Planning Your Navigable Space Week 3 LCC 2700: Intro to Computational Media Fall 2005 Ian Bogost

Project I: Create a Navigable Space Week 4: submit and present a map of the space Week 5: submit and present space itself * clear navigational cues to script the interactor * consistent, logical space * a reason to move through it * at least 5 separate segments or “rooms” * at least 3 objects with behavior within the space

Experiencing Space Codes of relationship Left / Right In front of / Behind Forward / Back Landmarking Zones of proximity (Downtown; the South) Pathfinding (2 stops on MARTA; Mapquest directions)

Representating Space: Overview

Overviews Provide sense of boundaries and extent of space Provide relationship of parts to the whole From a god’s eye (bird’s eye) perspective Sitemaps and good site navigation provide overview of information spaces Establishing shots, zooms in film provide overview prelude to smaller scene; create illusion of proximities Digital media can create overviews that can be entered and navigated

Representing Space: Navigation Navigation produces sense of immersion Space seems more real because you can move through it Space must be consistent Logically Retraceable (up/down, left/right) In scale (lower floors matched to upper floors) Landmarks support orienteering

Coherent navigation leads to exploration and discovery Passing a “tripwire” can set off a dramatic effect “Room” abstraction useful even for spaces that are not rooms, such as mazes, forest, any logical space segment Glimpsing one space from another, or hearing/smelling something just out of sight, creates anticipation Sounds can become louder as you approach Hidden objects can become more, or suddenly visible

Creating Motivation for Exploration Placing objects in the space reinforces the illusion Following a fleeing character (White Rabbit) can motivate navigation, discovery Spaces and objects can be taken from familiar story genres: treasure boxes, outlaw hideout, alien space ship Story expectations from props and characters, sound and visual style create anticipation, suspense, curiosity

Geographical Space as Cultural Code East Coast, West Coast Beltway (Washington) The South, the Midwest (other countries have similar shorthand) Valley of the Shadow of Death Underworld of the Dead Mountaintop or Celestial habitation of the gods (in multiple religious traditions)

Space as Emotional Code Choice as a “fork in the road” or a “crossroads” Despair as a forest (Dante’s inferno) Being confused as being lost “at sea” Drowning as being overwhelmed “out of his depth” “Walking the straight and narrow”: moral orientation for spatial orientation