Agenda 3/28/17 Sketchbook #45 –Masters of Portraiture

Slides:



Advertisements
Similar presentations
Agenda 2/9/15, 2/10/15 1)Sketch/write #9: Art classes 2)Sketch/write #10: Out of Bounds/What Lies Beneath 3) Complete 1 “Out of Bounds” artwork using a.
Advertisements

Agenda 2/19/15 1)Contemporary Photographers Group Presentation 2)SW #10 – Photographer research 3)Sign up for your photographer with Mrs. Doerrer 4)Begin.
Portraits A work of art that represents a specific person, a group of people, or an animal. Portraits usually show what a person looks like as well as.
Agenda 2/25/16 Contemporary Photographers Group Research & Presentation SB #7: Contemporary Photographers Sign up for your photographer with Mrs. Doerrer.
Independent Project Due Friday 2 Weekly Photos Due Friday
Time & Motion Project Part 1: Stopped/frozen action – take photos
Time & Motion Project Part 1: Stopped/frozen action
Sketchbook #2: Abstract Masters SB #3: Abstract Examples #2
SB #40: Abstract “Impressionist Photography” Examples and techniques
Rules of Composition Photography 1 Ms. Brown
Sketchbook #38: Abstract Masters SB #39: Abstract Examples #2
Quick Reminder from the first day of class. Ask if this isn’t clear:
Types of Portraiture Photography
SB #47: Outstanding portrait examples
Agenda 4/3/17 SB #48: Steve McCurry
Agenda 3/16/17 Abstract Photos Gallery Walk
Sketchbook #37: Abstract Photo Examples Abstract Photo Project
Agenda 10/4/16 Sketchbook #13 2) Composition Project:
Agenda 10/6/16 Sketchbook #14 2) Composition Project Part 1:
Agenda 3/24/17 Continue working on your Contemporary Photographer Research Project: Slides presentation & your own photos Continue your Independent Project:
Complete Sketchbook #42: Bokeh
Agenda 2/6/17 SB #32: Creating Motion Blur
Agenda 2/10/17 SB #35: Slow Sync Flash
Agenda 11/30/16 Sketchbook #16 Amazing Photoshopped Movie Posters
Agenda 11/13/15 1) Complete your Theatre Backdrop Project:
Agenda 3/14/17 Contemporary Photographers Group Research & Presentation SB #44: Contemporary Photographers Sign up for your photographer with Mrs. Doerrer.
Sketchbook #30: Lois Greenfield
SB #31: Sequence Photography
Agenda 11/3/16 Sketch/write #21 Class Procedures Test
SB #5: Light Painting Examples and techniques Light Painting Video
Agenda 12/14/16 Late Start 1) Movie Poster Critique
SB #41: Light Painting Examples and techniques Light Painting Video
Agenda 3/20/17 Continue working on your Contemporary Photographer Research Project: Slides presentation & your own photos Continue your Independent Project:
Independent Project Due Friday 2 Weekly Photos Due Friday
Agenda 4/28/16 Complete shooting photos for your Narrative Portrait Project Narrative Portraiture Self Evaluation – type and submit to student share Copyright.
Agenda 10/31/16 Add a copyright statement to your Color Project: using the type tool type: © your name press alt on the right side of your.
Agenda 10/5/16 SB #10 Color Theory Presentation
Agenda 4/24/17 SB #52 Double Exposure Double Exposure Project
SB #4: Abstract “Impressionist Photography” Examples and techniques
Agenda 10/10/16 1) Composition Project Part 2: Due TODAY
Agenda 3/22/17 Continue working on your Contemporary Photographer Research Project: Slides presentation & your own photos Continue your Independent Project:
Agenda 4/18/16 SB #17: “32 Outstanding Portrait Examples”
Agenda 3/11/15 Late Start Sketch/write #16: “32 Outstanding Portrait Examples” Sketch/write #17 : David La Chapelle Automatic Exposure Bracketing (AEB)
Agenda 9/8/16 Sketchbook #3: Inspiration Photos
Agenda 12/15/16 Shadow Play Gallery Walk & Critique
Agenda 10/13/16 Sketchbook #13: Composition Rules #5-8
Agenda 11/12/14, 11/13/14 SW #18: Student Movie Poster Examples
Agenda 10/6/16 Sketchbook #11 Color Theory Continued: Symbolism, Emotional and Physiological Responses to Color 3) Color Theory Worksheet Due today – turn.
Agenda 5/2/17 SB #56 Student Examples DE CPR Presentations
2) Narrative Portraiture Self Evaluation – type and save as a .pdf
Agenda 1/14/16 SB #34: Slow Sync Flash
Agenda 12/11/15 SW #28: Fill Flash
Agenda 2/8/17 SB #34: 13 Places to take Motion Blur Shots
Agenda 3/19/15 Complete shooting photos for your Narrative Portrait Project Narrative Portraiture Self Evaluation – type and submit to student share Copyright.
Agenda 3/10/17 Sketchbook #43 – Levitation Photography
Work on the Series “Inspiration Board” Assignment
Agenda 3/9/15 Sketch/write #15: Portrait Tips #11-20
Agenda 4/7/17 SB #49: Portrait Tips #11-20 SB #50: “Inside Out”
Abstract Photography Self Evaluation
Agenda 4/28/17 SB #55 Antonio Mora and Emi Haze
Agenda 3/14/16 SB #9 Double Exposure Double Exposure Project
Agenda 4/14/16 SB #15: Steve McCurry
SB #30: Sequence Photography
Agenda 3/17/15 Cahsee testing
Photoshop Skills: Hue Adjustments, Liquify Filter
SB #12 Antonio Mora and Emi Haze Double Exposure Techniques
Agenda 3/3/15 Sketch/write #12 –Masters Portraiture
Agenda 3/30/16 CPR Presentations Continue CPR Notes Assignment
Sketchbook #14 –Masters Portraiture
Sketch/write #7: Independent Project Research
Presentation transcript:

Agenda 3/28/17 Sketchbook #45 –Masters of Portraiture Introduction to Narrative Portraiture Narrative Portraiture Photo Project Portrait Research Assignment Complete the Independent Self Evaluation. Type and save as a .pdf. Call it youtlastname-ISE.pdf Turn in your Independent Project: Call your files yourlastname-I1.jpeg Yourlastname-I2.jpeg Turn in the Independent Self Evaluation – call it yourlastname-ISE.pdf 7) Contemporary Photographers Project Due 3/3

Sketchbook #45: Review the PowerPoint entitled “Masters of Portraiture”. Choose one portrait that appeals to you. Explain why you like this photograph. What makes it visually dynamic? Explain what you have learned about the subject by viewing this portrait. What is the location, environment, or setting? What do these things reveal about the subject? Describe the subjects facial expressions, body language, position/posture and clothing. What do these things reveal about the subject? What techniques did the photographer use to capture the essence of the subject? Explain their use of the elements of art, composition/viewpoint, and lighting.