By W.B. Yeats http://www.skoool.ie/examcentre_sc.asp?id=1248 September 1913 By W.B. Yeats http://www.skoool.ie/examcentre_sc.asp?id=1248.

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By W.B. Yeats http://www.skoool.ie/examcentre_sc.asp?id=1248 September 1913 By W.B. Yeats http://www.skoool.ie/examcentre_sc.asp?id=1248

Background… The Dublin Lock-out: This was a major industrial dispute between approximately 20,000 workers and 300 employers which took place in Ireland's capital city of Dublin. The dispute lasted from 26 August 1913 to 18 January 1914, and is often viewed as the most severe and significant industrial dispute in Irish history. Central to the dispute was the workers' right to unionise.

Dublin slums One of the major factors which led the dispute was the dire circumstances in which the city's poor lived. In 1913, one third of Dublin's population lived in slums. 30,000 families lived in 15,000 tenements. An estimated four million pledges were taken in pawnbrokers every year. The infant mortality rate amongst the poor was 142 per 1,000 births, which was very high for a European nation. The situation was made considerably worse by the high rate of disease in the slums, which was the result of a lack of health care and cramped living conditions, among other things. The most prevalent disease in the Dublin slums at this time was tuberculosis (TB), which spread through tenements very quickly and caused many deaths amongst the poor. A report published in 1912 claimed that TB-related deaths in Ireland were fifty percent higher than in England or Scotland, and that the vast majority of TB-related deaths in Ireland occurred amongst the poorer classes.

Poverty was perpetuated in Dublin by the lack of occupational opportunities for unskilled workers. Prior to the advent of trade unionism in Ireland, unskilled workers lacked any form of representation. Furthermore, there were many more unskilled labourers in Dublin than there were jobs for them. Thus unskilled workers often had to compete with one another for work on a daily basis, the job generally going to whoever agreed to work for the lowest wages.

The ITGWU Irish Transport and General Workers Union The ITGWU was the first Irish trade union to cater for both skilled and unskilled workers. It was created by James Larkin. In the first few months after its establishment it quickly gained popularity, and soon it had spread to other Irish cities. After initially losing several strikes between 1908 and 1910, the ITGWU became more successful after 1911, winning several strikes involving carters and railway workers. Between 1911 and 1913, membership of the ITGWU rose from 4,000 to 10,000. This trend did not go unnoticed by employers, who soon became alarmed by the rise in popularity of the new trade union. On 26 August, workers of the Dublin tram system's Dublin United Tramways Company officially went on strike. The strike was planned to take place in the middle of the Dublin Horse Show held by the Royal Dublin Society, when the inconvenience caused would be greatest and business worst affected. At a pre-arranged time, the tram drivers and conductors literally walked off the trams, leaving them unattended. Led by an emplyer called Martin Murphy, over four hundred of the city's employers retaliated by requiring their workers to sign a pledge not to be a member of the ITGWU and not to engage in sympathetic strikes.

The resulting industrial dispute was the most severe in Ireland's history. Employers in Dublin engaged in a lockout of their workers, employing blackleg labour from Britain and elsewhere in Ireland. For seven months the lockout affected tens of thousands of Dublin's workers and their families, with Larkin portrayed as the villain by Murphy's three main newspapers, the Irish Independent, the Sunday Independent, and the Evening Herald. The lockout eventually concluded in early 1914 when the calls for a sympathetic strike in Britain were rejected by the TUC. Most workers, many of whom were on the brink of starvation, went back to work and signed pledges not to join a union. W.B Yeats was among several other high profile supporters of the ITGWU

John O’Leary Born 23 July 1830 Died 16 March 1907 Was an Irish separatist and a leading Fenian. Both the Fenian Brotherhood and Irish Republican Brotherhood (IRB), were fraternal organisations dedicated to the establishment of an independent Irish Republic in the 19th and early 20th century. He studied both law and medicine but did not take a degree and for his involvement in the Irish Republican Brotherhood he was imprisoned in England during the nineteenth century.

Other names in the poem… Edward Fitzgerald Born Oct. 15, 1763, County Kildare, Ire.—died June 4, 1798, London, Eng.), Irish rebel who was renowned for his gallantry and courage, who was a leading conspirator behind the uprising of 1798 against British rule in Ireland. Robert Emmet Born 4 March 1778 – 20 September 1803) was an Irish nationalist, orator and rebel leader born in Dublin, Ireland. He led an abortive rebellion against British rule in 1803 and was captured, tried and executed for high treason. Wolfe Tone Born 20 June 1763 – 19 November 1798) was a leading figure in the United Irishmen Irish independence movement and is regarded as the father of Irish republicanism. Wolfe Tone died from his wounds eight days after he attempted suicide by using a penknife to open an artery in his neck.

The Poem http://www.youtube.com/watch?v=xeGe5guvSeY The poem is a response to the ruthless mercenary employers who locked out their workers in the General Strike in 1913. The poem is also a comment on the refusal of commercial interests to support Yeats’ appeal for money to build an Art Gallery to house the Lane collection. The poem is a scathing criticism of the mercenary materialism he felt was rampant in the Ireland of 1913.

Language, Imagery and Form Comment on the use of pronouns in the poem. Consider the use of consonance in stanza three. What images are created and what is the effect? What is the effect of the repetition of the last two lines of each stanza? How is an confrontational tone created? Comment on the use of rhyme and rhythm.