Introduction and Background

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Presentation transcript:

Introduction and Background Renaissance Introduction and Background

Renaissance means “rebirth Renaissance means “rebirth.” Leading thinkers revisited the classical ideas of Ancient Greece and Rome. They found new ways to apply these ideas. The word “renaissance” means “rebirth,” and as Europe moved out of the Middle Ages, many people felt as if the world was indeed being born again. The period witnessed a rethinking and remaking of society’s institutions. It was also a time when leading thinkers revisited the “great ideas” of ancient Greece and Rome and found new ways in which to apply these ideas.

Background 1050–1350 Population growth Economic development—more trade, prosperity City-states These changes allowed art and literature to flourish and led to fantastic artistic achievements from 1300-1600. From roughly 1050 to 1300, Europe experienced population growth, economic development, and a rise in the political power of some independent city-states. These changes set the stage for a remarkable period of creativity that lasted from the late 1200s to about the late 1500s. During this time, Europe witnessed an incredible explosion of artistic achievement that began in Italy and eventually spread throughout the continent. Giovanni Bellini, Sacra Conversazione

Intellectual Developments Humanism—emphasis on education Revival/rebirth of classical culture (Greece & Rome). Importance of the individual Celebration of beauty of human body Secular/worldly focus (focus away from religion) Growing role for government/ politics New technologies At the core of the Italian Renaissance lay an intellectual movement known as “humanism.” It was based on the study of classical culture—Greece and Rome—and focused on secular or worldly subjects rather than religious ones. Humanists stressed education as a stimulant to creativity and believed that the subjects taught in ancient Greek and Roman schools—grammar, poetry, and history—should be revived. Many of the important figures of the Italian Renaissance considered themselves the direct inheritors of the classical tradition. Recognition of the importance of the individual—something which happened rarely, if at all, in the medieval era—was a critical aspect of the Renaissance. Much of Renaissance artwork reveals a glorification of humanity and a celebration of the beauty of the human body. The Renaissance focused less on religion and the afterlife and more on enjoying the pleasures of life in the here and now. Humanists wanted to expand the focus of Christianity beyond sin and redemption to include the full range of human experience—a desire which often led to conflict with the Catholic Church. Titian, Assumption of the Virgin

Renaissance Italy Italy --not a unified nation, but region of city-states with separate rulers Papal States—controlled by Pope/Catholic Church Trading Centers: Venice, Genoa, **Florence Economic Rivalry between city-states The Renaissance started in Italy and, over the next 200 years or so, spread north into other parts of Europe. At the beginning of the 1400s, Italy was not a unified nation but consisted instead of a series of relatively independent city-states. Each city-state had its own ruler: for example, the Pope in Rome presided over the Papal States, the Medici family dominated the Republic of Florence, the Doge ruled the Republic of Venice, the Sforza family was preeminent in the Duchy of Milan, and the Este family governed Ferrara. Relations between the city-states were characterized by an intense rivalry that most often took the form of economic and artistic competition but sometimes erupted into open warfare.

Florence ▪City leaders (Medici Family) were PATRONS who supported artists financially ▪ Center of trade and banking ▪ Recognizable DUOMO (Dome) designed by Brunelleschi ▪ Sculpture (right) shows emblem of Florence by Donatello Probably the most important of the Italian city-states during the Renaissance was Florence, a center of commerce, trade, banking, and textiles. Many Florentine businessmen and political leaders financed the artists of the Renaissance. Merchant guilds and religious orders looking to increase their power or prestige would also commission artists to create works. The picture on the right of this slide shows the emblem of the city of Florence as rendered by Donatello, one of the most important artists of the Renaissance.

What makes the Renaissance modern? Unit Question What makes the Renaissance modern?