Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance

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Presentation transcript:

Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance Meta Warrick Fuller, Ethiopia, ca. 1921, paint on plaster 13 x 3 ½ x 3 7/8 in National Museum of African American History & Culture Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance Grace Nelson BGSU MA Art History

The H. H. Battles First Prize Pottery Jardiniere The H. H. Battles First Prize Designed and Modeled by Meta Vaux Warrick, a Pupil of the School

Meta Warrick Fuller, The Talking Skull, 1939, bronze Auguste Rodin, Crouching Woman, 1906-1908, bronze Meta Warrick Fuller, The Talking Skull, 1939, bronze

Meta Warrick Fuller, Mary Turner: A Silent Protest Against Mob Violence, 1919, painted plaster 15 x 5 ¼ x 4 ½ in Museum of African American History, Boston and Nantucket

From The Book of America’s Making Exposition, 1921

“Here was a group who had once made history and now after a long sleep was awaking, gradually unwinding the bandage of its mummied past and looking out on life again, expectant but unafraid and with at least a graceful gesture.” Meta Warrick Fuller, Ethiopia, 1921, bronze 67x16x29 in Art and Artifacts Division, Schomburg Center for Research in Black Culture, The New York Public Library

Egyptian Old Kingdom, King Menkaure (Mycerinus) and queen, 2490-2472 B Egyptian Old Kingdom, King Menkaure (Mycerinus) and queen, 2490-2472 B.C.E., greywacke 142.2 x 55.2 cm Boston Museum of Fine Arts

Meta Warrick Fuller, Ethiopia, 1921, bronze 67x16x29 in Art and Artifacts Division, Schomburg Center for Research in Black Culture, The New York Public Library