Music in the Medieval and Renaissance Eras

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Presentation transcript:

Music in the Medieval and Renaissance Eras MU 111 Exam 2 Music in the Medieval and Renaissance Eras

Format of Exam 2 5 Listening IDs: Composer, Title, Period (Med or Ren) 3-4 Addition Listening Questions on Techniques from Reading and/or Class Objective Questions Choice of 2-3 Short Essay Questions

Composer Title Recording* Medieval Anonymous Chant: Vidernunt omnes (All the Ends of the Earth) (3) Hildegard of Bingen O viridissima virga (O Greenest Branch) (4) Leonin Organum:Viderunt omnes (All the Ends of the Earth) (5) Machaut Since You Have Forgotten Me (6) Quant en Moy (When I was first visited by Love) Web Renaissance Dufay Missa se la face ay pale, Kyrie (7) Josquin des Prez Ave Maria (8) El grillo (The Cricket) Web Weelkes As Vesta Was from Latmos Hill Descending (10) Arcadelt Il bianco e dolce cigno (The White and Sweet Swan) Web Palestrina Pope Marcellus Mass, Kyrie (9)

Exam #2: Terms for Review Gregorian Chant organum Leonin talea color chanson canon sogetto cavatto humanism plainchant melismatic neumatic chant madrigalism isorythmic technique soggetto cavatto Council of Trent responsorial antiphonal Triumphs of Orianna Organum (as a genre) Magnus liber organum style alternatim performance Syllabic chant Ordinary and Proper of the Mass Trouvére block chords a cappella Counter-Reformation strophic Renaissance motet vs. isorhythmic motet point of imitation Medieval Authority Substitute Clausulae cantus firmus sogetto cavatto tenor (in organum) organum vs. discant style Ars nova rondeau polytextual tripla/quadrupla refrain paraphrase technique through-composed neumatic chant Medieval Musica enchiriadis block homophony strophic form