4/2/2017 1:08 AM

4/2/2017 1:08 AM OPTIMOD-FM 5300 OPTIMOD-FM 5300 is Orban's new, affordably-priced processor with many of the sound processing previously available only features that were to OPTIMOD-FM 8400 and 8300 owners. 2

4/2/2017 1:08 AM OPTIMOD-FM 5300 The 8400 has developed a reputation as the FM processor that provides the best consistency and cleanest speech. The 5300 reflects this sonic legacy. 3

OPTIMOD-FM 5300 User-Friendly Interface 4/2/2017 1:08 AM OPTIMOD-FM 5300 User-Friendly Interface An LCD and full-time LED meters make setup, adjustment and programming of OPTIMOD-FM 5300 easy — you can always see the metering while you’re adjusting the processor. 4

4/2/2017 1:08 AM OPTIMOD-FM 5300 Navigation is by dedicated buttons, soft buttons (whose function is context-sensitive), and a large rotary knob. The LEDs show all metering functions of the processing structure (Two-Band or Five-Band) in use. 5

OPTIMOD-FM 5300 Absolute Control of Peak Modulation 4/2/2017 1:08 AM OPTIMOD-FM 5300 Absolute Control of Peak Modulation Provides universal transmitter protection and audio processing for FM broadcast. Provides pre-emphasis limiting for the two standard pre-emphasis curves of 50 s and 75 s. 6

4/2/2017 1:08 AM OPTIMOD-FM 5300 Achieves extremely tight peak control at all its outputs — analog left/right, AES/EBU left/right, and composite baseband. By integrating the stereo encoder with the audio processing, the 5300 eliminates the overshoot problems that waste valuable modulation in traditional external encoders. 7

OPTIMOD-FM 5300 Flexible Configuration 4/2/2017 1:08 AM OPTIMOD-FM 5300 Flexible Configuration Includes analog and AES/EBU digital inputs and outputs. Both digital input and digital output are equipped with sample-rate converters and can operate at 32, 44.1, 48, 88.2 and 96 kHz sample-rates. The pre-emphasis status and output levels are separately adjustable for the analog and digital outputs. 8

OPTIMOD-FM 5300 Flexible Configuration 4/2/2017 1:08 AM OPTIMOD-FM 5300 Flexible Configuration Internal, DSP-based stereo encoder (with a patented “half-cosine interpolation” composite limiter operating at 512 kHz sample-rate) to generate the pilot tone stereo baseband signal and control its peak level. 9

4/2/2017 1:08 AM OPTIMOD-FM 5300 Two independent composite baseband outputs with digitally programmable output levels. Two sub-carrier inputs that are mixed with the output of OPTIMOD-FM’s stereo encoder before application to the composite output connectors. SCA1 has internal sensitivity trim; sensitivity trim available for SCA2 by special order. 10

4/2/2017 1:08 AM OPTIMOD-FM 5300 Precisely controls the audio bandwidth to 15 kHz. This prevents overshoots in uncompressed digital links operating at a 32 kHz sample-rate and prevents interference to the pilot tone and RDS (or RBDS) sub-carrier. Defeatable multiplex power limiter that controls the multiplex power to ITU-R BS412 standards. 11

4/2/2017 1:08 AM OPTIMOD-FM 5300 Adaptability through Multiple Audio Processing Structures 5300 features three processing structures: Optimum Five-Band (or “Multiband”; 15 ms delay) for a consistent, “processed” sound, free from undesirable side effects, 12

4/2/2017 1:08 AM OPTIMOD-FM 5300 Low-Latency Five-Band (5 ms delay) for environments where talent monitors live off-air and they object to the delay of Optimum Five-Band, and Two-Band for a transparent sound that preserves the frequency balance of the original program material. 13

OPTIMOD-FM 5300 Controllable 4/2/2017 1:08 AM OPTIMOD-FM 5300 Controllable 5300 can be remote-controlled by 5-12 V pulses applied to eight programmable, optically isolated “General-Purpose Interface” (GPI) ports. 5300 PC Remote software is a scalable graphical application that runs under Windows 2000 and XP. It communicates with a given 8300 via TCP/IP over modem, direct serial, and Ethernet connections. 5300's software can be upgraded remotely through its serial port or Ethernet port, or locally (by connecting a Windows® computer to its serial port through the supplied null modem cable) and running Orban-supplied downloadable upgrade software. 14

OPTIMOD-FM 5300, 8300 and 8400 comparison 4/2/2017 1:08 AM OPTIMOD-FM 5300, 8300 and 8400 comparison Feature 5300 8300 8500 Rack space required 1u 2u 3u Construction Large boards mounted on standoffs inside chassis Board replacement Unplug wiring harnesses; loosen external connectors; remove boards from standoffs Display 2 lines x 40 char monochrome LCD, LED meters Quarter-VGA active matrix color LCD Meters visible at all times Y User Interface Rotary encoder, soft keys, dedicated keys Rotary encoder, dedicated keys, joystick Loudness capability for given artifact level (re 8200) +1.5 dB +2.5 dB +3.0 dB Speech/music detector automatically optimizes processing for input material Levels of preset customization Basic and intermediate from front panel, advanced available only from PC Remote app Basic, intermediate, advanced, all available from front panel Number of user presets Essentially unlimited 15

OPTIMOD-FM 5300, 8300 and 8400 comparison 4/2/2017 1:08 AM OPTIMOD-FM 5300, 8300 and 8400 comparison Feature 5300 8300 8500 User presets backed up in non-volatile storage Y 2-band AGC Window gating on AGC Stereo Enhancer 222-style only 222 and “Max” style Bass Shelving EQ 6, 12, 18 dB/octave Parametric EQ 3-band Program-adaptive HF Enhancer Dual-Mono AGC Sum-and-difference processing available on AGC Dual Mono Multiband Compressor with variable coupling N Number of bands in multiband compressor 2, 5 Compressor Look-ahead processing Program-adaptive clipping distortion controller Bass clipper modes hard Soft, medium, hard 16

OPTIMOD-FM 5300, 8300 and 8400 comparison 4/2/2017 1:08 AM OPTIMOD-FM 5300, 8300 and 8400 comparison Feature 5300 8300 8500 Bass clipper shape control (Hard mode) Y Anti-aliased clippers and overshoot compensator ITU412 controller Stereo coder DSP Patented non-clipping band-limited composite limiter Y, dual-mode ultra-low overshoot Latency 5, 15, 23 ms depending on preset 5, 15, 20, 23 ms depending on preset 3.7, 12, 17, 20 ms depending on preset Audio I/O Analog, AES/EBU Analog, AES/EBU x 2 Composite & SCA 2 comp. out 2 SCA inputs AES11 sync input N Sample-rate 32 kHz to 512 kHz 64 kHz to 512 kHz Front panel security lockout Remote control GPI, serial, Ethernet PC Remote software Y, full-screen Remote protocol TCP/IP Software upgrade Internet download 17

OPTIMOD-FM 5300, 8300 and 8400 comparison 4/2/2017 1:08 AM OPTIMOD-FM 5300, 8300 and 8400 comparison Feature 5300 8300 8500 Automation by time of day Y HD Radio and netcast support N Digital output switchable between FM and HD-processed audio Built-in. Two digital outputs built-in, so one can carry HD and the other FM audio. Defeatable 8 second delay for analog channel in HD broadcast HD audio bandwidth NA 15 kHz 15 kHz to 20 kHz, switchable in 1 kHz steps Separate band mixers for analog FM and digital radio channels DSP power 8 x 100 MHz Motorola DSP56362 12 x 150 MHz Motorola DSP56367 Active serial ports 1 2 (+ 1 spare) Easy interface to automation systems via ASCII API through second serial port Time from power-up until audio is present at output 7 seconds 9 seconds 18

Signal Flow OPTIMOD-FM 5300 4/2/2017 1:08 AM Analog Input Input Conditioning Digital Input Stereo Enhance 2-band “Windowed” AGC Equalization 5/2 Multiband Compression "Intelligent" Clipping Overshoot Compensation ITU 412-7 MPX Power Control All-Digital Stereo Encoder Composite Processor 19

Block Diagram OPTIMOD-FM 5300 4/2/2017 1:08 AM This diagram is incorrect because it shows Netcast/HD/DAB processing, which the 5300 does not have. (The diagram above is for the 8300 v 2.0). Use the diagram for 8300 v 1.0. 20

Block Diagram OPTIMOD-FM 5300 4/2/2017 1:08 AM This diagram is incorrect because it shows Netcast/HD/DAB processing, which the 5300 does not have. (The diagram above is for the 8300 v 2.0). Use the diagram for 8300 v 1.0. 21

Block Diagram OPTIMOD-FM 5300 4/2/2017 1:08 AM This diagram is incorrect because it shows Netcast/HD/DAB processing, which the 5300 does not have. (The diagram above is for the 8300 v 2.0). Use the diagram for 8300 v 1.0. 22

Sample-rate Diagram OPTIMOD-FM 5300 32/44/48/88/96 kHz SAMPLE RATE CONVERTER DIGITAL OUT 64—32 kHz 32 kHz DOWN X2 D/A CONVERTER ANALOG OUT 32-96 kHz SAMPLE RATE CONVERTER DIGITAL IN 64—32 kHz 32 kHz 32—64 kHz 64/256 kHz 64/256 kHz 64—512 kHz 512 kHz 512 kHz DOWN X2 MULTI-BAND COMPRESSOR LIMITER UP X2 DISTORTION CANCELLING CLIPPER OVERSHOOT COMPENSATOR UP X8 STEREO ENCODER COMPOSITE LIMITER COMP OUT A/D CONVERTER ANALOG IN This is OK with changes I made. 64 kHz SIMPLIFIED MULTI-RATE SAMPLE-RATE DIAGRAM 23

4/2/2017 1:08 AM OPTIMOD-FM 5300 Exceptional versatility allows you to adjust the processor’s audio texture to brand your sound, knowing that the resulting signature sound will remain consistent, cut-to-cut and source-to-source. 24

4/2/2017 1:08 AM OPTIMOD-FM 5300 Branding builds businesses, and no other processors have the consistency to brand your sound like an Orban OPTIMOD. 25

Thank you for your attention! 4/2/2017 1:08 AM Thank you for your attention! auto repeat