Teacher: Kenji Tachibana Digital Photography I. Copyright © 2003 – 2009 Kenji Tachibana Side, Beauty, & Catch Light Light.

Slides:



Advertisements
Similar presentations
Teacher: Kenji Tachibana Digital Photography I. SP ID Feedback 7 slides.
Advertisements

Teacher: Kenji Tachibana Digital Photography I. Copyright © 2003 – 2009 Kenji Tachibana Mac & Lab Work 9 slides.
Teacher: Kenji Tachibana Digital Photography I. High Dynamic Range & Overcast Light –22 slides Copyright © Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I. Cropping for Story Assignment Shooting and Photoshop – 10 slides Runner & Housewife Copyright ©
Studio Lighting W.J. Veldhoen St. Thomas Aquinas CHS.
Photography. Introduction - Recap Can anyone tell me what is the meaning of ‘photography’? Photo means light and Graphis means to draw. To take a picture.
Teacher: Kenji Tachibana Digital Photography I. Enrique – Thing Shot 16 slides Copyright © Kenji Tachibana.
LIGHTS, CAMERA, ACTION. Agricultural Promotion Video  Play video #1.
Basic terms and concepts Photography is … Inverse Square Law Color Temperature –Mixing light sources –Filters (in camera, light mounted, window mounted)
Teacher: Kenji Tachibana Digital Photography I x Lab Work: Photoshop Colorize.
Teacher: Kenji Tachibana Digital Photography I Student Examples … Better and Better.
Teacher: Kenji Tachibana Digital Photography I. H igh D ynamic R ange Back Light – 11 slides Copyright © 2003 – 2009 Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I. People Shoot - Feedback 9 slides Copyright © 2003 – 2009 Kenji Tachibana.
EXPRESSIVE PORTRAITS PAINTING I. How are can portraits be expressive? An expressive portrait shows more than just the a subjects appearance and personality,
Photographic Composition Part Two For audio, click the speaker icon on each slide.
Teacher: Kenji Tachibana Digital Photography I. Final Stage-1 Feedback 16 slides Copyright 2003 Kenji Tachibana.
Portrait Lighting REVIEW OF KEY TERMS. Key Terms  1. Key Light  2. Fill Light  3. Background light  4. Rim/Hair Light  5. Reflectors/Scoop  6. Diffuser.
Lighting: The Ins and Outs of Lighting in Various Forms of Media
Objective 3: Lighting Lighting is possibly the most essential determiner between an AVERAGE photograph and a brilliant photograph. With a knowledge of.
Teacher: Kenji Tachibana Digital Photography I. Texture and Fall Color Found Shot Study - 15 slides Copyright © Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I. Composition Ideas Fill the frame & 2 nd reading Copyright © Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I. Copyright © 2003 – 2009 Kenji Tachibana Skylight & Portrait Lighting 20 slides.
Teacher: Kenji Tachibana Digital Photography I. Exposure Compensation Shoot. | | | | | | | | | | | | |
Teacher: Kenji Tachibana Digital Photography I. People Lighting 14 slides Copyright © 2003 – 2009 Kenji Tachibana.
Portraits 3- POINT STUDIO LIGHTING. Three-point lighting  It is a standard method used in visual media such as video, film, still photography  A typical.
Teacher: Kenji Tachibana Digital Photography I. H igh D ynamic R ange Overcast ‘Car Lighting’
LIGHTING CHAPTER TEN.  You can often achieve all of your lighting controls by simply working with available light and simple reflectors and diffusers.
Teacher: Kenji Tachibana Digital Photography I. Natural Gradation - Found Shots 14 slides Copyright © Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I x Making Images.
By: Mariah Frink. I picked this picture because I love the brightness and contrast between the clouds and sky, against the green fields, flowers, driveway,
Teacher: Kenji Tachibana Digital Photography I. Art 115 – Shoot Black & Shiny 9 Slides Copyright © 2003 – 2009 Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I. First Impressions SSCC Campus.
Teacher: Kenji Tachibana Digital Photography I. SP ID (Passport) – 13 slides Assignment Feedback.
Studio shoots. Camera Settings: ISO – 100 Fn -11 Lighting: Front light & blue gel light Model: (josh) Male because it’s a Top Man shoot. Model style:
Teacher: Kenji Tachibana Digital Photography I. Get Tight – 9 slides Using Framing & Design Copyright © Kenji Tachibana.
Teacher: Kenji Tachibana Digital Photography I. Self Portrait - Head & Shoulder winter ’09 Feedback Copyright © 2003 – 2009 Kenji Tachibana.
What is an Expressive Portrait?. more than just a picture of a person express the essence of a person’s nature reveal the characteristics that would go.
photography.
Analysing Existing Magazines Double Page Spread By Angela Kennedy-Macfoy.
Thinking about the picture before you take it.. Draw 2 imaginary lines (both horizontal and vertical) at equal distances from each other essentially dividing.
Digital Photography Tips on Composition. Framing Your Shots Rule of Thirds Working the Lines Finding Fresh Angles Getting Horizons Horizontal Getting.
‘… nothing happens by accident…’. Pre Production Period Concept Development Script Storyboarding Casting Funding Planning.
Communications Technology TGJ4M.  Incident light is light that strikes on the surface of a subject  Reflected light is light bouncing off of a subject.
Visual Analysis Queens Group C1. Queen Victoria With the background being bleak it contrasts with the queens face, and we feel that it shows a vulnerable.
Lighting “The art of cinematography is the art of lighting and making that light tell the story.” -Stephen H. Burum, ASC (Apocalypse Now, Carlito's Way,
Portrait Lighting Source: should-know/
Student Camera Concepts Examples. Concepts The underlying principles that apply regardless of the camera you are using. The underlying principles that.
Film Terminology Shots and Framing Camera Angles Camera Movements
Still Life and Studio Photography NC Photography By Caitlin McKeown.
Magazine Analysis' I will be analysing the covers of Kerrang, NME and Q.
What is an Expressive Portrait?. more than just a picture of a person express the essence of a person’s nature reveal the characteristics that would go.
The content of the picture itself is framed within a beautiful old archway and looks out onto the great wall of china. This adds to the attractiveness.
Teacher: Kenji Tachibana Digital Photography I. Inspired Improvisation Working with Matt’s image of Christine.
Teacher: Kenji Tachibana Digital Photography I. Art 115 – Light Fall-off and Measurements Copyright © 2003 – 2009 Kenji Tachibana.
Basic terms and concepts Photography is … Inverse Square Law Color Temperature –Mixing light sources –Filters (in camera, light mounted, window mounted)
Teacher: Kenji Tachibana Digital Photography I. Design Basics 17 slides Copyright © Kenji Tachibana.
To achieve split lighting simply put the light source 90 degrees to the left or right of the subject, and possibly even slightly behind their head. Where.
Black&White Photography Digital Photography. Look for Contrast Because you can’t use color to distinguish one element of your image from another, the.
DIGITAL PHOTOGRAPHY Imaging Partnership. LESSON ONE Introduction and Portraiture.
Research into Codes and Conventions of magazine covers.
Studio Lighting Tips Monday, November 7th Students will be able to set up basic studio lighting for a portrait session.
Photography for Charcoal Portrait Reference
LIGHTING Portaits.
FLIPPED CLASS ROOM ACTIVITY CONSTRUCTOR-USING EXISTING CONTENT
3- point studio lighting
Basic terms and concepts
Lighting: The Ins and Outs of Lighting in Various Forms of Media
3- point studio lighting
Creative Camera Controls and more
3- POINT STUDIO LIGHTING
Presentation transcript:

Teacher: Kenji Tachibana Digital Photography I. Copyright © 2003 – 2009 Kenji Tachibana Side, Beauty, & Catch Light Light

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light P hotography: Draw with light My usual recommendation is to use sidelight. Its the recommended method for drawing form and texture. And sidelight also tends to bring depth (dimension) into an image. Although, over doing the sidelight will cause important subject detail to be lost into the shadows. Therefore, the exact amount of side lighting is directly tied to your story intention.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light S ilverback Gorilla: He would agree that sidelight is making him look strong. Females of his kind swoon over the catch light in his eyes. Sidelight also shows off his soft hairs which contrast well against the pitted boulder behind him, his environment.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light F ace & Light Direction: He is facing towards the light, which makes the lighting more frontal on his face. There is also a modest secondary light source on the left side which comes from the bounce (reflected) light source.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light T he Lady: She loves him but shes holding her tong about her feelings. The side light is doing a nice job of drawing her beautiful profile. And check those gorgeous catch light in her eyes and wonderful wrinkles.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light M ind Your Own: He doesnt find gorillas attractive. He loves his own kind…. But sidelight has no prejudice. It even makes him look charming. Oops, I am only assuming that it is a he based on the beard on his face.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light E dge Lighting: Extreme sidelight was Used to draw skin texture For this lighting class example. The sidelight in this case is coming from the top. There is white card just below the hand bouncing back fill-light to separate the hand from the black Background. It also helps to make the fingers look round. By using reflected (bounced) light, the image retains the single light source look & feel.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light New Terms: 1.Bounced light – light reflected off of any surface. White is the most often used Reflector. But silver, gold, or even black might be used. Color reflectors are also used. 2.Look & feel – a phrase used by image makers to talk about the overall visual effect of an image. Example –I want a grungy, industrial, or an elegant look & feel. Please try to visualize grungy, industrial, and elegant.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light Detail: Tells all Notice how the extreme sidelight, which happens to be coming from the top, draw every tiny fold and wrinkle in the skin. The light came from an ordinary household lamp with an adjustable head as shown. Because the light source is The same size as the hand, its a broad-source light.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light Beauty Light: A 6x4 soft-box (extreme broad- source) light positioned above the camera with an additional 2x2 white reflector below the camera softening the light and opening up the shadow. The light height is higher than normal because its not a portrait. The story is about the skin. Front light used to tell the flawless skin story. It flattened the texture making the skin look smooth. Thats what the client Vidal Sassoon wanted in this skin care product ad shot.

Teacher: Kenji Tachibana Digital Photography I Side, Beauty & Catch Light Conclusion: Tendencies and requirements Side light is great for creating strong texture and dimensionality in an image. Front light is flat and tends to hide texture. Combining flat front light with soft broad-source can be used to make skin look beautiful. Catch light is a must for portraits. Although many commercial people-shots are not about capturing people. Catch light can easily take attention away from the product being sold. Image making is always about telling a story…

Teacher: Kenji Tachibana Digital Photography I x End