Harmonic Progression Kostka-Payne Chapter 7.

Slides:

Advertisements

Similar presentations

Harmonic Progressions By Wally Furrer. Chord Progressions The best way to study harmonic progression is to consider progressions in groups according to.

Advertisements

Diatonic Chords in Major and Minor Keys

Before We Begin... Hang on to your homework – we’re going to go over Part A, and Part B is part of your assignment tonight. I will give you your “tests”

Chapter 2 – Scales, Tonality, Key, Modes

Chapter 4 How Music Works Part II: Pitch.

A.Diederich – International University Bremen – USC – MMM – Spring 2005 Development of music perception Dowling, W.J. (1999). Development of music perception.

Melodic Organization Chapter 6. Motive Short melodic and/or rhythmic pattern Usually only a few beats Recurs throughout a piece or section Unifying element.

Chapter 12 Phrase Structure and Grouping. Phrase Length Consider phrases in grammatical terms: ◦ Open Phrase / Half cadence : question – requires a response.

Harmonic Progression and Harmonic Rhythm

Chapter 6 Melodic Organization.

A.Diederich – International University Bremen – USC – MMM – Spring 2005 Tonal structure Aiello, R. Sloboda, J.A. (1994). (Eds) Musical Perceptions. OUP.

What is music? Music is the deliberate organization of sounds by people for other people to hear.

Voice Leading in Four-Part Chorale Writing

MUSIC THEORY September 7, Opening Assignment  On staff paper, draw the following key signatures  Treble Clef A Major A-flat Major B Major  Bass.

Modulation Chapter 15. Modulation Process that results in a shift of tonal center Commonly called a key change.

Chapter 15 Modulation Modulation Modulation is the process that results in the shift of the tonal center. In other words, a key change. Modulation is.

About Directions Start Tutorial. How to use this tutorial The modules are designed to be completed sequentially. Each module has a brief review of concepts.

The 4 Parameters of Sound PITCH = the frequency of vibration (heard as “high” vs. “low”) DURATION = the length of time a sound lasts (heard as aspects.

NCVPS AP Music Theory Presentation by Dr. Tom Moncrief Types of Non-Chord Tones.

MotiveRepeated rhythmic and/or melodic pattern, a short idea.

Chapter 8 Diatonic Harmony

AP Music Theory Chapter 2. Scales A collection of pitches in ascending and descending order.

The Leading-tone Seventh Chord

Key Relationships AP MUSIC THEORY 2014.

Index Review. Scales, Key, and Modes! Chapter 3 Scales! Scales : an ordered collection of pitches in whole and half-step patterns. Scale comes from the.

Signatures and Earmarks: Computer Recognition of Patterns in Music By David Cope Presented by Andy Lee.

A framework for answering aural questions using the 6 concepts of music.

Texture and Textural Reduction

Volume II: Chapter 5 Neapolitan 6 th Chords. Neapolitan 6 th Chord Major triad built on the lowered 2 nd scale degree Meaning of name unknown Some believe.

Chapter 8. Why use 1 st Inversion Chords?  To Improve the contour of the bass line  To provide greater variety of pitches in the bass line  To lessen.

Before We Begin... Get ready for your “test” – Figured Bass and Roman Numerals.

Part Writing and Voice Leading THE #1 THING YOU’VE ALWAYS WANTED TO DO ON A TUESDAY.

Rules for Root Position Part-Writing

Tippett - Concerto for Double String Orchestra movement I (Harmony) By Luke Everard.

1. Rhythm 1.1. Basic rhythmsBasic rhythms 1.2. Rhythmic formulasRhythmic formulas 2. Melody 2.1. Diatonic scaleDiatonic scale Relative keys Degrees of.

Cadences and Nonharmonic Tones

AP Music Theory Elements of Music: Pitch. Keyboard and Octave Registers  Pitch refers to highness or lowness of a sound  Names for the first 7 letters.

AP Music Theory Mr. Silvagni

Melodic and harmonic devices

Corelli: Trio Sonata in D, Op. 3 No 2

Model Multiplication Name: _______________________________

Warm-Up What is the difference between parallel and relative minors?

Introduction to music theory Part 1

Introduction to Music scales

Chords and Triads.

Diatonic Triads and 7th Chords

Harmonic Progression Determines the shape of a composition.

Types of Scales For each scale, copy out the example and label the tones and semi-tones.

Introduction to Music Theory

Pitch Collections, Scales, and Major Keys

AP Music Theory Mr. Silvagni

Model Multiplication Name: _______________________________

Kostka/Payne – Chapter 5

Four Different Interval Combinations for the Bass Voice

INTERVALS, SCALES & CHORDS

Elements of Music.

CHAPTER 9 4-part voice leading

Music Analysis Questions to ask when previewing a piece of music literature.

Section 10.4 Other Angle Relationships in Circles

The Interaction of Melody and Harmony

AP Music Theory Monday 28 January 2019.

Texture Key Words.

Appoggiatura Grace note.

Harmonic Progression Kostka-Payne Chapter 7.

The distance in pitch between two notes

An Introduction to Music–Melody –Harmony –Rhythm.

Chord Recognition with Application in Melodic Similarity

Presentation transcript:

Harmonic Progression Kostka-Payne Chapter 7

Why is it that some chord successions seem to progress and others seem to wander and leave our expectations unfulfilled?

Ex 7-1 Progression A

Ex 7-1 Progression B

Terms: Sequence – a repeated pattern of notes that begins on a different pitch class. Tonal – keeps in the same key (diatonic) (intervals change.) Real – transposes the pattern to a new key to keep the same intervals.

Terms: Imitation– must occur in a different voice. Sequences can be melodic or harmonic or both.

Terms: Ex 7-3 Modified Sequence – neither tonal nor real.

Circle of 5ths Progression Descending 5th (or ascending 4th)

MusicTheory.net Common Chord Progressions