Excursions in World Music Chapter 8: The Music of Sub-Saharan Africa

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Presentation transcript:

Excursions in World Music Chapter 8: The Music of Sub-Saharan Africa Thomas Turino © 2017 Taylor & Francis

Sub-Saharan Africa Diversity: Over 800 ethnolinguistic groups Many communities cross national boundaries Chapter highlights commonalities Then examines how they play out in specific contexts © 2017 Taylor & Francis

General Principles of African Music Rhythmic Complexity Interlock Dense, Overlapping Texture Buzzing Timbre Descending Melodic Lines Call and Response Cyclical, Open-Ended Form Ostinato Improvisation Community Participation Core and Elaboration Parts © 2017 Taylor & Francis

Shona Bira Ceremony and its Function Spirit Possession “Nhemamusasa” © 2017 Taylor & Francis

The Pygmies Lifestyle Travel General Musical Practices Spirituality © 2017 Taylor & Francis

The Mande of West Africa Social Hierarchy Jali Kora Social Function of Musical Performance © 2017 Taylor & Francis

The Ewe of Ghana Society and Social Hierarchy Dance Clubs Performance © 2017 Taylor & Francis

The Buganda Kingdom Court of the Kabaka Music at the Court Akadinda Entenga Colonial and Post-Colonial History © 2017 Taylor & Francis

A Sampling of Instruments Percussion Instruments Drums and “Drum Languages” Wind Instruments Stringed Instruments © 2017 Taylor & Francis

Popular Muisc Syncretism Colonialism Mass-Production of Instruments Mass Media Nationalism “World Beat” Phenomenon © 2017 Taylor & Francis

Popular Muisc Highlife Palmwine Jùjú Congolese Rumba/Soukous South Africa Isicathamiya Mbaq’anga Zimbabwe: Thomas Mapfumo © 2017 Taylor & Francis