The Italian Renaissance

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The Italian Renaissance viztv.vizfact.com theworldwidetraveler.com

The Renaissance began in Italy, then spread to the rest of Europe The Renaissance began in Italy, then spread to the rest of Europe. Italy was the birthplace of the Renaissance for several reasons. wwnorton.com

The Renaissance was marked by a new interest in the culture of ancient Rome. Because Italy had been the center of the Roman empire, it was a logical place for this reawakening to begin. d.umn.edu

Italy differed from the rest of Europe in other ways Italy differed from the rest of Europe in other ways. Its cities survived the Middle Ages. In the north, city-states like Florence, Milan, Venice, and Genoa grew into prosperous centers of trade and manufacturing. learner.org

Rome, in central Italy, and Naples, in the south, along with a number of smaller city-states, also contributed to the Renaissance cultural revival. iicbelgrado.esteri.it

Wealthy and influential merchants exerted political and economic leadership, and their attitudes and interests helped to shape the Italian Renaissance. They stressed education and individual achievement. They also spent lavishly to support the arts. rome-in-italy.com

Florence came to symbolize the epitome of the Italian Renaissance Florence came to symbolize the epitome of the Italian Renaissance. Like the ancient city of Athens, it produced a large number of gifted poets, architects, scholars, and scientists.

In the 1400s, the Medici family of Florence organized a successful banking business. The family would expand into wool manufacturing and mining. The Medicis ranked among the richest merchants and bankers in Europe. paradoxplace.com

The Medici family were generous patrons, or financial supporters, of the arts. walkaboutflorence.com

The Renaissance was a time of creativity and change in many ways, political, social, economic, and cultural. Perhaps most important were the changes that took place in the way people viewed themselves and their world. charliekirks.com

Spurred by a reawakened interest in the classical learning of Greece and Rome, creative Renaissance minds set out to transform their own age. Their era, they felt, was a time of rebirth after what they saw as the disorder and disunity of the Medieval Ages. ricksteves.com

In reality, Renaissance Europe did not break completely with its medieval past. After all, monks and scholars of the Middle Ages had preserved much of the classical heritage. snarkmarket.com

Latin had survived as the language of the Church and of educated people. And the mathematics of Euclid, the astronomy of Ptolemy, and the works of Aristotle were well known to late medieval scholars. Aristotle en.wikipedia.org

The Renaissance produced new attitudes toward culture and learning The Renaissance produced new attitudes toward culture and learning. Unlike medieval scholars, who were more likely to focus on life after death. Renaissance thinkers explored the richness and variety of human experience in the here and now. At the same time, there was a new emphasis on individual achievement. airminded.org

The Renaissance supported a spirit of adventure and a wide-ranging curiosity that led people to explore new worlds. The Italian navigator Christopher Columbus, who sailed to the Americas in 1492, represented that spirit. spiritofrebellion.wordpress.com

So did Nicolaus Copernicus, a Polish scientist who revolutionized the way people viewed the universe. hopeinrhodes.blogspot.com

At the heart of the Italian Renaissance was an intellectual movement known as humanism. Based on the study of classical culture, humanism focused on worldly subjects rather than on the religious issues that had occupied medieval thinkers. faculty.umf.maine.edu

Humanists believed that education should stimulate the individual’s creative powers. They returned to the humanities, the subjects taught to ancient Greek and Roman schools. The main areas of study were grammar, rhetoric, poetry, and history, based on Greek and Roman texts. my.opera.com

Humanists did not accept the classical texts without question Humanists did not accept the classical texts without question. Rather, they studied the ancient authorities in light of their own experiences.

Francesco Petrarch, a Florentine who lived in the 1300s, was an early Renaissance humanist. In monasteries and churches, he found and assembled a library of Greek and Roman manuscripts. Through his efforts and those of others encouraged by his example, the works of Cicero, Homer, and Virgil again became known to Western Europeans. guardian.co.uk

Renaissance artists studied ancient Greek and Roman works and revived many classical forms. The sculptor Donatello created a life-size statue of a soldier on horseback. It was the first such figure done since ancient times. italian-renaissance-art.com

Roman art had been very realistic, and Renaissance painters developed new techniques for representing both humans and landscapes in a realistic way. By making distant objects smaller than those close to the viewer, artists could paint scenes that appeared three-dimensional. PERSPECTIVE all-about-renaissance-faires.com

Renaissance painters used shading to make objects looks round and real Renaissance painters used shading to make objects looks round and real. Painters and sculptors studied human anatomy and drew from live models. As a result, they were able to portray the human body more accurately, than medieval artists had done. Chiaroscuro aboutvenice.org

Renaissance artists rejected the Gothic style of the late Middle Ages as cluttered and disorderly. Instead, they adopted the columns, arches, and domes that had been favored by the Greeks and Romans. lwooddesigns.wordpress.com

Renaissance Florence was home to many outstanding painters and sculptors. The most celebrated Florentine masters were Leonardo da Vinci, Michelangelo, Donatello, and Raphael. ianbrooks.me

Vitruvian Man - Leonardo Expresses the ideas and theories of Vitruvius, a first century Roman architect. The Vitruvian ideas, presented by Leonardo, formed the basis of Renaissance proportion theories in art and architecture. Leonardo is representing the body as a building and illustrating Renaissance theory which linked the proportions of the human body with architectural planning.

Michelangelo - Pieta https://www.khanacademy.org/humanities/renaissance-reformation/high-ren-florence-rome/michelangelo/v/michelangelo-piet-1498-1500

The Penitent Magdalene is a wooden sculpture of Mary Magdalene by the Italian Renaissance sculptor Donatello, created around 1453-1455. The sculpture was probably commissioned for the Baptistery of Florence. The piece was received with astonishment for its unprecedented realism. It is currently housed in the Museo dell'Opera del Duomo in Florence. The wood used by Donatello is that of White poplar.

The Sistine Madonna is one of Raphael's most famous works The Sistine Madonna is one of Raphael's most famous works. The painting takes it's name from the  church of San Sisto in Piacenza and Raphael painted it as the altarpiece for that church in 1513-1514.  The piece was purchased in 1754 by King Augustus III of Saxony for his collection in Dresden. In Germany the painting was very influential, sparking debate on the questions of art and religion.