Banksy’s Graffiti: An in-depth Analysis of “Napalm Girl”

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Banksy’s Graffiti: An in-depth Analysis of “Napalm Girl” Katie Ward a. Thesis b. Method of analysis – Perspective by incongruity c. Why I care d. Audience relevance

Preview Background Critical Approach Analysis Implications

Background - Banksy Began in the early 1990s ‘Britain’s most celebrated graffiti Artist’ (Dickens, 2008) Anonymous Activist Controversial & Satirical “It is art's task to make manifest the contradictions of Being…to form equitable views by stirring up contradictions within the spectator's mind, and to forge accurate intellectual concepts from the dynamic clash of opposing passions”

Source: bbc.co.uk/london/

Background - Phan Thi Kim Phuc Vietnam War Missed target “Accidental Napalm Attack” Phan Thi Kim Phuc Vietnam War Missed target Represents futility & damage of Vietnam war “one of the most infamous images of conflict ever captured.”

Perspective by Incongruity Critical approach Kenneth Burke Uses the juxtaposition of oppositional terms to create new meaning

Analyzing ‘Meaning’ Anti-Consumerism Anti-Capitalism Anti-War Combination of anti-war and anti-consumerism “We can't do anything to change the world until capitalism crumbles. In the meantime we should all go shopping to console ourselves,” (Banksy). Anti-War Use of Phan Thi Kim Phuc American Icons = America’s involvement Anti-Consumerism Overexposed photo + Mickey and Ronald = Exploitation Materialism through comparison

Implications to think of other countries, societies, communities and humanities that we forget and neglect in our self-centralized worlds Moral code Change evoking emotion Making people think

Speak softly, but carry a big can of paint (Banksy, 2006). Conclusion Speak softly, but carry a big can of paint (Banksy, 2006).