ROBERT INDIANA Sept 13, 1928 – May 18, 2018.

Slides:



Advertisements
Similar presentations
Elements and Principles of Art
Advertisements

Five Design Principles By: Jerrod Bain. Five Design Principles Contrast Repetition Balance ColorType.
Indiana’s Own… ROBERT INDIANA. Biography… Robert (Clark) Indiana (1928-), born in New Castle, Indiana Born Robert Clark, Robert Indiana eventually adopted.
Robert Indiana Iconic Pop Artist "Some people like to paint trees," he said. "I like to paint love. I find it more meaningful than painting trees.”
3D Logo Design Project!!!!. Robert Indiana American artist associated with the Pop Art movement Robert created the iconic sculpture of the word love first.
Objectives To identify elements and principles of design.
© red ©
Painting shades and tints A monochromatic color scheme Ms. Blaylock.
POP ART By: Lorena C.S.M.
ART WORDS THESE WORDS HAVE SPECIAL MEANINGS YOU MUST LEARN THEM!
The Elements of Design.
The Elements of Art The elements of art are utilized by all artists, and a greater understanding of the principles which are used leads to a greater understanding.
FINE ARTS LESSON 2 ELEMENTS OF ART
Elements & Principles of Design
Elements of Art (pages 32-36)
Elements of Art. All artists have the same elements of art with which to work. They are line, shape, form, color, value, texture, and space. All the art.
Elements & Principles of Design. Elements of Design The Designer uses the following Elements of Design The Designer uses the following Elements of Design.
Homework Assignment You are going to research any artist of your choosing from any time period or genre. You are going to complete a one page double- spaced.
This is a practice for the academic vocabulary quiz. Each vocab word is used once. The slides will go Through 2 times. The first slides are just the questions.
The Elements of Design Whether you have taken art before or not, it is important to learn and frequently review some of the building blocks for creating.
The Elements of Art.
20 pt 30 pt 40 pt 50 pt 10 pt 20 pt 30 pt 40 pt 50 pt 10 pt 20 pt 30 pt 40 pt 50 pt 10 pt 20 pt 30 pt 40 pt 50 pt 10 pt 20 pt 30 pt 40 pt 50 pt 10 pt Color.
The Seven Elements of Art Ms. Hanson/ART 1. Definition of The Elements of Art The elements of art are a commonly used group of aspects of a work of art.
Third Grade Art Masterpiece Yearly Review
Ms. Crump - Art. What are Art Elements?  The art elements are the “words” that make up the “language of art”.  Consists of:  Line  Color  Shape 
Elements of Design Value and Color.
Elements and Principles How Art is Made !. Definition: (noun) - A line is a basic element of art, referring to a continuous mark, made on a surface, by.
The “parts” of a great composition THE ELEMENTS OF ART.
Elements and Principles of Art. Elements The basic building blocks  Line  Shape  Value  Form  Texture  Color  Space.
Elements of Design “Design” is a visual plan you can use to create your project. Everything you see has a design. The elements of design are important.
The Elements of Art …. and how they impact our lives.
Color Theory.
The basic parts of an artwork.
Elements & Principles of Design
Excerpts from Design Fundamentals for new Media, James Bennet,2ed
Robert Indiana KEY WORDS:
Robert Indiana KEY WORDS:
THE ELEMENTS AND PRINCIPLES OF DESIGN.
Portfolio Elements of Design
COLOR.
Abstract Art Non-representational art, or art departing from representational accuracy.
Ms. Crump - Art Elements of Art.
The Ingredients for a great Composition
Elements of Art.
The Elements and Principles of Art
Streets: Mark Lewis Collage: Craft Kit #17
COLOR THEORY.
Fifth Grade Art Masterpiece Yearly Review
Elements and Principals of ART and DESIGN
Elements of Design “Design” is a visual plan you can use to create your project. Everything you see has a design. The elements of design are important.
Elements and Principles of Art and Design
Art Lesson: Walk a mile in my Shoes.
Art Elements & Principles of Design
A brief introduction on how to create harmonious designs!
Elements and Principles of Art and Design
Any Phone I See I will take!  You may have paper out to take notes.
Elements of Design.
Geog 462: Digital Cartography: Graphic Variables
Cubism one of the most influential visual art styles of the early 20th
The Elements of Art.
Elements & Principles of Art Through Photography
Pop Art.
What Color is it?.
Elements The building blocks. ASM Elements and Principles of Design, Colour Schemes and Principles of Media Arts.
NO more homework for the year.
Color Theory.
Color and Value Art 3 & 4.
Grab out your Portfolio!!!
Ready?.
Line Shape Value Form Color Texture Space
Presentation transcript:

ROBERT INDIANA Sept 13, 1928 – May 18, 2018

Artist: Robert Indiana Dimensions: 3. 66 m x 3. 66 m x 1 Artist: Robert Indiana Dimensions: 3.66 m x 3.66 m x 1.83 m Created: 1970 Medium: Cor-ten steel

On Valentine’s Day, February 14, 1973, the U. S On Valentine’s Day, February 14, 1973, the U.S. Postal Service issued Indiana’s design as a commemorative stamp. 

“SOCIAL COMMENTARY” For most viewers, Love denotes a feeling or experience, possibly a concept and certainly a noun, but the word can also be read as a verb, even an exhortation. The “O” is on the move, but this does not mean that it is running smooth. The work’s political context was the 60s counterculture stirred up by the Vietnam war and the civil rights movement; its personal connections were with Indiana’s lover, the abstract artist Ellsworth Kelly, from whom he parted at this time

Ahava (אהבה " “ love" in Hebrew), Cor-ten steel sculpture by Robert Indiana (American), 1977, Israel Museum, Jerusalem

Artist: Robert Indiana Created: 2009 Period: Pop art Genre: Kinetic art

Artist: Robert Indiana Created: 1983 Owner: Newfields Dimensions: 2.4 m × 2.4 m × 1.2 m (8 ft × 8 ft × 4 ft) Location: Indianapolis Museum of Art, Indianapolis, Indiana

These ten objects are fabricated from sheets of cut and rolled aluminum into the forms of Arabic numerals, or “numbers.” Each number is 8' tall, 8' wide, and 4' deep, and weighs between 600 and 1000 lbs. Each number is painted with a two-color scheme: one color for the front and back sides, and then a separate color for the interior and exterior panels. The range of colors includes four shades of blue and red; three shades of green; two shades of orange, yellow, and white; and one shade of purple, grey, and black. The numbers are not exhibited in numerical order; they have been arranged by the artist to represent dates of personal significance. Each number is mounted onto a custom-fit aluminum base (resting on a center post) that rests on a square concrete block. All numbers are approximately the same total height and width, but vary in linear design depending on the shape of the number. The artist’s name, year of production (varies from 1980–1983), copyright symbol, and the foundry mark (Lippincott) have been stamped into either the right or left side of each number. The sculpture’s appeal and accessibility spring from the artist’s use of everyday material—numbers, rich colors, and the typography of advertising. Though Indiana is best known as a Pop art artist, his color choices—vivid hues and contrasts between different surfaces—and the manner in which the numbers are arranged together—staggered, overlapping, nonlinear—reflect his interest in Op-Art.

The numbers and their colors were identified to represent the stages of man in this way: 1, red and green: birth; 2, blue and green: infancy 3, orange and blue: youth 4, red and yellow: adolescence 5, blue and white: pre-prime of life 6, red and green: prime of life 7, blue and orange: early autumn 8, orange and purple: autumn 9, yellow and black: warning 0, shades of gray: death. Indiana had been working with the 10 numbers two-dimensionally since the late 1950s, but Numbers 1-0 was his first opportunity to realize them in sculptural form. He sees each number as being both an abstract idea and a representation of the physical presence of numbers in life; he associates many significant memories from his own life with numbers.

Political and social engagement also inspired Indiana’s later career Political and social engagement also inspired Indiana’s later career. In the first decade of this century he responded to terrorist attacks and Middle Eastern invasions with such images as Afghanistan (2001) and the Peace series (2003), while during the run-up to Barack Obama’s election as US president in 2008, Indiana projected the configuration of Love on to a related sentiment, Hope.

Hope Day was inspired by artist Robert Indiana’s 2010 interview with The Today Show, in which he said, “I’d like to cover the world with HOPE.” He believes that, as with the iconic Robert Indiana work LOVE, which became a symbol of positivity during the turbulent 1960s, four letters can change the world. And he arranges them in such a way as to make them inescapable. Robert Indiana created HOPE in 2009 with the belief that the world was ready for a new message. HOPE suggests light and illuminates a path to a better world. The “O” in HOPE leans forward, propelling us to look forward to the promise of a better, more peaceful future.