Critical Approaches to Film

Slides:



Advertisements
Similar presentations
Narrative Structure in Film
Advertisements

greatest-actors-turned-directors.
Quiz — The Sweet Hereafter. 1)Mitchell, the attorney, gets stuck in a very unusual place at the beginning of the film. What is this place? 1)The image.
Hollywood Cinema Space: The Conventions of Representation.
Genre Thinking about the meaning of differences.
Film Program Coming Up Korea, North and South: A Cinematic Perspective January in Atkinson Hall, CALIT2 Info on the program at
Narration and the Fiction Film Three approaches to the problem of narrative as representation: considering the story’s world or diegesis; its portrayal.
How Time Goes By “Cinema is life with the boring bits cut out.” --Alfred Hitchcock.
Narrative form and patterns of development We all “go to the movies to have a good time. But that is exactly my point: what we want from the movies is.
Film Theory What Films Do.
The Viewer’s Activity (narrative)
Agenda Announcements Singin in the Rain discussion Break Elements of Narrative Elements of Genre.
Media Studies: Evaluation – its time to wrap up!.
Intro to Film Terms & Vocabulary Chapter 1-2. Criteria of a Classic Film Technological Achievement/ Innovation Marked Influence on the craft of filmmaking.
Postmodernism Cinema New Hollywood Film Foundation Degree.
EN/AS3233 AMERICAN FILM: ART & INDUSTRY
 What is a reference to a person, place or literary, historical, artistic, mythological source or event?
Session 8: EDITING. STUDYING EDITING ALLOWS US TO:  Reflect on how the art of film and its technologies reflect cultural and historical context  Understand.
LO: know how to write effective evaluation on coursework.
Classical Hollywood Style Jason Jewell. Presentation Goals To define essential film terms To show how mise-en-scene helps create a relationship between.
Media Unit Analysing and Creating DVD Covers. DVD Covers What are their conventions? LO: To recognise the conventions of DVD covers.
Week Five Narrative: Form, Structure, Development
Learning objective: To understand the common features of Gothic Literature. Learning Outcomes: ALL: Will be able to identify the common plot elements.
1950’s New Wave Ayrton Mc Gurgan & Lee Chambers. Background  In the late 1950’s cinema was changing. New inventions brought about new waves.  Film attendance.
Film Theory Understanding Movies divides the study of film theory into three categories: –Theories that focus on the work, itself, as the central area.
FUNCTIONS OF THE VISUAL: ILLUSTRATIVE REINFORCING COMMENTARY CONTRAST IRONY.
for biocultural literary criticism
Elements of a Narrative Story
Guidance to SDS Implementation
The New Wave (French: La Nouvelle Vague) was a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s, influenced.
Film Studies First teaching September 2017 First assessment
G235: Critical Perspectives in Media
Novels A Presentation.
POST-CLASSICAL HOLLYWOOD
Socratic Seminar Prep Sheet
Postmodern Television
Genre.
Elements of Narrative Text
The Elements of Personal Narrative
Narrative terminology - structure
Auteurism In English, Auteur means ‘Author’ which is why Auterism is the theory that a film has an author, whether that be the Director, writer, producer,
Narrative Themes & Issues
Narrative: Pulp Fiction (Quentin Tarantino, 1994)
NEW AMERICAN/ HOLLYWOOD WAVE
A Level Film Studies.
Intro to Fiction English B1B.
HUM 150 MART Lessons in Excellence-- hum150mart.com.
Plot: The Bones of the Story.
Film as a Dialogue Interpreting cinema
Understanding Literature
English Through Literature
“Every damn Hollywood movie got it wrong”
Section A: Question 1 B: Theoretical Evaluation of Production
I Am Legend Task: Elements of Fiction: Plot Setting Characterization
Literary Criticism Becoming a Critic.
Classic Hollywood Genres
G235: Critical Perspectives in Media
How Important Is It To Understand The Author?
Cinema.
Film, Television & New Media 2019 v1.2
Spectatorship and Beasts of the Southern Wild
Characteristics of MEMOIR
INVESTIGATING THE MEDIA
Media Unit Writing a Film Review.
Audience Expectations
Modernism & Post-Modernism
KS3 Music Creative, Performance and Media Arts
Cinema and Form Formal expectations: patterns informed by conventions and experience (cultural, historical) Emotion or Affect (represented in cinema and.
Chapter 7: Modes of Screen Reality
SCIENCE FICTION MOVIE PORTFOLIO
Presentation transcript:

Critical Approaches to Film Lesson 9 Narrative recap The Last Picture Show

http://www.totalfilm.com/features/50-worst-movie-endings

Reminder Exercise draft deadline = 6th December Exercise final deadline = 13th December Cover sheet on socs-media & on the website Submit by 4pm at Atrium Reception Use terminology Analysis not description Meaning generated through formal elements

Narrative Hollywood Art Cinema/ European Loose cause and effect Strong cause-and-effect High degree of narrative closure Psychologically rounded, goal-driven characters Character subordinate to plot Fictional world governed by spatial and temporal verisimilitude Familiar rules, codes, conventions Heterosexual romance normally present as main plot or subplot Loose cause and effect Open/ambiguous endings Ambiguous characters, often lacking defined desires/goals Plot subordinate to character Psychological or social realism Experimentation (less formulaic)

Narrative

Alternative/post-classical Hollywood narrative

Peter Bogdanovich

the style of the film the principal themes the film’s representation of the past. Narrative: whether you can identify any influences from classical Hollywood and European art cinema