Partner activity Anatomy of a wave partner activity: One person is a reporter and the other is the artist. The artist tries to draw what the reporter.

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Presentation transcript:

Partner activity Anatomy of a wave partner activity: One person is a reporter and the other is the artist. The artist tries to draw what the reporter describes. Rules are important but the result is kids learn the parts of a wave and they learn how hard it is to use only a verbal description!

wavelength wavelength Define a wavelength as the length between adjacent crests. Show both the first two wavelengths on the slide. wavelength

Ask the class if this is also a wavelength? It is.

Ask the class if this is a wavelength. It is actually 2 wavelengths.

What is Amplitude? Frequency? How high/low the crests/troughs are. Rate of the wiggle Define amplitude then show the 1st wave. Ask students to describe what the same wave would look like with a smaller amplitude. If they’ve done the “Wave Basics” homework, they should be able to do this. Note: Mariners talk about the wave height. Wave Height is from Peak to Trough which is different than amplitude which is peak to resting point. Next define frequency. Then show the wave and ask students what it would look like with a smaller frequency.

Waves travel Waves are energy Do the wave Did the wave make it across the room? Did the people who started it move across the room? People move up and down as the wave’s energy goes past. Waves are energy Have the class do the wave. Then show the animation and talk about wave travel. How the energy moves across the room but the people only move up and down. Describe the people as the “medium” that the wave moves through/on.

Types of Waves Transverse Waves Longitudinal Waves The link at the bottom is a site that has very nice animations. However, it requires Apple Quicktime to run. These animations are simpler and easier to grasp than a slinky wave so I show the slinky after I show the animation. Longitudinal Waves Transverse, Longitudinal, and Periodic Waves

Source, Receiver & Medium People Wave What is the Source? first person What is the Receiver? last person What is the Medium? all the people Ask what the source, receiver and medium is for each of these types of waves. You can show the PhET Interactive Simulations “Wave Interference” simulation as a visual of water waves if desired.

Source, Receiver & Medium Wave on a String What is the Source? Orange Pump What is the Receiver? Clamp What is the Medium? The string of red beads Ask what the source, receiver and medium is for each of these types of waves. You can show the PhET Interactive Simulations “Wave Interference” simulation as a visual of water waves if desired.

Source, Receiver & Medium Longitudinal slinky wave What is the Source? start of slinky What is the Receiver? What is the Medium? The slinky Ask what the source, receiver and medium is for each of these types of waves. You can show the PhET Interactive Simulations “Wave Interference” simulation as a visual of water waves if desired.

Source http://www.iris.edu/hq/programs/education_and_outreach/videos#H I used this lesson to introduce earthquakes so showed video H on this page. Epicenters and focus. We talk about the source of the earthquake.

How do waves add? Use the PhET Wave on a String simulation: Phet.colorado.edu and asked how the waves add? Example on next slide.

Sketch what you think the pattern will look like After students draw their predictions, ask for them to share with the class. Then show the results on the simulation. Click the snapshot to open the sim. To demonstrate: I used the Pulse feature with Zero damping. First I set the wave characteristics to A = 50, PW = 50, Damping = 0, Tension high, then pulsed and paused quickly. Then I reset the characteristics and sent another pulse. Quickly ,I paused again and used the Step feature for slow motion. You can cycle through the waves interactions many times by stepping.

You can see that the lower wave is moving to the left You can see that the lower wave is moving to the left. In shot 3 it’s under the top wave. So the top wave is shorter and the lower wave isn’t showing. When you add them up the top wave plus the negative bottom wave, you get a smaller but still positive number. On shot 4 you can see the lower wave emerge on the left and the top wave is bigger again. Finally shot 5 they are separate again and no different than they were to start with.

The natural frequency of an object Resonance The natural frequency of an object

The frequency an object likes to vibrate at Resonance Swinging http://www.youtube.com/watch?v=I4FPK1oKddQ The frequency an object likes to vibrate at Watch the swing example and explain how your push has to be just right. If it is, each time you push it adds to how high the person is going. If you try to push with different timing than the swings Natural frequency, it just doesn’t work! Show the pasta raisin demo.

The frequency an object likes to vibrate at Resonance Pasta/raisin demonstration The frequency an object likes to vibrate at Watch the swing example and explain how your push has to be just right. If it is, each time you push it adds to how high the person is going. If you try to push with different timing than the swings Natural frequency, it just doesn’t work! Show the pasta raisin demo.

The frequency an object likes to vibrate at Resonance The frequency an object likes to vibrate at Wave on a String (A=3, f=50, Damp = 0, Tension = high) Use the settings given above to show resonance with the Wave on a String simulation. It’s really NEAT.

The frequency an object likes to vibrate at Resonance The frequency an object likes to vibrate at Tall vs. Short Building damage http://www.iris.edu/hq/programs/education_and_outreach/videos#O This is a very clear video of resonance. It’s designed to demonstrate earthquake damage but works beautifully for resonance in general. It shows different height objects resonating at different frequencies. I stop the video at the points where the speaker says he asks his students to predict, then I ask my students to predict.