Transposing.

Slides:



Advertisements
Similar presentations
Guitar III & Guitar IV 17th night Spring 2005
Advertisements

For those who have never played an instrument
Rewriting a Song In a Different Key Why Transpose? 1.Accommodate a singer’s range 2.Find a more “guitar friendly” key 3.Return the song to its original.
Harmonic intervals  A harmonic interval is two notes played at the same time.
Guitar I and Guitar II Class 5 The A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant 7 chords. There are 2 other.
Class 10 Guitar I and II May be all review – class decides!! If not then below. Review the following –12 – Bar Blues in A and E –Blues backup like Chuck.
Calmer’s Scale Builder An easy method to discover scale pitches of a major scale (Ionian mode).
Chromatic Scale A scale of all half steps. Sharps and Flats # = sharp, raises a pitch one half step b = flat, lowers a pitch one half step # = sharp,
Tones, Semitones and Accidentals. On the keyboard, a semitone is the distance from one key to the closest neighbour key. Accidentals are symbols which.
Class Week 4 Guitar I Slow Song Tablature More Bass Scratch and bass pick - reviews More timing work (Maybe) The A and E7 chords As prep for next week.
Instructions for using this template. Remember this is Jeopardy, so where I have written “Answer” this is the prompt the students will see, and where.
Frank Markovich1 Script for Scales Tape Frank Markovich Acuson.
6th string root barre chords. The ‘E’ form moveable chord.
Minor Scales and Key Signatures
+ Accidentals Sharps, Flats and Naturals. + Disclaimer Page We are a TEAM It is my goal to have 100% of our team understanding these concepts. If you.
Scribbler Music Web Design Notes Your robot can play music by “beeping” the correct notes. Every note in music has a “frequency” – Physics of Frequencies:
Guitar I and Guitar II Spring 2006 Class 5 The A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant 7 chords. There.
12 Bar Blues. The notes in a key have Numbers abcdefgabcdefg abcdefgabcdefg
1 EFF#GAbABbBCC#DEbE FF#GAbABbBCC#DEbEA FF#GAbDEbEA GAbABbBCC#DEbEFF#G BbBCC#D FF#GAbBCC#DEbEABbB EFF#GAbABbBCC#DEbE
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.
Major Key Signatures- Sharps # # # # # # # # # # # # # # # # # # # # # # # # # # # # # C G D AE B F# C# Count 5 from each letter inclusive to the right.
Note Names Review.
Learning the notes on the keyboard This presentation will show you how to find any note on the keyboard Remember under the 2 black keys are the notes CDE.
Keyboard Theory Lesson #4
Introduction to Music Theory Intervals. The Keyboard Half StepsWhole Steps.
By Paul Clews / First Steps For Guitar.
By Paul Clews / First Steps For Guitar.
Major Triad (chord) A chord is three or more notes played simultaneously.
Finding Notes on the Guitar Fingerboard There are many relationships that can help you with this task. Visualization is really one of the main keys to.
Power Chords. Here is a basic E form of the power chord (in this case an F power chord at the first fret) Root is on the 6 th string Fret
Music Theory 1 -The Structure of Music Alan Cohen
Guitar III and Guitar IV 4th night Spring 2004 Have fun learning new songs, techniques etc. on the guitar Increase your technical skills on guitar Increase.
Scoring Components: SC 1: The course enables the students to master the rudiments and terminology of music: notational skills, scales, keys, intervals,
Guitar I and Guitar II Class 5
Preparatory work Major Key signatures : GooD AlE BeeF # b.
Melodic Review & Counterpoint
Key sigs as rules Order of sharps/flats Circle of 5ths Enharmonic keys
Introduction to music theory Part 1
Major Scales Using The CAGED Format
THE AREA OF A SHAPE.
Whole and Half Steps Enharmonics
Quia Tier 3 Quarter 1 Week 1.
Quia Tier 2 Unit 2 Week 1.
  Circle of Fifths C major G major Bb major D major Eb major A major
Pitch Collections, Scales, and Major Keys
Capo at this fret for this key
Introduction To Barre Chords
E Major E minor E Dom 7 E minor 7 E Major 7 E Major 6 A minor 7 A
Fingering Chart Violin w w w w w w w #w w w w w w w #w w w w #w #w
INTERVALS, SCALES & CHORDS
Introduction to Minor Scales
Introduction To Barre Chords
Circle of 5ths This is a tool to help you remember all the major and minor key signatures 2 Important things to know: Formula of whole steps and half steps.
Guitar III & Guitar IV 14th night Spring 2003
The chromatic scale has every note which is all 12 notes
(Determining Key Signatures using the Order of Sharps and Flats)
Quia Tier 2 Quarter 2 Week 1.
Guitar III & Guitar IV 15th night Spring 2003
Major Scales at the nut C F G C Box A G C D G VII D G A D F Bb C F X A
MUSIC HIGH SCHOOL - ELECTRONIC PIANO – Unit 5
First Steps For Guitar By Paul Clews /
First Steps For Guitar By Paul Clews /
Bass Line Bass line should be a walking bass pattern. That was the style at the time this was recorded. For guitar this is the place to start. Later musicians.
BASIC RUDIMENTS Tones and Semitones.
Music Theory Chapter 1-Part 1 APMT Hunter Mason.
Circle of Fifths C G D A E F Bb a e b f# c# d g
Circle of 5ths.
Intervals Chapter 6; An informative and short review
AP Music Theory Thursday 24 Jan 2019.
Presentation transcript:

Transposing

A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F, F#/Gb, G, G#/Ab, to A. Chromatic Scale. Remember the chromatic scale can easily be memorized by just remembering a couple of facts: 1. There are sharps and flats between every letter name except between E and F and between B and C, 2. There are enharmonic equivalents as follows: C# = Db, D# = Eb, F# = Gb, G# = Ab, and A# = Bb. Therefore the chromatic scale is as follows (starting on A): A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F, F#/Gb, G, G#/Ab, to A. From one note to the next is called a 1/2 step so from A to Bb is a 1/2 step. Two 1/2 steps make up a whole step so A to B is a whole step. Memorize this scale.

Transposing Since each of the notes on the chromatic scale are equally spaced that means that if you move one a certain distance then move the rest the same amount you can transpose. Only the letter name stays the same. That is E, C, C#, Ab etc. The type goes with it. A C7 moved to Ab becomes and Ab7. A Dm moved to A becomes an Am.

Example Say you had the chords as follows: Eb, Ab and Bb7. You could go one space counterclockwise on the guitar and they would be: Original New Eb D Ab G Bb7 A7

Another Example Say you had the chords as follows: Eb, Ab and Bb7. You could go one space clockwise on the guitar and they would be: Original New Eb E Ab A Bb7 B7

A third example Example Say you had the chords as follows: Eb, Ab, Cm and Bb7. You could go 4 spaces clockwise on the guitar and they would be: Original New Eb G Ab C Cm Em Bb7 D7