The Art of Changing the Brain: Enriching teaching by studying the biology of learning James E. Zull Stylus Arlington VA.

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The Art of Changing the Brain: Enriching teaching by studying the biology of learning James E. Zull Stylus Arlington VA 1.
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Presentation transcript:

The Art of Changing the Brain: Enriching teaching by studying the biology of learning James E. Zull Stylus Arlington VA

JAMES E. ZULL FROM BRAIN TO MIND USING BRAIN RESEARCH TO GUIDE EDUCATIONAL CHANGE STYLUS (AMAZON.COM)

Human brain changes during learning

Change is neuron branching Leads to new contacts

Synapse change-increases and decreases

Learning by losing-efficiency

Intelligence and cortex change

WHAT MAKES CHANGE? USE OR DISUSE EMOTION

The Art—part I USE WIDESPREAD AREAS OF CORTEX

The three functions of cerebral cortex Sensing Integrating Action

Two kinds of integration Back brain: integrate information and data to produce complete pictures and facts, and store memories of images, faces, stories, etc—Red dots in green trees = apple orchard Front brain: integrate back brain information (pictures, memories and facts) by holding them in short term memory in order to create ideas plans, hypotheticals, etc—Ladder under red dots in green trees = predict apple picking

Flow of signaling in cortex

Confirming the cycle Thorpe, S.J. et al, Science, Toulouse,

FOUR PILLARS OF LEARNING EXPERIENCE-GET INFORMATION REFLECT-MAKE MEANING CREATE-PREDICT ACT-TEST

ASK “HOW ARE MY STUDENTS FEELING?” THE ART-PART II ASK “HOW ARE MY STUDENTS FEELING?”

SCREENING FOR THE NEGATIVE after LeDoux, Emotional Brain

AMYGDALA-CORTEX CROSSTALK

The joy of learning is as indispensible in study as breathing is in running. -- Simone Weil

DOPAMINE PATHS-REWARD IN THE FRONT? (Nolte, J.)

REWARD IN MOVEMENT

USE EXISTING NEURONAL NETWORKS THE ART-PART III USE EXISTING NEURONAL NETWORKS

BUILDING ON PRIOR KNOWLEDGE (networks!!)

NETWORKS COME FROM EXPERIENCE

Knowledge is networks The branching cell-reach for connections

Network model Kurt Fischer (skills)

WHAT IS THE ART? 1. Use all four major functions of brain 2. Ask “how do my students feel?” Are things moving? 3. Work from existing networks of neurons 4. Balance all these