is not the point where the earth meets the sky, rather it's the sight line of the artist/viewer. When objects are placed on a table we decide how much of the surface will be visible and that can influence the “story”. Viewing from above can emphasize the space between the objects. Viewed straight on (with the table’s edge or bottom of objects at eye level) similarities or contrasts between the objects may be more significant.

5. Drama Ideally, one area of your painting will be the "star," with the rest acting as supporting players. A strong focal point draws the viewer in and starts the conversation. Your focal point can be a single object or a dramatic reflection or other interplay between objects. In choosing subjects, consider what aspect of the elements you want to draw attention to.

6. Objects Finally. This is the pure fun part! Gather a bunch of objects that, more or less, relate to the story you want to tell. Play with them. Use your imagination, take your time, move things around. It’s a dance and every step gets you closer to the grand finale. Be patient and empathetic. Evolve with the process. Your first chosen object may have to be abandoned. Not every player makes the final cut. This can be a slow process, so take pictures to help remember the ground you've covered. Photos also provides a 2-D preview of the composition. The images below show just a few of the options I considered for this still life of old books, hoping to convey the timelessness of reading and learning.