Mannerism (1520-1600).

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Presentation transcript:

Mannerism (1520-1600)

Background Late Renaissance [Pre-Baroque]. Art was at an impasse after the perfection and harmony of the Renaissance. Antithetical to the principles of the High Renaissance. From the Italian de maneria. A work of art done in the artist’s characteristic “touch” or recognizable “manner.” First used by the German art historian, Heinrich Wölfflin in the early 20c. Influenced by Michelangelo’s later works.

Michelangelo “Sistine Chapel” 1508-1512

Sistine Chapel: Last Judgment

Characteristics Replace… Create instability instead of equilibrium. Harmony with dissonance & discord. Reason with emotion. Reality with imagination. Create instability instead of equilibrium. Bodies are distorted. Colors are lurid. Pictoral space is crowded. A void in the center. Hanging figures.

Most Exemplary Work

El Greco “Burial of Count Orgaz” 1586

Honorable Mention

Tintoretto “The Last Supper” (1594)

The Last Supper: Mannerism vs. High Renaissance

Titian , Venus of Urbino, 1538 ?

Parmigianino “Madonna with the Long Neck” 1535-1540

Details: Madonna w/the Long Neck

El Greco “The Resurrection” c.1597-1604 An attempt to express the religious tensions of the times.

Giorgione “The Tempest” 1510

Mannerist Architecture

Characteristics of Mannerist Architecture Stylishness in design could be applied to a building as well as to a painting. Showed extensive knowledge of Roman architectural style. Complex, out of step style  taking “liberties” with classical architecture. Architecture, sculpture, and walled gardens were seen as a complex, but not necessary unified whole.

Villa Capra [or Villa Rotunda] By Andrea Palladio 1566-1571 “Palladian” architectural style [popular in England]

Entrance to the Villa Farnese at Caprarola By Giacomo Vignola 1560

The Fontainebleau School French Mannerism  flourished from 1531 to the early 17c. Characteristics: Extensive use of stucco in moldings & picture frames. Frescoes. An elaborate [often mysterious] system of allegories and mythical iconography. Centered around the Royal Chateau of Fontainebleau.

The Royal Chateau at Fontainebleau Gallery [right] by Rosso Fiorentino & Francesco Primaticcio 1528-1537