Copyright Is Not a Choose Your Own Adventure

Slides:



Advertisements
Similar presentations
Copyright and Moodle Tony Simmonds Information Services June 2012.
Advertisements

Section 108 Just for Libraries & Archives Allows for copying for: 1. Interlibrary Loan; 2. Replacing material in collection.
University of West Alabama. Copyright is a form of protection provided by the laws of the United States (title 17, U. S. Code) to the authors of “original.
Copyright What about it?. Who owns copyright?  Copyright means the right to copy  Canadian copyright law allows for only the owner or creator of the.
Access, Ownership and Copyright Issues in Preserving and Managing Cultural Heritage Resources International Conference on Challenges in Preserving and.
Intellectual Property UCLA DIS “Information Ecology” C.Hoda,Fall 2008.
HSC: All My Own Work Copyright.
June Weir FOI/Copyright/Records Manager March 2015.
Copyright Basics. What is Copyright? Copyright allows authors, musicians, artists, etc. to make money off of their labor. Copyright allows authors, musicians,
Copyright and Ethics. What is Copyright? Title 17, U.S. Code - A form of protection provided by the laws of the United States to the “authors of original.
and Fair Use Guidelines for Educational Multimedia
Copyright Licenses at VUW Copyright ©2004 Stephen Marshall distributed under the terms of the GNU Free Documentation License (
C©PYRIGHT & FAIR USE.
Copyright Laws in the Classroom Britany Howell The University of West Alabama LM 563.
HOSPITAL COPYRIGHT TOOLKIT A Guide to the Canadian Copyright Act A Presentation prepared by Jan Figurski, MLS Mary McDiarmid, MISt, AHIP c2007.
Canadian Copyright Act Became law in January 1924 and was amended in 1988 (Phase I) The second phase amendments were completed in 1997 when Bill C-32.
Copyright Pebblebrook High School July 29, What is copyright? Legal definition: A copyright is attached to an original work of art or literature.
Understanding Copyright How does copyright relate to intellectual property Permissions to reproduce Access Copyright Print to digital permission Criterion.
UBC LIBRARY Planning Review Presented by Ingrid Parent, University Librarian Can I Use This? Understanding Copyright and Working with Open Educational.
Copyright & Licensing Ernie Howe & Karen Adams NEOS May, 2002.
Copyright and Fair Use Implications for Assistive Technology and Education.
Copyright Considerations What do VSB educators need to know about recent changes to the Canadian Copyright Act? Moira Ekdahl Fall 2013.
Copyright for Managers
Computer Ethics Christina McCorkle.
10/6/2015 What is Copyright? Top Ten Myths Robert McAndrews Humble ISD Career & Technology Education Center.
COPYRIGHT IS A FORM OF PROTECTION GROUNDED IN THE U.S. CONSTITUTION AND GRANTED BY LAW FOR ORIGINAL WORKS OF AUTHORSHIP FIXED IN A TANGIBLE MEDIUM OF EXPRESSION.
Contract Law and Copyright Exceptions: What’s at stake? Benjamin White Head of Intellectual Property British Library.
Copyright Law Copyright ©2004 Stephen Marshall distributed under the terms of the GNU Free Documentation License (
THE COPYRIGHT LAW and Fair Use Guidelines for Educational Multimedia.
Copyright for Book Artists Ariadni Athanassiadis Kyma Professional Corporation CBBAG, Ottawa December 11, 2013.
Copyright and Fair Use. Topics Intellectual Property What is Copyright? What is Fair Use? Common Violations Guidelines TEACH Act 2002.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Presented by: Jody and Kenneth1 Copyright and Other Legal Issues in Distance Education Presented by Jody & Kenneth.
Principles of AAVTC Ethics & Copyright Copyright © Texas Education Agency, All rights reserved. Images and other multimedia content used with permission.
HSC: All My Own Work What is copyright and what does it protect? How does it relate to me?
Copyright Law A Guide for Educators. Jolene Hartnett, RDH, BS Seattle Central College © 2015 Certain materials in this program are included under the.
Copyright Roxanne Payne. Penalty for Copyright Infringement: "Federal law provides severe civil and criminal penalties for the unauthorized reproduction,
Copyright and Intellectual Property Right 1. 2 Use and Protection of Intellectual Property in Online Business Intellectual property (general term) includes:
Principles of AAVTC Ethics & Copyright Copyright © Texas Education Agency, All rights reserved. Images and other multimedia content used with permission.
Copyright Everything you wanted to know that you did not want to ask.
Tom Adam Copyright Advisor to the Provost all images:
Hosted By: Nathan Shives Jeremy Donalson.  A copyright is a form of protection given by the laws of the United States to authors of original works. 
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
Copyright in Schools Shannon Mersand, MLS Summer 2009.
Disclaimer This presentation is for informational purposes only and does not constitute legal advice.
Copyright, Fair Dealing, and your Course Readings for Brock instructors & faculty May 2016 ‘Twin Cherries’ by Simone Bisotti via flickr.
COPYRIGHT Erika Silva. What is Copyright Infringement?  A copyright infringement would be any violation of the rights of the copyright’s owner(s). 
Copyright Laws & Regulations
Copyright in the Classroom
Copyright and Technology
Fair Use in the Classroom
What you don’t know could harm you
21st Century Copyright for Education
Ethics & Copyright.
Copyright and Student Media
Author Rights Or The Rights of Copyright
CS 115: COMPUTING FOR The Socio-Techno Web
BROADCAST LAW COPYRIGHT TERMS.
Copyright Law in the Electronic Age
COPYRIGHT A Melbourne Athenaeum Library Cybersafety Information Guide
BROADCAST LAW COPYRIGHT TERMS.
BROADCAST LAW COPYRIGHT TERMS.
All About Copyrighting
AV Production Ethics & Copyright Trade & Industrial Education
What is copyright? Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights for its use.
Copyright Introduce Group 1 Kathy Sorrell Angie Dennis Jane Roberts
VISUAL COMMUNICATION USING ADOBE PHOTOSHOP CREATIVE SUITE 5
Copyright Exceptions for Archives: A Typology Analysis
Presentation transcript:

Copyright Is Not a Choose Your Own Adventure Meaghan Shannon, Copyright Services Officer at Fanshawe College m_shannon2@fanshawec.ca Jason Bird, Manager of Library Services at Sault College jason.bird@saultcollege.ca

Intellectual Property Law What is Copyright? Intellectual Property Law Patents, Trademarks, Trade Secrets & Copyright Copyright: a legal mechanism that protects the moral and economic rights of content creators and their works* * artistic, dramatic, literary, &musical works + performers’ performances, sound recordings, & broadcast signals Works enter the Public Domain 50 years after the content creator’s death (will change to 70 years after the content creator’s death when USMCA comes into force) Moral Rights Economic Rights Integrity Association Attribution Reproduction Conversion/Transfer Distribution/Rent/Sale Exhibition Public Performance First publication Communication Translation Authorization

Fair Dealing Allowance Condition Fair dealing for the purpose of: Research, Private study, Criticism, Review, Education, News Reporting, Parody, or Satire does not infringe copyright… …if the following are mentioned: the source, and if given, the name of the i) author (if a work), ii) performer (if a performance), iii) maker (if sound recording), or iv) broadcaster (if communication signal). Section 29 – 29.2

Is it Fair Dealing? Consider these 6 Factors when determining whether the dealing with a work is likely to be found fair: Purpose of the dealing, Character of the dealing, Amount of the dealing, Availability of Alternatives, Nature of the work, Effect of the dealing on the work. CCH Canadian Ltd. v Law Society of Upper Canada, [2004] 1 S.C.R. 339, 2004 SCC 13

Management & Maintenance of Collection Allowance Conditions Restrictions (1) It is not an infringement of copyright for a library, archive or museum or a person acting under their authority, to make, for the maintenance or management of its permanent collection or the permanent collection of another library, archive or museum, a copy of a work or other subject matter, whether published or unpublished, in its permanent collection. a) The original is rare or unpublished and is (i) deteriorating, damaged or lost or is (ii) at risk or deterioration or becoming damaged; b) The copy is for the purposes of on-site consultation is the original cannot be viewed, handled or listened to because of its condition or atmospheric conditions; c) The copy is an alternative format if the original format is obsolete, becoming obsolete or technology to use the original is obsolete or becoming obsolete; d) The copy is for the purpose of internal record-keeping and cataloguing; e) The copy is needed for insurance purposes or police investigation; or f) The copy is necessary for restoration. (2) a), b), and c) do not apply when an appropriate copy is commercially available in a medium and of a quality that is appropriate for the purpose. (3) If an intermediate copy must be made in order to make a copy, the intermediate copy must be destroyed as soon as it is no longer needed. Section 30.1

Copies of Articles for Research, etc. Allowance Conditions Restrictions It is not an infringement of copyright for a library, archive or museum or a person acting under their authority to (1) do anything on behalf of any person that the person may do personally under section 29 or 29.1. (2) make, by reprographic reproduction, for any person requesting to use the copy for research or private study, a copy of a work that is, or that is contained in an article published in (a) a scholarly, scientific, or technical periodical or (b) a newspaper, periodical. (3) do (1) or (2) on behalf of a patron of another library, archive or museum that it is authorized to do on behalf of one of its own patrons. (4a) The person is provided with a single copy of the work. (4b) The library, archive or museum informs the person that the copy is to be used solely for research or private study and that any use of the copy for a purpose other than research or private study may require the authorization of the copyright owner of the work in question. (2b) The newspaper or periodical was published more than one year before the copy is made. (5.1) Where an intermediate copy is made in order to copy a work, once the copy is given to the patron, the intermediate copy must be destroyed. (5.02) A library, archive or museum may provide a copy in digital form to a person who has requested it through another library, archive or museum if the providing library, archive or museum or person takes measures to prevent the person who has requested it from: Making any reproduction of the digital copy, including any paper copies, other than printing one or it; Communicating the digital copy to any other person; and Using the digital copy for more than five business days from the day on which the person first uses it. Section 30.2

Works Deposited in Archive Allowance Conditions (1) It is not an infringement of copyright for an archive to make, for any person requesting to use the copy for research or private study, a copy of an unpublished work that is deposited in the archive and provide the person with it. (3) The archive may copy the work only on the condition that: The person who deposited the work, if a copyright owner, did not, at the time the work was deposited, prohibit its copying; and Copying has not been prohibited by any other owner of copyright in the work. (3.1) The archive may provide the person for whom a copy is made with the copy on the condition that: The person is provided with a single copy of the work; and The archive informs the person that the copy is to be used solely for research or private study and that any use of the copy for a purpose other than research or private study may require the authorization of the copyright owner of the work in question. Section 30.21

Reproduction in Alternate Format Allowance Restrictions (1) It is not an infringement of copyright for a person with a perceptual disability, for a person acting at the request of such a person or for a non-profit organization acting for the benefit of such a person to: Make a copy of a sound recording of a literary, musical, artistic or dramatic work, other than a cinematographic work, in a format specially designed for persons with a perceptual disability; Translate, adapt or reproduce in sign language a literary or dramatic work, other than a cinematographic work, in a format specially designed for persons with a perceptual disability; or Perform in public a literary or dramatic work, other than a cinematographic work, in sign language, either live or in a format specially designed for persons with a perceptual disability. (2) Does not apply to the making of a large print book. (3) Does not apply where the work or the sound recording is commercially available in a format specially designed to meet the needs to any person referred to in that subsection, within the meaning of paragraph (a) of the definition ‘commercially available’: available on the Canadian market within a reasonable time and for a reasonable price and may be located with reasonable effort. Section 32

Assessing Online Content Works that are Publicly Available through the Internet Section 30.04 Avoid works made available through the Internet if… (3) The work or the site where the work is posted is protected by a technological protection measure that restricts access to the work. (4) A clearly visible notice prohibiting that act is posted at the site where the work is posted. (5) The work was made available through the Internet without the consent of the copyright owner. The video you are trying to watch cannot be viewed from your current location. Section 30.04 Image Sources: freelargeimages.com, thenounproject.com

Assessing Online Content: Netflix Not “Publicly Available” through the Internet. Employs Technological Protection Measures. Clearly Visible Notice not present on each work but Terms and Conditions will have been agreed to. Works have been made available with consent of the copyright owner. You cannot use Netflix in the classroom for educational purposes or for any other public performance as per the Netflix Terms and Conditions: 4.2. The Netflix service and any content viewed through the service are for your personal and non-commercial use only and may not be shared with individuals beyond your household. During your Netflix membership we grant you a limited, non-exclusive, non-transferable right to access the Netflix service and view Netflix content. Except for the foregoing, no right, title or interest shall be transferred to you. You agree not to use the service for public performances.

Assessing Online Content: Article Request: “Just wondering... am I allowed to reprint this article (see below) in my February school newsletter.  You know all the ins and outs of copyright law, and I don't want to try to figure it out on my own.” Article: Most Common Mistake Parents Make About Reading to their Child by: Aisha Sultan, St. Louis Dispatch, Feb 1, 2015 Can this request be granted? “Our Intellectual Property - This Site and the content on the Site is owned by us and third party providers and is protected by U.S. and international copyright, trademark and other intellectual property laws. This Site and the content may not be copied, reproduced, republished, uploaded, posted, transmitted, or distributed without our written permission, except that you may download, display, and print one copy of the materials presented on this Site on a single computer for your personal, non-commercial use only.”: https://www.stltoday.com/help/terms-of-service/ Article is “Publicly Available” through the Internet. Does not employ Technological Protection Measures. Clearly Visible Notice not present on article but Terms of Service available on website. Works have been made available with consent of the copyright owner.

Assessing Online Content: Inter-Library Loan Example from Sault College Sault College Faculty requested an article from another college SC Library receives the article from a loaning library Faculty then requests to place this article in the Learning Management System (LMS) Can this article be placed in the LMS automatically? No, SC library needs to inquire with the loaning library about the terms and conditions of the publication to see if this is allowed Loaning library confirms that because there subscription is for a print version (of Families in Society Journal) a copy can be placed on our LMS in accordance with ACCC (CICAN) Fair Dealing Guidelines.

Online Content via Social Media Facebook

Online Content via Social Media Twitter Instagram

Questions? Meaghan Shannon, Copyright Services Officer at Fanshawe College m_shannon2@fanshawec.ca Jason Bird, Manager of Library Services at Sault College jason.bird@saultcollege.ca