Choosing a Concentration

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Presentation transcript:

Choosing a Concentration AP Art

The Process Write down all subjects, themes, places, things, activities or issues that are personally relevant and that matter to you (even random, unexpected things, such as a the art room sink, or heirloom knives and forks in your kitchen drawer). This student has cleverly merged photographs of x- rays, surgical instruments, stark hospital corridors and emergency signs to medical theme. See Nick Veasey

The Process 2. Include topics that are unusual, challenging, controversial, gritty or inspiring: those that fill you with passion. This student has used provocative imagery to explore the contentious issues surrounding human consumption of animal flesh. See Francis Bacon

The Process 2. Include topics that are unusual, challenging, controversial, gritty or inspiring: those that fill you with passion. This student has used explored obsessions with beauty and our dieting / pill-popping efforts to achieve an immaculate figure. See Barbara Kruger

The Process 3. Eliminate the cheesy and trite. (i.e involving pink hearts and Brad Pitt), insincere (i.e. a theme of ‘World Peace’, when really this is something you couldn’t care less about) and overly “pretty” or lacking in substance (i.e. bunches of roses). Sometimes even ‘pretty’ objects can be explored in a contemporary and innovative way, as in this mixed media cupcake work. See David Hockney.

The Process 4. Eliminate those subjects which you are unable to explore first-hand. 5. Remove the topics for which the source material is excessively simple, i.e. containing only a  few forms, textures and patterns. 6. Eliminate those topics for which the source material lacks aesthetic appeal. Sometimes the most mundane of objects can provide the greatest beauty

The Process 7. Eliminate topics which are common or over-done (unless you have an original way of approaching this topic). 8. Ensure that the topic you choose is something that you really care about and which can sustain your interest for a year. This accidental swirl of butter creates the immediate potential for aesthetic exploration: a moment found in what seems to be the ordinary and mundane.

Studio

Studio

Studio

2D

Studio

3D

2D Photo

Research: Finding Meaning Photography Cindy Sherman Annie Liebovitz Francesca Woodman Greg Crewdson Hendrik Kerstens Jeff Wall Shiran Neshat Robert Mapplethorpe JR 2D Dorian Lynde Lui Ferreyra Trudy Benson Hilma af Klint Jon Burgerman Caleb Hahne Studio Ester Roi Cayce Zavaglia Conor Harrington Sebas Velasco 3D Courtney Mattison Swoon Beth Lipman Daniel Arsham Christian Faur David Foster All Louise Bourgeois Marcel Duchamp Anish Kapoor Jeff Koons Pablo Picasso Andy Warhol Yayoi Kusama

Concentration Phase 1 Phrase the concentration theme in a question which you would like to research and explore. Cite at least 3 artists who inspire your thinking on this topic. They do not have to be using the same media as you but their exploration should be aligned with you. Your readings from our book and the tearbooks, suggested artists, your own research. Have this typed up and submitted to me by Monday. wiwright@crec.org