Erechtheion (Athenian acropolis), c

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Erechtheion (Athenian acropolis), c Erechtheion (Athenian acropolis), c. 421-405 BCE contest between Athena and Poseidon

caryatids/ irregular plan

Left: Nike from the Temple of Athena Nike Below: Temple of Athena Nike (Athenian acropolis), c. 427-424 BCE parapet/ Nike/ use of drapery to define anatomy and movement of the figure

Grave stele of Hegeso (Athens), c Grave stele of Hegeso (Athens), c. 400 BCE, marble depictions of the deceased/ role of women in Greek society

Achilles Painter. Warrior taking leave of his wife (Ereteria), c Achilles Painter. Warrior taking leave of his wife (Ereteria), c. 440 BCE, white-ground lekythos

Niobid Painter. Artemis and Apollo slaying the children of Niobe (Orvieto), c. 450 BCE, Attic red-figure calyx krater

Youth diving, ceiling of the Tomb of the Diver (Paestum, Italy), c Youth diving, ceiling of the Tomb of the Diver (Paestum, Italy), c. 480 BCE

Paintings of men half-lying on klinai from the Tomb of the Diver (Paestum), c. 480 BCE

Praxiteles. Aphrodite of Knidos, Roman copy of an original of c Praxiteles. Aphrodite of Knidos, Roman copy of an original of c. 350-340 BCE, marble Praxiteles and his love Phryne/ appearance of the female nude in Knidos/ increased focus on the individual/ hydria

Praxiteles. Hermes and the infant Dionysos from the Temple of Hera (Olympia), copy from an original of c. 340 BCE, marble Hermes (and a herm statue)/ caduceus/ prototype of the Good Shepherd/ sinuous, shallow S curve/ tender human interactions

Kresilas. Pericles, Roman herm copy after a bronze original of c Kresilas. Pericles, Roman herm copy after a bronze original of c. 429 BCE, marble

Apollo Belvedere, Roman copy of a Greek statue of the mid-fourth century BCE, marble reaching into space/ a Roman work of the 2nd century CE?

Left: Lysippos. Apoxyomenos (Scraper), Roman copy after a bronze original of c. 330 BCE, marble Below: Athlete with strigil, amphora

Grave stele of a young hunter (Ilissos River), c Grave stele of a young hunter (Ilissos River), c. 330 BCE, marble influence of Skopas/ emotional mood

Lysippos. Farnese Herakles (Weary Herakles), Roman copy of a bronze original of c. 320 BCE Lysippos, Alexander the Great’s favorite/ attributes of Herakles/ rejection of stability and balance/ expression of dejection

Head of Alexander the Great (Pella), c. 200-150 BCE, marble

Polykleitos the Younger. Greek theater (Epidauros), c Polykleitos the Younger. Greek theater (Epidauros), c. 350 BCE three days of drama/ orchestra/ theatron open to the sky/ skene/ cavea

Greek theater in Athens the chorus and actors wearing masks/ focus on fate (man in conflict with the gods)

Right: Choragic Monument of Lysikrates (Athens), 334 BCE Below: Polykleitos the Younger. Corinthian capital from the tholos at Epidauros, c. 350 BCE

Theodoros of Phokaia. Tholos (Delphi), c. 375 BCE

Paionios of Ephesos and Daphnis of Miletos Paionios of Ephesos and Daphnis of Miletos. Temple of Apollo (Didyma, Turkey), begun 313 BCE

Gnosis. Stag hunt pebble mosaic (Pella), c. 300 BCE

Philoxenos of Eretria. Battle of Issus (Pompeii), Roman copy of a Greek painting of c. 310 BCE, mosaic

tesserae/ cast shadows (skiagraphia)/ Philoxenes and Pliny/ the Battle of Issus/ Alexander the Great and Darius III/ Hephaestion

Stoa of Attalos II (Athens), c Stoa of Attalos II (Athens), c. 150 BCE Hellenistic period/ stoa/ agora/ colonnades of the stoa

Left: Ground floor of the Stoa of Attalos Right: Pergamene capital from the upper floor