How Do Testing Conditions Affect Creative Performance?

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How Do Testing Conditions Affect Creative Performance? Meta-Analyses of the Effects of Time Limits and Instructions Sameh Said-Metwaly, Belén Fernández-Castilla, Eva Kyndt, and Wim Van Den Noortgate Faculty of Psychology and Educational Sciences, Departement of Psychology

Creativity is difficult to measure due to its multidimensional nature.

Creativity is difficult to measure due to its multidimensional nature. A variety of controversial issues related to measuring creativity.

Creativity is difficult to measure due to its multidimensional nature. A variety of controversial issues related to measuring creativity. Creative Performance Testing conditions

Creativity is difficult to measure due to its multidimensional nature. A variety of controversial issues related to measuring creativity. Creative Performance Testing conditions How to create optimal conditions for testing creativity?

Creative Performance Testing conditions Atmosphere (test-like vs. game-like) Setting (individual vs. group) Time limit (different time limits) Instructions (different instructions)

Time limits Instructions most widely studied

Time limits Instructions most widely studied Short time vs. Long time Timed vs. untimed

Time limits Instructions most widely studied Short time vs. Long time Timed vs. untimed Standard instructions vs. explicit instructions to “be creative”

Time limits Instructions most widely studied Short time vs. Long time Timed vs. untimed Standard instructions vs. explicit instructions to “be creative” e.g.: - How many uses of pencil you can think of? (standard) - How many creative uses of pencil you can think of? (explicit)

Time limits Instructions most widely studied Short time vs. Long time Timed vs. untimed Standard instructions vs. explicit instructions to “be creative” e.g.: - How many uses of pencil you can think of? (standard) - How many creative uses of pencil you can think of? (explicit) Inconsistent results

Objective To undertake a meta-analysis of studies that addressed the effects of time limits and instructions on performance on creativity tests:

Objective To undertake a meta-analysis of studies that addressed the effects of time limits and instructions on performance on creativity tests: (1) Does the manipulation of time limits (short vs. long) affect creative performance? (2) Does the manipulation of instructions (standard vs. explicit “be creative”) affect creative performance? (3) Which variables moderate the effect of time limits or instructions on creative performance?

Creativity ~ Combinatorial process (Amabile et al., 2002) Hypotheses Time limits Creativity ~ Combinatorial process (Amabile et al., 2002)

Hypotheses Time limits Creativity ~ Combinatorial process (Amabile et al., 2002) Shaping multiple associations among concepts Selecting most creative responses

Hypotheses Time limits Creativity ~ Combinatorial process (Amabile et al., 2002) Shaping multiple associations among concepts Selecting most creative responses Short time Long time Inhibiting exploration Less creative / original ideas

Hypotheses Time limits Creativity ~ Combinatorial process (Amabile et al., 2002) Shaping multiple associations among concepts Selecting most creative responses Short time Long time Inhibiting exploration Exploring concepts and playing with ideas Less creative / original ideas More creative/original ideas

Hypotheses Time limits Creativity ~ Combinatorial process (Amabile et al., 2002) Shaping multiple associations among concepts Selecting most creative responses Increase originality (no. of creative ideas) No effect on fluency (no. of ideas) or flexibility (no. of categories of ideas) Short time Long time Inhibiting exploration Exploring concepts and playing with ideas Less creative / original ideas More creative/original ideas

The path of least resistance hypothesis (PLR) (Ward (1994) Hypotheses Instructions The path of least resistance hypothesis (PLR) (Ward (1994)

Hypotheses Instructions Least creative ideas The path of least resistance hypothesis (PLR) (Ward (1994) A tendency to generate the most accessible ideas Giving up when it becomes harder

Hypotheses Instructions Least creative ideas The path of least resistance hypothesis (PLR) (Ward (1994) A tendency to generate the most accessible ideas Giving up when it becomes harder Standard Explicit Follow PLR Less creative/original ideas

Hypotheses Instructions Least creative ideas The path of least resistance hypothesis (PLR) (Ward (1994) A tendency to generate the most accessible ideas Giving up when it becomes harder Standard Explicit Follow PLR Skip PLR Extended exploration strategy Less creative/original ideas More creative / original ideas

Hypotheses Instructions Least creative ideas The path of least resistance hypothesis (PLR) (Ward (1994) A tendency to generate the most accessible ideas Giving up when it becomes harder Increase originality (no. of creative ideas) No effect on fluency (no. of ideas) or flexibility (no. of categories of ideas) Standard Explicit Follow PLR Skip PLR Extended exploration strategy Less creative/original ideas More creative / original ideas

Method Data Sources Databases: ERIC, JSTOR, PsycARTICLES, and Web of Science. Key journals: Creativity Research Journal, Gifted Child Quarterly, Psychology of Aesthetics, Creativity, and the Arts, The Journal of Creative Behavior, and Thinking Skills and Creativity. Backward search (Bibliographies of relevant studies) Forward search (Searching databases for papers that referred to relevant papers)

Method Criteria for including studies Journal articles, conference papers, or dissertations. Published up to May 31st, 2017. Written in English. Address the effect of time limits (short vs. long) and/or instructions (standard vs. explicit) on creative performance. Report the statistics needed to calculate the effect size (e.g., M and SD, t, F, or d).

Method Moderator variables Culture (USA / Non-USA) Gender (% male) Measurement approach (process / product) Domain of creativity (verbal / figural) Educational level (college / non-college) Quality (weak / moderate / strong) EPHPP (Thomas, Ciliska, Dobbins, & Micucci, 2004)

Method Moderator variables Culture (USA / Non-USA) Gender (% male) Measurement approach (process / product) Domain of creativity (verbal / figural) Educational level (college / non-college) Quality (weak / moderate / strong) EPHPP (Thomas, Ciliska, Dobbins, & Micucci, 2004) Analyses Hedges’ g for effect sizes A meta-analytic three-level model (between-study/ within-study / sampling variances) A sensitivity analysis for outliers Funnel plots and Egger’s regression test for publication bias

Results Time limits meta-analysis 9 studies (35 effect sizes) Overall analysis Relatively large overall effect size (0.89, p = .02) in favor of long time limits.

Results Time limits meta-analysis 9 studies (35 effect sizes) Overall analysis Relatively large overall effect size (0.89, p = .02) in favor of long time limits. Subscale analysis Significant mean effect size for originality (0.88, p = .04) in favor of long time limits. Not significant for fluency (1.41, p = .11) and flexibility (0.74, p = .22).

Results Time limits meta-analysis 9 studies (35 effect sizes) Overall analysis Relatively large overall effect size (0.89, p = .02) in favor of long time limits. Subscale analysis Significant mean effect size for originality (0.88, p = .04) in favor of long time limits. Not significant for fluency (1.41, p = .11) and flexibility (0.74, p = .22). Moderator variables: None was significant .

Results Instructions meta-analysis 30 studies (92 effect sizes) Overall analysis Non-significant overall effect size (0.24, p = .24).

Results Instructions meta-analysis 30 studies (92 effect sizes) Overall analysis Non-significant overall effect size (0.24, p = .24). Subscale analysis Significant mean effect size for originality (0.92, p = .03) in favor of explicit instructions. Not significant for fluency (0.08, p = .82) and flexibility (-1.38, p = .35).

Results Instructions meta-analysis 30 studies (92 effect sizes) Overall analysis Non-significant overall effect size (0.24, p = .24). Subscale analysis Significant mean effect size for originality (0.92, p = .03) in favor of explicit instructions. Not significant for fluency (0.08, p = .82) and flexibility (-1.38, p = .35). Moderator variables: Only educational level significantly moderate the effects of instructions on fluency (49.62%) and originality (60.85%).

* Extreme effect sizes (2 SD > or < mean) Sensitivity analysis * Extreme effect sizes (2 SD > or < mean) Time limits Overall analysis (3) Subscale analyses (0) Instructions Overall analysis (7) Subscale analyses [fluency (1), originality (2), flexibility (0)] Estimates were fairly robust

Publication bias Time limits z = 2.71, p = .007 z = 1.89, p = .06

Publication bias Instructions z = 1.15, p = .25 z = -0.95, p = .34

Implications Informing the ongoing debate regarding testing conditions and creativity. * Said-Metwaly, S., Kyndt, E., & Van den Noortgate, W. (in press). Approaches of measuring creativity: A systematic literature review. Creativity. Theories - Research - Applica-tions, 4(2), 238-275. doi: 10.1515/ctra-2017-0013

Implications Informing the ongoing debate regarding testing conditions and creativity. Time limits & instructions matter in measuring creativity (researchers and educators). * Said-Metwaly, S., Kyndt, E., & Van den Noortgate, W. (in press). Approaches of measuring creativity: A systematic literature review. Creativity. Theories - Research - Applica-tions, 4(2), 238-275. doi: 10.1515/ctra-2017-0013

Implications Informing the ongoing debate regarding testing conditions and creativity. Time limits & instructions matter in measuring creativity (researchers and educators). Considering testing conditions when comparing results of studies. * Said-Metwaly, S., Kyndt, E., & Van den Noortgate, W. (in press). Approaches of measuring creativity: A systematic literature review. Creativity. Theories - Research - Applica-tions, 4(2), 238-275. doi: 10.1515/ctra-2017-0013

Implications Informing the ongoing debate regarding testing conditions and creativity. Time limits & instructions matter in measuring creativity (researchers and educators). Considering testing conditions when comparing results of studies. Feasibility of applying the three level model to study variations between and within studies. * Said-Metwaly, S., Kyndt, E., & Van den Noortgate, W. (in press). Approaches of measuring creativity: A systematic literature review. Creativity. Theories - Research - Applica-tions, 4(2), 238-275. doi: 10.1515/ctra-2017-0013

Future research Reinvestigating the effects of the tested moderator variables with further data.

Future research Reinvestigating the effects of the tested moderator variables with further data. Investigating other moderator variables (e.g., cognitive ability & creativity level).

Future research Reinvestigating the effects of the tested moderator variables with further data. Investigating other moderator variables (e.g., cognitive ability & creativity level). Validating the moderating role of educational level.

Future research Reinvestigating the effects of some of the tested moderator variables with further data. Investigating other moderator variables (e.g., cognitive ability & creativity level). Validating the moderating role of educational level. Investigating other creativity aspects (e.g., elaboration & abstractness of titles).

Future research Reinvestigating the effects of some of the tested moderator variables with further data. Investigating other moderator variables (e.g., cognitive ability & creativity level). Validating the moderating role of educational level. Investigating other creativity aspects (e.g., elaboration & abstractness of titles). More studies on school age children.