Beethoven- String Quartet No.16, Op.135/Ⅰ

Slides:



Advertisements
Similar presentations
AoS 1: Classical Music The Classical Era (c – 1830) Set work 2: W.A. Mozart: 1 st movement from Symphony No. 40 in G minor.
Advertisements

Classical Music Sonata Form.
1 st Place Post-Secondary Winner. 2 nd Place Post-Secondary Winner.
Longer Sectional Forms Chapter Fifteen. Elements of Form We have learned that form is manipulated by-- Repetition Contrast Variation.
Classical Music Higher Music.
The Classical Era ( ) The Enlightenment:
General Characteristics of Classical Music Balance and proportion Clarity and accessibility Simple, logical and clear harmonies Shorter phrases “Simpler”
Chapter 12: The Symphony Sonata Form. Key Terms Sonata form Slow introduction (optional) Exposition Development Recapitulation Coda (optional)
Classical Period
1 st mvt. Sonata Form Exposition Intro SCHE 1 st Theme nd Theme Epilog Recapitulation 1 st Theme x x x.
The Enjoyment of Music 10 th, Shorter Edition The Enjoyment of Music 10 th Shorter Edition.
(Neo) Classical Music Transition from Baroque to Romanticism.
The Classical Era ( ) Year 10 IGCSE October 2009.
Beethoven: The Composer as Hero. Beethoven Changes How We Think about Music.
Rococo ( )  End of Baroque ---> 1750  Beginning of Classical >  Ornate - enchantment of the senses  Age of Enlightenment - desire.
BEETHOVEN PIANO SONATA No. 3 in C Major, Op 2, No. 3 performed by GARRICK OHLSSON.
III. Sonata Form. Sometimes called sonata-allegro form Sometimes called sonata-allegro form Definition- The form of a single movement. Definition- The.
CLASSICAL FORMS Old forms and new forms will be discussed in detail later Usually though instrumentals will have four movements (1. FAST 2. Slow 3. Dance-related.
Classical Period Forms. Sonata Allegro - Review Exposition Exposition Development Development Recapitulation Recapitulation Coda Coda.
Part 2: Classical Era. Haydn/ ”Quinten” Mozart/EkN Beethoven/Sym phony No. 5 Classical Other Questions $100 $200 $300 $400 $500.
Mozart Symphony No 40 in G minor. The essay question - melody Well proportioned/balanced melody lines Regular 4 bar phrases Contrasting melodies in the.
“Classical” Forms Forms Binary (Baroque dances i.e., Bourree) AABB Baroque Concerto (Vivaldi Spring) ABACADA – main theme returns after each.
Classical Period Forms Movement Cycles & Sonata Allegro.
Music Form.
Romantic Era Symphonies and Concertos. The Romantic Symphony Took on new proportions Number of movements and tempo scheme not religiously followed. Beethoven.
CLASSICAL.
LC Mozart Test You are about to answer 30 questions about the vocabulary you need to know for the LEAVING CERT EXAM. You will see a key word or a definition.
Guitar Chords. G First finger 2nd fret, 5 th string. Second finger 3 rd fret, 6 th string. Third finger 3 rd fret, 1 st string.
 Life Expectancy is 180 th in the World.  Literacy Rate is 4 th in Africa.
Beethoven / Kant Time and Space Thomas Mastroianni December 14, 2010.
The Classical Period c The Rococo Transition from late Baroque to early Classical period. Characterized by highly ornamented melody with.
Instruments of the Symphony Orchestra Background Mozart wrote his Symphony #40 in 1788 in Vienna. It has been nick-named the “Great G-Minor Symphony.”
Sonata Form Classical Period. Sonata form The sonata is broken up into the following sections: –1 st movement: Allegro –2 nd movement: Slow –3rd movement:
Binary Form Just like in computing studies where the two digit pattern (0 or 1) is called Binary. Music that is in TWO parts is said to be in Binary Form.
Begins on page 173 Chapter 21 The Symphony and Beethoven.
Beethoven 1770 – Early Period Life in Vienna String Quartet No. 12 in E Flat Major Sold for L 1,181,600.
The Classical Era: The Enlightenment and the 18 th century.
Classical Era The Classical Era  Important events: –American Revolution ( ) –French Revolution ( ) –The Industrial Revolution.
1 st mvt. Sonata Form Exposition TUTTI SOLO 1 st Theme nd Theme Epilog
HAYDN 3 Symphony No. 26 in D minor, Lamentatione: movement i.
Music: An Appreciation 4th Brief Edition by Roger Kamien
Classical Music Higher Music.
Classical Music Higher Music.
Mozart – Symphony no.40 in G minor
Classicism in the arts. The Classical era (1750 – 1825) is characterized by order, objectivity, and harmonious proportion. The American Revolution (1775.
Sonata Form Jorge Padrón.
Part V The Classical Period
Beethoven’s “Third Period”
Mozart’s Symphony #40.
The Classical Era ( ) Year 10 IGCSE October 2009.
Classical Period 1750 – 1810.
Classical & Romantic Musical Styles
In the Classical period and beyond
Classical Music Higher Music.
Janacek:Sinfonietta /Ⅰ-Ⅱ
I. Rêveries · Passions ― Sonata Form
Phone Number BINGO!!!.
Mozart: Piano Concerto no 23
4n + 2 1st term = 4 × = 6 2nd term = 4 × = 10 3rd term
F.Schubert : Arpeggione大提琴奏鳴曲/Ⅰ
1st mvt. Sonata Form Exposition 1st Theme 2nd Theme Epilog 1 1
Chapter 12: The Symphony Sonata Form.
Haydn:Cello Concerto no.2/Ⅰ
R.Schumann :Symphony No.1/Ⅰ
Mozart’s Symphony #40.
Beethoven-violin Sonata no.9/Ⅰ
WHS Bell Schedule 1st Period  7:30 – 8:30 2nd Period  8:35 – 9:30
Music from Beethoven’s “Heroic” Period – II
I 大地悲嘆之飲酒歌 1st Theme 1st Theme ( ) ( ) 5 8
Piano Sonata No.8 in C Minor, 1st movement ‘Sonata Pathetique’
Presentation transcript:

Beethoven- String Quartet No.16, Op.135/Ⅰ 1st mvt. Sonata Form Exposition 1st Theme 2 2 6 6 8 13 2nd Theme 2 2 2 6 2 2 Epilog 2 3 2 2 Development 4 4 4 6 3 4 2 2 4 7 Recapitulation 1st Theme X X 6 2 2 7 4 11 2nd Theme 2 2 2 3 6 2 2 Coda 2 3 2 2 2 2 2 8 2 2 2 2 6 2 Beethoven- String Quartet No.16, Op.135/Ⅰ

Beethoven- String Quartet No.16 In F, Op.135/Ⅱ 2nd mvt. Ternary Form A 8 8 8 8 7 2 2 5 2 16 B 9 8 7 7 8 14 4 8 8 6 8 27 2 2 2 6 8 A 8 8 8 8 7 2 2 5 2 16 Code 6 1:13:34 Beethoven- String Quartet No.16 In F, Op.135/Ⅱ

Beethoven- String Quartet No.16 In F, Op.135/Ⅲ 3rd mvt. Variation Theme ( 2 ) 2 2 4 2 var.Ⅰ 2 2 6 var.Ⅱ 4 4 1 1 var.Ⅲ 3 7 var.Ⅳ 2 2 4 4 Beethoven- String Quartet No.16 In F, Op.135/Ⅲ

Beethoven- String Quartet No.16, Op.135/Ⅳ 4th mvt. Sonata Form Exposition Intro. 1 2 3 4 1st Theme 2 2 2 2 4 4 4 3 2nd Theme 4 4 4 4 Epilog 2 2 2 2 4 2 Development 5 21 4 4 8 4 4 10 10 8 2 2 1 4 4 Recapitulation 1st Theme 6 4 4 4 3 2 4 2 2 4 2nd Theme 4 4 4 4 Coda 2 2 2 2 4 2 2 2 4 4 4 Beethoven- String Quartet No.16, Op.135/Ⅳ