Visual Literacy.

Slides:



Advertisements
Similar presentations
Visual Literacy.
Advertisements

Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.
CLASS 2 DESIGN ELEMENTS. DESIGN ARTDIRECTION BASIC DESIGN ELEMENTS.
The Principles and Elements of Design an interactive quiz
Composition (The elements). What is Composition Composition is the arrangement of shapes (forms) in an image – their position, relationship to one another.
Process of __________, arranging, & ______________ visual elements of art to accomplish or address a particular purpose  Elements of Visual Design 
To understand and apply the design element Shape.
SHAPE Design Element Shape To understand and apply the design element Shape.
Copper Ridge Academy English  Support a business  Self expression  Share the beliefs of a group  Brighten up a dull environment  Send messages.
Introduction to Graphic Design
Composition: The Graphics Unit of Study. What is a camera angle? This is the angle from which the camera photographs a subject or scene. There are a great.
Elements of Design Basic Concepts. Elements of Design The four elements of design are as follows: Color Line Shape Texture.
Graphic Novels. What are they? A mixture of narrative, picture books and comic strips Both the pictures AND the text combine to tell the story "a fictional.
Photographic Composition Basic elements of composition help strengthen all types of photographs and digital images Quality and eye catching images are.
Elements and Principles of Design. The elements of design are the building blocks used to create an artwork. The principles are ideas that incorporate.
How do pictures tell a story?. Visual Literacy is the ability to understand the meaning and layout of an image. Shapes Shapes are a part of our world.
NOTES ON VISUALS. THE PURPOSE OF ART Support a business Self expression Share the beliefs of a group Brighten up a dull environment Send messages Tell.
Visual Features used in Advertising Colour Size and Positioning of Objects Symbols (objects/body language/clothing) Shapes Texture.
& Visual Representation
WHY STUDY VISUALS?  Communication  Oldest form  Universal  Immediate  Increasing Technology  Manipulation Awareness.
Reading Visual Images.
Visual Literacy Visual Literacy can be defined as the ability to understand and produce visual messages.
© ExplorNet’s Centers for Quality Teaching and Learning 1 Objective % Understand concepts used to create digital graphics.
Visual Literacy. Introduction We read images everyday, from television, computer screens, magazines and films, to the everyday communication we have with.
Composition & Elements of Art and Principles of Design A artists toolbox.
A resource for teachers
Objective % Explain design concepts used to create digital graphics.
Elements and Principles of Art/Design
A photograph is like a puzzle
Visual Literacy.
Design and Art.
Refine 2-D design ideas and processes
Composition & Elements of Art and Principles of Design
Lines.
FORM AND VISUAL ORDER.
Visual Literacy in Children’s Picture Books
Picture Books.
Visual Vocabulary Elements of art, principles of design, and much more!
Film Studies Visual Literacy
Visual Techniques Analysis
Elements and Principles of Design
Adobe Visual Design 2.00 Identifying design elements when preparing images (10%) 7.00 Identifying design elements when preparing illustrations (1%)
Visual Literacy Literacy
Viewing 2 Log: Photos PHOTO VIEWING LOG RUBRIC English ____
Elements of Graphic Design
Shakespeare in production
Line: The basic unit of any image that has both length and direction.
Reading an Image: Elements & Principles of Composition
Visual Unit English 1201.
How to Analyse a Visual Text
The Elements and Principles of Design
Elements and visual analysis strategies
The Elements and Principles of Design
The Elements and Principles of Design
Elements of design Elements are the building blocks of any design.
Elements and Principles of Design
Composition and Design
Cinematic Techniques.
Cinematic Techniques.
Visual Literacy Terminology
Elements and Principles of Design
Media and Visual Literacy
Visual Techniques Analysis
Visual & Media Literacy
The Elements and Principles of Design
Visual Literacy.
Assoc Prof Dr Noor Hanita Abdul Majid
Technically & Symbolically.
Objective % Explain design concepts used to create digital graphics.
PHOTO ANALYSIS/ Disciplines
Presentation transcript:

Visual Literacy

Introduction We read images everyday, from television, computer screens, magazines and films, to the everyday communication we have with each other in the form of body language. The ability to read visual images is known as ‘Visual Literacy’ and comes with its own set of grammar in the same way as written language. Interpreting meaning in cartoons, illustrations, film and the media is simply a matter of understanding the key elements of symbolism (representing things by using symbols), semiotics (the social relevance of signs and symbols) and metonyms (a logical symbolic representation of something such as a crown for royalty). Some of the components of visual literacy that we will look at are: Colour, line, shape, hue, texture, framing, angles, perspective, setting and symbols and metonyms

SHAPE What do you feel when you see a circle? A square, a triangle? Are you affected the same way when you see angles and sharp edges? Shapes have an endless variety of characteristics each communicating different messages Lines and shapes • Help us to identify what is in the image • Direct our eyes into and around the image • Evoke moods and feelings eg round shapes can evoke ‘warmth’

SHAPE Geometric Organic from nature Abstract Icons and symbols

Psychology of Shapes Triangle = tension, conflict or action, it can also mean: energy, power, balance, law, science, religion. It refers to the masculine: strength, aggression, dynamic movement, self-discovery and revelation. Square = stability, equality, solidity, security, rationality and honesty. Circle = protective, infinite or eternity. Also connection, community, wholeness, movement and completeness. Spiral = expressions of creativity, the process of growth and evolution, and spirituality.

LINE A line connects two points, they can be thick or thin and long or short. They can be vertical, horizontal or diagonal. A line can be broken or dotted, wavy or straight. Thin lines convey fragility, femininity, and seem delicate and soft Thick lines suggest strength and emphasis, they are bold and make a statement

COLOUR Colour evokes moods and feelings, however cultural differences mean that something that is happy and uplifting in one country can be depressing in another. Light shades – happy feelings Dark shades –gloominess; fear, evil White – spirituality, purity, cleanliness Green – peacefulness; the earth, nature, jealousy Blue – sadness, depression, cold, peace, tranquility, spirituality Red - warmth, energy, strength, passion, danger and stop Pink – romance, love, femininity, peace, caring

Gaze DEMAND AND OFFER Demand and offer refer to a type of gaze. Looking directly at the viewer and making eye contact is called a demand. The character or participant is demanding something from the viewer. Looking away from the viewer and not making eye contact is called an offer.

Symbols and metonyms

Combining images, creates further meaning What meaning has been created in these images by combining symbols?

DOMINANCE – SALIENCE Dominance or salience is the term used when a character, animal or object: • captures our attention • holds our eye • is at the centre of what is happening It is a distinct quality which makes some items stand out from their neighbors and immediately grab our attention

BODY LANGAUGE and FACIAL EXPRESSION Posture, gesture and facial expression give information about what people, and animals that behave in human ways, are thinking and feeling. What meaning is created by these postures and gestures?

FRAMING Different approaches to framing produces different effects, which can: include or omit certain things give the viewer a point of view direct the viewer to a particular part of an image create dominance or salience emphasise a concept or feature Framing can ‘isolate’, making a person appear lonely or trapped

JUXTAPOSITION Juxtaposition is the placing of two or more people, or people and things side by side or close together. Juxtaposition is used to emphasise, compare or contrast something. It can also suggest a connection between things or to distinguish them. It creates an original, ironic or insightful meaning. What meaning is changed by placing the lone boy in the photograph?

LIGHT AND SHADE Light and/or shade in an image create mood. Shadows also can be used to create atmosphere. Look at these images what mood is created? What are the effects of light and shade in these images?

COMPOSITION – POSITIONING in the FRAME Composition within the frame determines the amount of information given to the viewer as well as sometimes signaling a social relationship with the viewer. Framing is seen through a: Long Shot Medium Shot Close Shot or close up Framing can create dominance, importance or emphasise something

Size Objects within the illustration may vary in size to establish and enhance the relationship between the viewer, the image maker and the page. Size also Creates importance, emphasis or dominance.

ANGLES The angles position the audience’s view of the character create different relationships between people and objects. Angles also can create importance or dominance of a subject. Angles at eyelevel create an equal status with viewer or other characters Low angles create an ominous and dominant character High angles create vulnerability or weakness of the subject

What is the effect of the angles in these illustrations? Is the meaning created the same? If no, what creates the difference?

SETTING

VECTORS Vectors are directions created in the image which force the eye to follow a particular direction, to point to a particular object or create salience. Vectors are formed in two ways: • By the direction of the gaze – this gives us information about what is going on between people or objects in an image • By lines, real or implied that leads the viewer to focus on a particular part of the image

Shaun Tan Bernard Oberdieck, illustrator

Intertextuality Meaning in the text is reliant on the reader connecting the image or narrative to another story. What story has been used here? What meaning is created by using the story and the image?

Deconstruction Annotate this image with all the visual literacy techniques the you can identify What is the effect of these techniques?