Richard Diebenkorn Nude, 1961 Value Darkness and lightness History of light and dark in artwork Tint Shade History of light and dark in artwork.

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Presentation transcript:

Richard Diebenkorn Nude, 1961

Value Darkness and lightness History of light and dark in artwork Tint Shade History of light and dark in artwork Lightness Darkness

Artemisia Gentileschi Chiaroscuro – Light and Dark refers to clear tonal contrasts which are often used to suggest the volume and modeling of the subjects depicted Often used dramatically Artemisia Gentileschi Judith and her Maidservant with the Head of Holofernes, c. 1625

strong contrasts between light and dark

Michelangelo, Head of a Satyr, c. 1620-1630

Hatching and Cross-Hatching Michelangelo, Head of a Satyr, c. 1620-1630

Source/Museum: Musée du Louvre, Paris. Giraudon/Art Resource, New York. Medium: Pen and ink over chalk Size: 10 5/8 x 7 ⅞ in. Title: Head of a Satyr Artist: Michelangelo Date: c. 1620-1630

Rembrandt van Rijn, The Three Crosses, 1653

Rembrandt van Rijn, The Entombment, 1654

Chuck Close, Robert/Fingerprint , graphite and stamp pad ink, 1978

Atmospheric Perspective Started by Leonardo da Vinci Rules state that: Objects that are closer: Darker, richer, more defined Objects that are farther away: lighter, diluted, less visually clear From: http://www.sanford-artedventures.com/study/g_atmos_perspective.html

J.M.W. Turner, Rain, Steam and Speed, 1844

Rembrandt van Rijn, The Mill, c. 1650

Mary Cassatt, In the Loge (At the Francais, a Sketch), 1879

Study for painting In the Loge Mary Cassatt 1880

Tint – the adding of white Key Pink Chrysanthemum Pat Steir 1984 High Key Tint – the adding of white

Shade – the adding of black Night Pat Steir Chrysanthemum 1984 Low Key Shade – the adding of black

Gray scale

Pierre Paul Prud’hon, Study for La Source, c. 1801

Pierre Paul Prud’hon Study for La Source, c. 1801

Delacroix, Study for Death of Sardanapalus, 1827-1828