FINAL EXAM – SPRING multiple choice

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Presentation transcript:

FINAL EXAM – SPRING 2017 55 multiple choice 20 Painting ID (artist & title) - Renaissance (14) - Baroque (15) - Neoclassical (9) - Romantic, Realism, Impressionism, Post-Impressionism (17)

Time Periods Renaissance – 1400-1600 Baroque – 1600-1750 Neoclassical – 1750-1800 Romantic – 1800-1850 Isms – 1850-1900 -- Realism -- Impressionism -- Post-Impressionism

Renaissance Art Realism and Expressionism Geometric Arrangement of Figures Classicism (nudity and S-Curve) Chiaroscuro - high contrast of lights and darks Sfumato - blurring of edges and shading Anatomy Use of Perspective Religious Subject Matter (but not always!)

Baroque Art Tennebrism (extreme contrast of light/dark) Catholic Christian Imagery (Italian Counter-Reformation) Action Drama Ornamentation/Highly decorated Sacred painted as secular (to gain new Catholic followers)

Neoclassical Art Order and Reason Symmetry Outlines of objects Architecture symbolized new government in America “new” classical style – recycling Greek and Roman ideas (again) Art as propaganda (French Revolution and Napoleon)

Romantic Art ANY type of emotion Fantasy Interest in nature Imagination Idealism

Realism Attempt to make images REALISTIC Subjects were normal, poor, every day people Influenced by the camera (Color became more important)

Impressionism Rapid, sketchy brushstrokes Immediate sensations Focus on how light changes color of objects (scientific!)

Post-Impressionism En Plein Air – painting outdoors/natural light/”true” color Individualized Style: -- Van Gogh – short, thick layers of paint -- Gauguin – solid colors, island scenes (Primativism) -- Seurat – painting with dots (Pointillism)

Caravaggio Conversion of St. Paul Baroque Michelangelo David Renaissance Velazquez Las Meninas Baroque

Bernini Ecstasy of St. Teresa Baroque Delacroix Liberty Leading the People Romantic David Oath of the Horatii Neoclassic

Rembrandt The Night Watch Baroque Van Gogh Starry Night Post-Impressionism Michelangelo The Sistine Chapel Renaissance