Computer Animation Displaying animation sequences raster animation

Slides:



Advertisements
Similar presentations
Department of nskinfo i-education
Advertisements

Department of nskinfo i-education
Animation Marco Gillies. Computer Animation Making things move A key aspect of computer graphics Non-realtime for films Realtime for virtual worlds and.
Arc-length computation and arc-length parameterization
In the name of God Computer Graphics Bastanfard.
1Notes  Textbook: matchmove 6.7.2, B.9. 2 Match Move  For combining CG effects with real footage, need to match synthetic camera to real camera: “matchmove”
Graphics Korea University Computer Animation Computer Graphics.
CSCE 441 Computer Graphics: Keyframe Animation/Smooth Curves Jinxiang Chai.
1 7M836 Animation & Rendering Animation Jakob Beetz Joran Jessurun
Modelling. Outline  Modelling methods  Editing models – adding detail  Polygonal models  Representing curves  Patched surfaces.
Drawing Parametric Curves Jean-Paul Mueller. Curves - The parametric form of a curve expresses the value of each spatial variable for points on the curve.
Animation. Outline  Key frame animation  Hierarchical animation  Inverse kinematics.
RASTER CONVERSION ALGORITHMS FOR CURVES: 2D SPLINES 2D Splines - Bézier curves - Spline curves.
Computer-Based Animation. ● To animate something – to bring it to life ● Animation covers all changes that have visual effects – Positon (motion dynamic)
1 7M836 Animation & Rendering Animation Jakob Beetz Joran Jessurun
Faking Dynamics of Cloth Animation for Animated Films Fabian Di Fiore Expertise Centre for Digital Media Hasselt University, Belgium
Polygon Shading. Assigning color to a shape to make graphical scenes look realistic, or artistic, or whatever effect we’re attempting to achieve But first.
A D V A N C E D C O M P U T E R G R A P H I C S CMSC 635 January 15, 2013 Spline curves 1/23 Curves and Surfaces.
Geometric Transformation. So far…. We have been discussing the basic elements of geometric programming. We have discussed points, vectors and their operations.
October 14, 2014Computer Vision Lecture 11: Image Segmentation I 1Contours How should we represent contours? A good contour representation should meet.
Curves.
Curves. First of all… You may ask yourselves “What did those papers have to do with computer graphics?” –Valid question Answer: I thought they were cool,
CGMB214: Introduction to Computer Graphics
CO Games Development 1 Week 12 Interpolation, Path Smoothing & Splines
Chapter 7 Animation Prepared by: Ms. Ma. Anna Corina G. Kagaoan College of Arts and Sciences.
Fall 2004CS-321 Dr. Mark L. Hornick 1 Final Exam Monday Nov 13, 2-4pm CC-43 Bring Calculator – no laptops Note sheet Complete FAST entries before exam.
Computer Graphics: Programming, Problem Solving, and Visual Communication Steve Cunningham California State University Stanislaus and Grinnell College.
CSCE 441 Computer Graphics: Keyframe Animation/Smooth Curves Jinxiang Chai.
CSCE 441 Computer Graphics: Keyframe Animation/Smooth Curves Jinxiang Chai.
Syed ardi syed yahya kamal 2011 chapter five.  Creating in-between positions is still a hallmark of animation.  Using techniques called interpolation.
Flexible Automatic Motion Blending with Registration Curves
Lecture 5: 11/5/1435 Computer Animation Lecturer/ Kawther Abas CS- 375 Graphics and Human Computer Interaction.
Introduction to Curves
Animation in flash. Frame-by-Frame Animation An animation is made from a series of framed images displayed one after the other to create the motion. Flash.
OUTPUT PRIMITIVES A.Aruna/Faculty of Information technology/SNSCE13/19/2016.
Computer – Aided Design Terminology You must have a generic understanding of commands and techniques which are used in a number of packages (YOU CANNOT.
Computer Graphics CC416 Lecture 04: Bresenham Line Algorithm & Mid-point circle algorithm Dr. Manal Helal – Fall 2014.
Computer Graphics Lecture 06 Circle Drawing Techniques Taqdees A. Siddiqi
Computing & Information Sciences Kansas State University Lecture 16 of 42CIS 636/736: (Introduction to) Computer Graphics Lecture 16 of 42 William H. Hsu.
List manipulation;curve fitting
Vector 2.
HW # , ,60 , , Row 1 Do Now Sketch the curve given by the parametric equations x = 4t2 – 4 and y = t, –1  t 
Virtual University of Pakistan
Motion in Two Dimensions
Character Animation Forward and Inverse Kinematics
CSCE 441 Computer Graphics: Keyframe Animation/Smooth Curves
Chapter 4:- Animation Eyad Alshareef Eyad Alshareef.
Constructing Objects in Computer Graphics
Chapter Three Part I Output Primitives CS 380.
CSCE 441 Computer Graphics: Keyframe Animation/Smooth Curves
Constructing Objects in Computer Graphics By Andries van Dam©
The Graphics Rendering Pipeline
Chapter 10: Computer Graphics
…from now on this is strictly second year work
Fitting Curve Models to Edges
© University of Wisconsin, CS559 Spring 2004
Introduction to Game Development
Copyright © Cengage Learning. All rights reserved.
Game Development Animation
Prepared by: Engr . Syed Atir Iftikhar
Three-Dimensional Object Representation
10.4 Parametric Equations.
VIRTUAL ENVIRONMENT.
Computer Graphics Lecture 15.
Introduction to Parametric Curve and Surface Modeling
Welcome Mahith.
SUBJECT : COMPUTER GRAPHICS
Spline representation. ❖ A spline is a flexible strip used to produce a smooth curve through a designated set of points. ❖ Mathematically describe such.
1.1 Dynamical Systems MODELING CHANGE
Presentation transcript:

Computer Animation Displaying animation sequences raster animation Creating animation sequences object definition path specification key frames in-betweening Parametric equations

Steps of a simple computer animation 1. Creating animation sequences object definition path specification (for an object or a camera) key frames in-betweening 2. Displaying the sequences raster animation colour-table animation

Displaying animation sequences Movies work by fooling our eyes A sequence of static images presented in a quick succession appears as continuous flow

Why animation works The eye cannot register images faster than approximately 50 frames per second (30 is just about adequate) If a gap in the projection occurs, the eye seems to perform spatial interpolation over the gap

Displaying animation sequences To achieve smooth animation, a sequence of images (frames) have to be presented on a screen with the speed of at least 30 per second Animations frames can be pre-computed in advance and pre-loaded in memory computed in real time (e.g. movement of the cursor)

Raster animation This is the most common animation technique Frames are copied very fast from off-screen memory to the frame buffer Copying usually done with bitBLT-type operations Copying can be applied to complete frames only parts of the frame which contain some movement

Examples

Raster animation - procedures A part of the frame in the frame buffer needs to be erased The static part of the frame is re-projected as a whole, and the animated part is over-projected.

Double buffering Used to achieve smooth animation The next frame of animation is computed to an off- screen buffer at the same time when the current frame is transferred to the frame buffer.

Colour-table animations Simple 2D animations can be easily implemented using colour lookup table. This technique will be described later

CREATING ANIMATION SEQUENCES

Object definition In simple manual systems, the objects can be simply the artist drawings In computer-generated animations, models are used Examples of models: a "flying logo" in a TV advert a walking stick-man a dinosaur attacking its prey in Jurassic Park

Models can be Rigid (i.e. they have no moving parts) Articulated (subparts are rigid, but movement is allowed between the sub-parts) Dynamic (using physical laws to simulate the motion) Particle based (animating individual particles using the statistics of behaviour) Behaviour based (e.g. based on behaviour of real animals)

Simple rigid objects can be defined in terms of polygon tables (3D) basic shapes such as line segments, circles, splines etc. (2D) Rigid body animation is an extension of the three- dimensional viewing

Path specification Impression of movement can be created for two basic situations, or for their combination: static object, moving camera static camera, moving object The path defines the sequence of locations (for either the camera or the object) for the consecutive time frames

Static object, moving camera Time F1 F5 F2 F4 F3

Static camera, moving object F1 F2 F3 F4

Static object, moving camera The path specifies the spatial coordinates along which the camera moves The path is usually specified for a single point, e.g. the VRP

Static object, moving camera During movement, the target point in the World coordinate system can remain the same (e.g. when walking or flying around the object to see it from all directions); change (e.g. standing in one location and looking round, or moving along a given path and showing the view seen by the observer while moving).

Static camera, moving object Path specifying the object movement has to be defined The path is defined as the spatial coordinates along which the object moves

Static camera, moving object Objects and their parts are defined in a local coordinate system Animation path is defined in the World coordinate system The path is specified for a single point, e.g. the centre of the object's local coordinate system Coordinates of the actual points describing the object are calculated afterwards

It is important to remember that when the object moves along the path, not only its position changes, but also its orientation Y Z X

KEY FRAMES AND IN-BETWEENING

Rigid body animation Rigid body animation uses standard 3D transformations At least 30 frames per second to achieve smooth animation Computing each frame would take too long

Key frames Compute first a small number of key frames Interpolate the remaining frames in-between these key frames (in-betweening) Key frames can be computed at equal time intervals according to some other rules for example when the direction of the path changes rapidly

In-betweening The simplest method of in-betweening is linear interpolation Interpolation is normally applied to the projected object points

1’ 2’ Key frame k+1 1 2 Key frame k Halfway frame 3 3’ added point

In-betweening - example Given coordinates of a 2D point key frame n: (xn,yn) key frame n+1: (xn+1,yn+1) time interval between the two key frames: 1/10 second To get smooth animation, needs at least 30 frames per second Solution: insert at least further 2 frames between the given two key frames

Calculating in-between frames using linear interpolation x = (xn+1 - xn) / 3  y = (yn+1 - yn) / 3 for ( i=1; i<3; i++ ) { xi = xn + i * x yi = yn + i * y }

In-betweening Linear interpolation will not always produce realistic results. Example: an animation of a bouncing ball where the best in-betweening can be achieved by dynamic animation

In-betweening In-betweening should use interpolation based on the nature of the path, for example: straight path linear interpolation circular path angular interpolation irregular path linear interpolation spline

Parametric equations Formulae using parametric representation of lines and curves, e.g. line segment circle Bezier curve A flexible tool for interpolation

Parametric equations - line segment Example for line segment between two points, (xn,yn) and (xn+1,yn+1) calculate points in between the two given points xi = xn + t (xn+1 - xn) yi = yn + t (yn+1 - yn) t is the parameter which always changes between 0 and 1 when t = 0, we get xn when t = 1 we get xn+1 for 0 < t < 1 we get the points in between

Parametric equations - line segment The only thing to decide is the number steps between point n and point n+1 This allows us to set the value of t , which is 1 divided by the number of steps For example, for 10 steps, t = 1/10 = 0.1 This formula works also for points in 3D

Parametric equations - Circle Given Circle radius: r Centre at: (0,0) Parametric quations x( t ) = r * cos( 2t ) y( t ) = r * sin( 2 t )

Parametric equations - Circle Parametric quations x( t ) = r * cos( 2t ) y( t ) = r * sin( 2 t ) Algorithm Select t for(t=0; t<=1; t = t+ t ) { plot point at x = x( t ) = r * cos( 2 t ) y = y( t ) = r * sin( 2 t ) }