Class, Nation, and the Modern Landscape

Slides:

Advertisements

Similar presentations

John Constable John Constable, The Bridges Family, 1808.

Advertisements

LANDSCAPE PAINTING (Romanticism) Figure JOSEPH MALLORD WILLIAM TURNER, The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming.

Self Portrait, ca “ A t m o s p h e r e i s m y s t y l e ” " I f I c o u l d f i n d a n y t h i n g b l a c k e r t h a n b l a c k,

John Constable Self-portrait John Constable (11 June 1776 – 31 March 1837) was an English Romantic artist. Born in Suffolk, he is known principally.

The Romantic Period The Zeitgeist. Zeitgeist : a pervasive intellectual climate. The Spirit of the Age In the Romantic Period we see an explosive release.

Realism. This movement was reacting against the established art of the time … The word “realism” with a small ‘r’ refers to any artwork that attempts.

Romanticism vs. Realism. Romanticism Rebelled against Enlightenment’s emphasis on reason Wanted to inspire deep emotions An age of passion, rebellion,

Romanticism Realism Impressionism Post Impressionism- Formalism Post Impressionism-Expressionism.

Imaging Imperialism. Part I: Images of Colonial Jamaica Tim Barringer, Gillian Forester, and Barbara Martinez-Ruiz, Art and Emancipation in Jamaica:

While authors such as Washington Irving, William Cullen Bryant, and James Fenimore Cooper romanticized America in literature, artists such as Frederick.

Place: Land and Nature A Sense of Place Lecture 2 Andrea Peach.

Jacques-Louis David, Napoleon Crossing the Saint- Bernard, France,

Romanticism First Half of 19 th Century. Tell me what you see.

Romanticism 19th century artistic movement that appealed to emotion rather then reason Emphasis on imagination, freedom, and emotion. Eugène Delacroix, Liberty.

Romanticism Art By: Bridgette Kelley, Katie Butler, and Caitlin Phillips.

Romanticism and Art By Perri Haynes and Laura Rossi.

Warm Up What major policies/attitudes were prominent during the age of revolutions?!

Art and Society in 19 th and Early 20 th Century Europe “Art is a lie that makes us realize the truth.” –Pablo Picasso.

Art in the Age of Romanticism ( ) Spain: Francisco Goya ( ) England: William Blake ( ) John Constable ( ) Joseph Mallord.

The Romance of Nature in the Age of Industry Lecturer: Sarah Hodges

Art in the Romantic Era.

Romanticism and the Arts Preserving the Savage. Romantic Art ► The slogan of the Age of Reason was “I think therefore I am.” ► For the Romantics it became.

Week 4: Artistic Influences Eras/Techniques: Naturalist Realism Barbizon School Lithography/Caricature Photography Socialist Realism Artists: Constable.

Yana Linik Form 10 School of Lypyny. William Hogarth ( ) was the first great English painter who raised English pictorial art to a high level.

The French Connection BY: Nicholas McCullagh. Classicism The painters are: Frederick Leighton and Lawrence Alma-Tadema. This is inspired by classical.

Art in the Romantic Era. The Death of Marat by David 1793.

6.4 Notes: Arts in the Industrial Age

The Arts during the Industrial Age

Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Romantic Art. Romanticism: Beginning with the late 18 th to the mid-19 th century, a new Romantic attitude began to characterize culture and many art.

MY FAVORITE ART BRANDON PICKETT Three paintings that inspire and move me.

Romanticism 18th-Century Background- The word "Romantic" first became current in 18th-century English and originally meant "romance-like", that is, resembling.

Another Incredible Slide Show about Art!! (Ch 29).

Early 19 th Century Art Romanticism and Realism and Neoclassicism.

The Romantic Age As seen by the artists. The Romantic Movement A reaction against the “cold and unfeeling” reason of the Enlightenment and against the.

America fell in love with its landscape and so was born a new “school” of art. Aurora Borealis Frederick Church 1865.

George Stubbs, A Lion Attacking a Horse, Oil on canvas, 38 x 49 ½ in. (Yale University Art Gallery)

Realism 2 nd Half of 19 th century Precise imitation of visual perception Only paint what they could see or feel was real.

Romanticism Major works of Art. Get out your Tenets of Romanticism Handout Make note of what characteristics on this handout you see in the art work.

Nineteenth Century Europe Romanticism and Realism.

ENGLISH PAINTERS.

Элективный курс «Страноведение Великобритании» Тема:”Glimpses of British Painting” Автор: Созыкина Людмила Сергеевна, учитель английского языка МБОУ.

1. The Deluge Francis Danby, 1840

English painters Бурамбаева Галина Александровна

*Put away all supplies other than your sketchbook & a pen or pencil.

Artistic Movements of the 1800s (approximately)

Romanticism vs. Realism

was an English Romantic painter.

is a key for learning of national culture”

was an English Romantic painter.

Romanticism AD.

Realism Art Movement – 1850’s

Academic Team Art Show 1 Art is not presented in the order of date created, but in the order of frequency asked at games. Additional art is presented for.

19th Century Art.

Realism Is generally the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, or implausible, exotic,

Art of the Romantic Period

IV. Culture: Romanticism and Realism

By: Brit Haskell, the kid that sits next to Corben

Neoclassical, Romantic, & Realist Art Slides

Romanticism in American Art and Literature

Romanticism vs. Realism

Romanticism and Genre Painting Image Quiz …includes Romantic images from chapters 26 and 27 as well as some Rococo and Neoclassical images for review.

Exploring what I like about Me

The Romantic Period The Zeitgeist.

ENGLISH PAINTERS Presentation: Prepared by Oleksandra Pekhno Form 11-A

Realism Naturalism In the service of?.

Moonrise Over the Sea, Caspar David Friedrich, 1821

Presentation transcript:

Class, Nation, and the Modern Landscape

Some landscape categories The beautiful ordered, smooth, pleasant. The picturesque like the beautiful in its emphasis on calm. But includes small suggestions of disorder and irregularity designed to generate interest and a sense of particularity. The sublime opposed to the beautiful and the picturesque. Wild, frightening landscapes that test viewers’ limits.

Images from: William Gilpin, Three Essays: On Picturesque Beauty, On Picturesque Travel, and On Sketching Landscape (1792) William Gilpin, Scene without picturesque adornment, ca. 1792 William Gilpin, Scene with picturesque adornment, ca. 1792

Claude Lorrain, Landscape with Dancing Figures, 1648

Thomas Gainsborough, Mr and Mrs Robert Andrews, ca. 1748-9

John Constable, The Hay Wain, 1821

John Constable, The Hay Wain, 1821 “The sound of water escaping from Mill dams … Willows, Old rotten banks, slimy posts and brickwork. I love such things … I should paint my own places best … They made me a painter (and I am grateful) that is I had often thought of pictures of them before I had ever touched a pencil.” -- John Constable to John Fisher, 1821 John Constable, The Hay Wain, 1821

John Constable, The White Horse, 1819

Eugene von Guérard, William Lang’s Camp on Saltwater River, 1866

Some landscape categories The beautiful ordered, smooth, pleasant. The picturesque like the beautiful in its emphasis on calm. But includes small suggestions of disorder and irregularity designed to generate interest and a sense of particularity. The sublime opposed to the beautiful and the picturesque. Wild, frightening landscapes that test viewers’ limits.

Philippe Jacques Loutherbourg, Avalanche in the Alps, 1803

J. M. W. Turner, Snowstorm: Hannibal and his Army Crossing the Alps, 1812 Terms: Carthaginian empire; Second Punic War

David, Napoleon Crossing the Alps at Mount St. Bernard, 1800

Caspar David Friedrich, Wanderer Above a Sea of Mist, 1818

Friedrich, Chasseur in the Forest, 1814

Frederic Church, Niagara, 1857

American artists’ wild and ungovernable spirit is “a true development of the American mind; the result of democracy, of individuality … inspired not only by the irresistible cataract but by the mighty forest … by the broad continent we call our own, by the onward march of civilization, by the conquering of savage areas …” (Adam Badeau, “American Art,” in The Vagabond (New York, 1859))

Jean-Francois Millet, The Sower, 1850-1 Term: Realism Jean-Francois Millet, The Sower, 1850-1

Jean-Francois Millet, Man with a Hoe, 1852-62

Gustave Courbet, The Stonebreakers, 1849-50