Telephone Conversation By Wole Soyinka

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Presentation transcript:

Telephone Conversation By Wole Soyinka

About The Poet Wole Soyinka , a Nigerian poet was born in 1934.He was awarded Nobel Prize in Literature in 1986. Wole Soyinka , a Nigerian poet was born in 1934.He was awarded Nobel Prize in Literature in 1986

About The Poem The poem is a poetic satire on racism. It is a telephone conversation between a White landlady and a prospective Black tenant. Racial bias and colour prejudice of the landlady and controlled anger of the tenant has been highlighted.

Text Of The Poem Line 1-5: There was nothing objectionable so far as the location was concerned. But when the caller learns that the landlady is a White ,he has to confess that he is a Black. Text:The price seemed reasonable, location              Indifferent. The landlady swore she lived              Off premises. Nothing remained              But self-confession. “Madam,” I warned,  “I hate a wasted journey—I am African.”

Contnd. Line 6-9 : These lines show the impact of revelation on the landlady who was a rich woman. Text: Silence. Silenced transmission of              Pressurized good-breeding. Voice, when it came,              Lipstick coated, long gold-rolled              Cigarette-holder pipped. Caught I was, foully.

Line 10-35 : When the landlady asks him to describe the colour of his skin , the caller feels insulted and being a victim of racial prejudice hits back by giving details of his skin.But the lady still unaware of the irony hangs up the phone. Text: “HOW DARK?” . . . I had not misheard . . . “ARE YOU LIGHT              OR VERY DARK?” Button B. Button A. Stench              Of rancid breath of public hide-and-speak.              Red booth. Red pillar-box. Red double-tiered              Omnibus squelching tar. It was real! Shamed  15         By ill-mannered silence, surrender              Pushed dumbfoundment to beg simplification.              Considerate she was, varying the emphasis—              “ARE YOU DARK? OR VERY LIGHT?” Revelation came.              “You mean—like plain or milk chocolate?”   

Contnd. 20         Her assent was clinical, crushing in its light              Impersonality. Rapidly, wavelength adjusted,              I chose. “West African sepia”—and as an afterthought,              “Down in my passport.” Silence for spectroscopic              Flight of fancy, till truthfulness clanged her accent  25         Hard on the mouthpiece. “WHAT’S THAT?” conceding,              “DON’T KNOW WHAT THAT IS.” “Like brunette.”              “THAT’S DARK, ISN’T IT?” “Not altogether.              Facially, I am brunette, but madam, you should see              The rest of me. Palm of my hand, soles of my feet  30         Are a peroxide blonde. Friction, caused—              Foolishly, madam—by sitting down, has turned              My bottom raven black—One moment madam!”—sensing              Her receiver rearing on the thunderclap              About my ears—“Madam,” I pleaded, “wouldn’t you rather  35         See for yourself?”

Ironical Words Self Confession ,warned: As if he has committed a crime. Good Breeding: Whereas she put a very silly question to the caller. Considerate She Was:The very question put by her is harsh

Symbolic Words Button B , Button A:His confusion Red Booth, Red Pillar Box,Red Double –Tiered Omnibus: His anger