with particular reference to the response of Lady Mary Wortley Montagu Reactions to female disfigurement from smallpox in texts from the Eighteenth Century with particular reference to the response of Lady Mary Wortley Montagu

Child suffering from smallpox

The effects of smallpox A Practical treatise on smallpox : illustrated by colored photographs from life / by George Henry Fox ; with the collaboration of S.D. Hubbard, S. Pollitzer, and J.H. Huddleston. Philadelphia : Lippincott, c1902

David Shuttleton existing accounts “down-play the role of the literary imagination in the cultural framing” of smallpox (Smallpox and the Literary Imagination 3) Approach similar to Porter and Rousseau in Gout, the Patrician Malady (1998) where they embrace the role of the imagination in rendering the experience of disease for the sufferer

Lady Mary Wortley Montagu 1689-1762 Suffered from smallpox December 1715 Accompanied her ambassador husband to Turkey Brought smallpox inoculation back to Britain Her work has increasingly attracted attention it deserves, particularly in relation to gender studies Jennifer Keith: “[she] delineates a woman’s experience inside and outside a poetic discourse that has been associated with the ‘masculine’ world of the ‘Augustans’” Isobel Grundy: we need “bolder thinking about the working out of gender issues” in relation to Montagu and especially her rift with Pope

Perception of smallpox ‘Menstruosity’ coined by Tobias Walker 1616 Fear that even hearing about smallpox could induce infection Mirrors were removed from sufferers’ homes to prevent them from being frightened Its “disfiguring power” epitomized the idea that “all disease is evidence of the Fall which, according to Genesis, stemmed from the specifically female transgression” (Shuttleton)

‘Saturday. The Small-Pox. Flavia’ Put into the “wider context of other imaginative works presenting female scarring as moral retribution” (Shuttleton) Identity created through appearance Motif of mirror Rewards/prizes for beauty

Other responses to female disfigurement Mary Jones – ‘After the Smallpox’ – commercial discourse William Thompson – ‘Sickness, A Poem’ – male survivors find transcendence: “Enamel’d, not deform’d” The Devonshire Woman – Frances Flood – religious aspect

Conclusions LMWM is “slippery” (Grundy) Dramatizes vanity in ‘Saturday’ Playful with genres Devastating in a personal reading Idea of retribution? Explore responses to inoculation Used to save beauty not lives? Henry Jones Inoculation; or Beauty’s Triumph Inspired by traditional female practice, brought to England by woman – transgressive in many ways