REVOLUTION In a Pig’s Eye www.jayarama.u Rev. 180105.

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REVOLUTION In a Pig’s Eye www.jayarama.u Rev. 180105

Angry-Envious-Criticism. Angry-Envious-Criticism Angry-Envious-Criticism* Angry-Envious-Criticism* Angry-Envious-Criticism* Angry-Envious-Criticism* Angry-Envious-Criticism* ngry-Envious-Criticism*

I pass urine upon you all from a great height, Honoré de Balzac

SB 4.21: Instructions by Mahārāja Pṛthu https://www.vedabase.com/en/sb/4/21/2 Mahārāja Pṛthu, however, was concerned with persons who were gentle, and therefore he first addressed all the honest persons, not caring for the envious.

Hare Krsna! Hare Rama!

https://www.britannica.com/art/Dada When a paper knife inserted into a French-German dictionary pointed to the French word dada(“hobby-horse”), it was seized upon by the group as appropriate for their anti-aesthetic and protest activities, which were engendered by disgust for bourgeois values and despair over World War I.  Dada, nihilistic and anti-aesthetic movement in the arts that flourished primarily in Zürich; New York City; Berlin, Cologne, and Hannover; and Paris in the early 20th century.

"he met his brother by chance" https://www.britannica.com/art/Dada Dada did not constitute an actual artistic style, but its proponents favoured group collaboration, spontaneity, and chance. The occurrence and development of events in the absence of any obvious design. "he met his brother by chance"

https://www.britannica.com/art/Dada Dada had far-reaching effects on the art of the 20th century. Its nihilistic, antirationalistic critiques of society and its unrestrained attacks on all formal artistic conventions found no immediate inheritors, but its preoccupation with the bizarre, the irrational, and the fantastic bore fruit in the Surrealist movement. Dada artists’ reliance on accident and chance were later employed by the Surrealists and Abstract Expressionists. Conceptual art is also rooted in Dada, for it was Duchamp who first asserted that the mental activity (“intellectual expression”) of the artist was of greater significance than the object created.

SB 1.5.11 — On the other hand, that literature which is full of descriptions of the transcendental glories of the name, fame, forms, pastimes, etc., of the unlimited Supreme Lord Is a different creation, full of transcendental words directed toward bringing about a revolution in the impious lives of this world’s misdirected civilization. REVOLUTION

viplavaḥ — revolutionary Such transcendental literatures, even though imperfectly composed, are heard, sung and accepted by purified men who are thoroughly honest. viplavaḥ — revolutionary

Aristotles Concept Of Chance http://www.sunypress.edu/p-5027-aristotles-concept-of-chance.aspx Aristotles Concept Of Chance This landmark book is the first to provide a comprehensive account of Aristotle’s concept of chance. Chance is invoked by many to explain the order in the universe, the origins of life, and human freedom and happiness. An understanding of Aristotle’s concept of chance is indispensable for an appreciation of his views on nature and ethics, views that have had a tremendous influence on the development of Western philosophy. Author John Dudley analyzes Aristotle’s account of chance in the Physics, the Metaphysics, in his biological and ethical treatises, as well as in his other works.

It is a qualification of the great thinkers to pick up the best even from the worst. It is said that the intelligent man should . . . accept a good lesson even from a man or from a teacher who comes from the untouchables. These are some of the ethical instructions for everyone in every place without exception. But a saint is far above the level of an ordinary man. He is always absorbed in glorifying the Supreme Lord because by . . . propagating the transcendental literatures like Śrīmad-Bhāgavatam,people will become sane in their transactions SB 1.5.11

Sell Full-Sets to Dadas Daily The End Sell Full-Sets to Dadas Daily