Bell Ringer Who is Aristotle? What are the main parts of a movie?

Slides:



Advertisements
Similar presentations
Write down the ones you do not know and study them tonight!
Advertisements

12 Steps of the Hero’s Journey
The Epic A Review. Epic An extended narrative poem in elevated or dignified language, celebrating the feats of a legendary or traditional hero. Epic Hero.
The Odyssey begins in Ithaca, King Odysseus’ home. Where he lives with his wife Penelope and newborn son Telemachus.
Bellringer: In the Grammar for Writing book, complete exercise 2 on page 60 which asks you to identify each clause as dependent or independent, and correct.
The 3 main stages: The departure, the initiation, and the return
© Wanda Teays, all rights reserved..  Who is Aristotle?  What are the main parts of a movie?  What does it mean to be Authentic?
The Hero’s Journey A slide version of excerpts from “A Practical Guide to Joseph Campbell’s ‘The Hero with a Thousand Faces’” by Christopher Vogler.
THE ARCHETYPAL QUEST— THE 12-step Hero’s Journey According to VOGLER, JUNG AND JOSEPH CAMPBELL.
Mrs. Rollins’ Freshman Language Arts. The likeable hero is introduced sympathetically so the audience can identify with the situation or dilemma. The.
From The Hero with a Thousand Faces by Joseph Campbell
Ms. Mitchell Freshman Literature Andover High School
12 Steps of the Hero’s Journey
Attributes of a Hero Well aren’t I special!. We usually divide the Journey into 12 tick tocks of the clock, but you must remember: the journey is a single.
The Ordinary World Hero starts out in the ordinary, mundane world Ordinary world creates a vivid contrast to the strange new world the hero is about to.
The Hero’s Journey Describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the.
The hero’s journey The stages….. The hero’s journey The hero’s journey is a pattern of narrative identified by the American scholar Joseph Campbell that.
I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.
The Hero’s Journey How did we get here?. And so the story goes… There are many patterns in literature that are easy to spot once you realize they exist.
Joseph Campbell. American mythologist born in 1904 Best known for his work in comparative religion and comparative mythology Professor, writer, lecturer,
THE HERO’S JOURNEY THE 3 MAIN STAGES: THE DEPARTURE, THE INITIATION, AND THE RETURN.
Plotting is Fun! How to keep your story from getting hung up somewhere between 300 pages of eloquently worded sentences and what might very well be the.
Hero’s Journey 12 Steps. Basic Idea  The Hero’s Journey is a term coined by famed mythology professor Joseph Campbell in his book, “The Man With A Thousand.
The Hero’s Journey Notable literary archetypes within The Epic of Gilgamesh and the epic poem; Beowulf.
The Odyssey. What qualities make someone a hero? Can you think of any modern-day heroes?
MS. CUTLER FUNDAMENTALS OF DRAMA Structure Of Drama.
The Hero’s Journey Scriptwriting Prof Oakes. Origin Mythic Archetypes Joseph Campbell “Hero with 1000 Faces” Christopher Vogler It is a skeleton. It shouldn’t.
The Hero’s Journey Mr. Pettine August 6, 2015.
Stages of the Hero’s Journey 1.THE ORDINARY WORLD. The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify.
 The Hero’s Journey is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious.
 The Hero’s Journey is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious.
12 Steps of the Hero’s Journey. Story Arc: Setting Rising Action Climax Falling action Resolution/ Denoument.
The Hero’s Journey. Stage 1 The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify.
Hero’s Journey ELA Vocabulary Adapted from Vogler and Campbell.
Story Structure 1.Setting 2.Plot 3.Theme 4.Subplot 3.Subtext 4.Three Act Structure 5.Inciting Incident.
12 Steps of the Hero’s Journey
Making The Case for Records Management: The Art and Science of Leading Change November 3, 2016 Philip Jones.
Bring ID for novel checkout tomorrow
Plot, Character, Theme, Vocab
12 Steps of the Hero’s Journey
12 Steps of the Hero’s Journey
British Literature Ms. Sullens
12 Steps of the Hero’s Journey
The Heroic Cycle.
Introduction to Film Narrative Theory
The Hero’s Journey Mr. Pettine August 22, 2017.
World Myths and Folktales
Question: What is a hero?
Joseph Campbell’s Monomyth
The Hero’s Journey Joseph Campbell.
The Hero’s Journey The Path to Discovery.
From: The Hero with the Thousand Faces by Joseph Campbell
The Hero’s Journey Question: What is a hero?
The Epic The Odyssey Ms. Dombrow.
Question: What is a hero?
Aristotle’s Poetics By: Laura Franey, Ben Hampson, Austin Van Wingerden, Mike Cerniglia, Kellie Quinn & Brittany Lane.
The Hero’s Journey “The story we all know”.
The Hero Journey.
By American Scholar: Joseph Campbell
Oh The Places We Will Go…
Hero’s Journey Film as Literature January 2019
The Hero’s Journey LA 10.
Joseph Campbell’s theory
The Stages of the Hero’s Journey
Hero’s Journey.
Question: What is a hero?
Mr. Jones’ Freshman Language Arts
The Hero Journey.
12 Steps of the Hero’s Journey
Presentation transcript:

Bell Ringer Who is Aristotle? What are the main parts of a movie? What does it mean to be Authentic?

Bell Ringer What are the parts of a play(movie) according to Aristotle? What is the difference between the first cause and the second cause in a play/movie? Are subplots good? Why?

Aristotle’s Poetics— The Components of Drama (ch. 1.0) © 2012. Wanda Teays, all rights reserved.

Who is Aristotle? Aristotle was an ancient Greek Philosopher. Did a little bit of everything but is best known for his work in plays and ethics. Aristotle believed there were 6 main components to a successful play.

Aristotle’s Big Six PLOT —Plot is on top! The plot is the soul of the movie! CHARACTER —Focus especially on the protagonists’ moral character THOUGHT — Themes and ideas, what motivates the character DIALOGUE — and diction,” the expression of meaning in words” (Aristotle) MUSIC —-is “embellishment” in that it reinforces the theme SPECIAL EFFECTS (“Spectacle” —- Least important says Aristotle—more craft than artistry. (He’d probably be a bit more receptive to today’s special effects)

Nitty Gritty Movies should have a BEGINNING, MIDDLE and the END For Aristotle this is: the First Cause= Beginning the Complication= Middle the Resolution= End Ideally, the audience should experience a CATHARSIS at the end, like a big sigh of relief!

Key Terms Back story: What happens before the beginning of the movie First Cause—sets off the story line, sets things in motion Second Cause—toward the middle of the movie, sets the 2nd half in motion toward a Resolution ( = “DENOUEMENT”) where knots are tied. Catharsis —an outpouring of all the pent-up tension or emotions that have been building.

Aristotle’s Ideal: The Complex Plot The beginning (“First cause”) sets off the chain of events that drives the story. The First Cause happens early in the movie and not before the movie starts.

Aristotle’s Ideal: The Complex Plot The second part (“Complication” where a moral conflict on the part of the hero is made clear.) It ranges from the change of fortune for the hero to the “Second Cause of Action.” The second cause of action leads to change or “Discovery.”—the third part, (“the Resolution”) towards the end of the movie.

Simple v. Complex Plots COMPLEX plots are Aristotle’s favorites. What makes them complex? There’s a “Reversal of Fortune”—- the hero’s fortunes change (from good to bad or vice versa). “Reversal of Fortune” leads to a “Discovery” —-a revelation or realization that is transformative to the hero SIMPLE plots are usually thought to have a reversal of fortune but no discovery (some interpret Aristotle to hold that a simple plot may have neither (just be a string of episodes).

Plots con. The best plots have a single focus—they are tight!—not a bunch of tangents going off in all directions The best movies: Have no subplots and are not episodic—The story wraps up at the end, doesn’t leave us dangling. Franchise films-the “to be continued” types of movies are definitely not for Aristotle!

The 7 plots Joseph Booker: Argues that all stories follow one of 7 basic plots. He researched his book for 34 years before publishing it. Overcoming the Monster. Rags to Riches. The Quest. Voyage and Return. Comedy. Tragedy. Rebirth.

Joseph Campbell: Hero’s Journey 1.        THE ORDINARY WORLD.  The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.  The hero is shown against a background of environment, heredity, and personal history.  Some kind of polarity in the hero’s life is pulling in different directions and causing stress. 2.        THE CALL TO ADVENTURE.  Something shakes up the situation, either from external pressures or from something rising up from deep within, so the hero must face the beginnings of change.  3.        REFUSAL OF THE CALL.  The hero feels the fear of the unknown and tries to turn away from the adventure, however briefly.  Alternately, another character may express the uncertainty and danger ahead. 4.        MEETING WITH THE MENTOR.  The hero comes across a seasoned traveler of the worlds who gives him or her training, equipment, or advice that will help on the journey.  Or the hero reaches within to a source of courage and wisdom. 5.        CROSSING THE THRESHOLD.  At the end of Act One, the hero commits to leaving the Ordinary World and entering a new region or condition with unfamiliar rules and values. 

Hero’s Journey Continued 6.        TESTS, ALLIES AND ENEMIES.  The hero is tested and sorts out allegiances in the Special World. 7.        APPROACH.  The hero and newfound allies prepare for the major challenge in the Special world. 8.        THE ORDEAL.  Near the middle of the story, the hero enters a central space in the Special World and confronts death or faces his or her greatest fear.  Out of the moment of death comes a new life.  9.        THE REWARD.  The hero takes possession of the treasure won by facing death.  There may be celebration, but there is also danger of losing the treasure again. 10.      THE ROAD BACK.  About three-fourths of the way through the story, the hero is driven to complete the adventure, leaving the Special World to be sure the treasure is brought home.  Often a chase scene signals the urgency and danger of the mission. 11.     THE RESURRECTION.  At the climax, the hero is severely tested once more on the threshold of home.  He or she is purified by a last sacrifice, another moment of death and rebirth, but on a higher and more complete level.  By the hero’s action, the polarities that were in conflict at the beginning are finally resolved. 12.       RETURN WITH THE ELIXIR.  The hero returns home or continues the journey, bearing some element of the treasure that has the power to transform the world as the hero has been transformed.

Campbell’s “Inner” Journey

Reading “Quiz” What does it mean to be authentic according to the article? (What is authenticity?) What factors can be considered when talking about authenticity? What challenges might one face when seeking to be authentic? Should people/society place more importance on being “authentic” individuals?

Rest of Today I think I said you were going to have a test tomorrow… Let’s have the test on Wednesday. It will cover the First PowerPoint, on Ethical Philosophies, and the second PowerPoint, on Aristotle’s Poetic’s. Normally this would get split up into a test and a quiz, but we will just combine these both together on Wednesday. You can spend the last 10 minutes studying.