30 juni 2014. Varför ska jag prata om musik industrin ?? Ibiza Zappa.

Slides:

Advertisements

Similar presentations

1 Digital Media Distribution Channels ©OverDrive, Inc DRM Challenges in Digital Media Distribution Channels Steve Potash May.

Advertisements

MYDJ The Digital Music Store; agnostic online & mobile SIGN UP FREE.

Christopher Burns, Inc. 1 The Songfile Service The National Music Publishers Association A directory of musical works and recordings, open to the world,

© Copyright IBM Corporation 2009 IBM Global Business Services Innovation driving strategic choices for P2P Saul Berman Global & Americas Leader, IBM Strategy.

MediaSentry Overview DCIA P2P MARKET CONFERENCE March 17, 2009.

Introduction History Lesson History Lesson –DRM, or How Not to Innovate Panic! Panic! –Suing the Fans, Capturing Governments, & Drafting the ISPs Opportunities.

Intent MediaWorks, Inc. Atlanta, New York Atlanta, New York P2P Summit The Future of Distribution 1.

Five Ways to Shift the Paradigm with Intellectual Property, Challenge Conventional Laissez Fair and Blow Your Client Away with Results.

HR Specialty Products & Services Catalogue Executive Summary A No Frills Distillation of Vendors Marketing Collateral Thomas A Ference President & CEO.

Algosoft Media Programming abilities. ALGOSOFT MEDIA Mainstream activities Multimedia business presentations Windows applications programming Web programming.

How the laptop became the new electric guitar. Home music production for fun and profit… …or…

AXIS Communications - a world of intelligent networks CEO Peter Ragnarsson.

How to survive in a highly competitive and ever more concentrating global game market? Ari Närhi / Tampere Polytechnic - School of Art and Media

Continued profitable growth January- September 2008 Ray Mauritsson, CEO & President Fredrik Sjöstrand, CFO.

System Center och Dynamisk IT Ulf Alvarsson, Product Marketing Manager Jonny Andersson, Technical Specialist Stefan Palm, Partner Account Manager.

Factor P 16 8(8-5ab) 4(d² + 4) 3rs(2r – s) 15cd(1 + 2cd) 8(4a² + 3b²)

Introduction to Smashwords Mark Coker Founder November 20, 2010.

1 Centre for Sustainable Communications, KTH “Paper-Scissors-Stone” –the mediated version.

UPnP* AV: Easy Sharing of Digital Media Joe C. Pitarresi Business Development Intel Research & Development.

January 2009: PRS Template Presentation. Please remove: ‘By minimising deductions we are able to pay our member nearly 90p in every pound we collect’

ONIX Schema Review Matthew Gould Influential Software UK : US : 001 (646)

How to thrive & survive as a public relations practitioner.

Thad Davis - Damian Forbes - Jessica Salins - Oscar Sandoval.

Introduction EMI music group was established in 1931 when Gramophone Company merges with Columbia Graph phone to form Electric and Musical Industries.

1 MusicNet Announcement April 2, What MusicNet Is MusicNet is a new company we are launching today. Its goal is to make the dream of digital music.

MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.

1 KRS Reflections on the main characteristics and requirements of the users and customers of social networks. A presentation from KRS.

T- 1 Copyright©1997, Allyn & Bacon Records Chapter 5.

© 2005 UMFK. 1-1 BMG Entertainment internet business models text and cases Kristin Belanger.

Music distributing with new media technologies. learning outcomes Describe the current state of the music industry from an industrial perspective. Outline.

Michele Amar-Ouimet Director French Music Export Office New York Currents and Cross-Currents in Digital Music Distribution ______________________________________________________________________________.

Media Studies G322 Section A Representation & textual analysis TV Drama Section A Representation & textual analysis TV Drama Section B Institution & Audience.

The Internet and Business R. David Seabrook. Purchase College, SUNY. Spring Lecture 10.1 The Internet and Business Lecture 10. Industry Analysis.

January 2009: PRS Template Presentation An i ntroduction to PRS for Music.

WHAT IS THE MUSIC INDUSTRY? MUSIC INDUSTRY DEFINITION – A BUSINESS MAINLY SPLIT INTO FOUR PARTS INCLUDING:RECORDING OF THE MUSIC, SONG WRITING, PUBLISHING,

23 augusti 2015 Swedish Music crossing borders. Export Music Sweden AB Export Music Sweden - IFPIThe recordcompanies & producers - STIMThe publishingcompanies.

Advertising Package. OVERVIEW FACT was founded in 2003 as a British bi-monthly music and youth culture magazine. The magazine became notable for commissioning.

The Recording Industry Week 4. THE RISE OF RECORDS As late as 1880 or 1890, people growing up in a middle-class U.S. household had no recorded music in.

Homework recap – in pairs discuss For a musical artist of your choice write about them, introducing them and how they have been marketed: For a musical.

LoudDemo Marketing plan Market Research  No direct competitor  200 Record Labels in Finland  8000 Record Labels in Europe  Thousands of.

To examine how the music industry has changed over time To understand current trends in how the audience consumes music A History of the Music Industry.

CONFIDENTIAL Sony Overview April Sony Corporation Overview page 1 Consumer Products & Devices Networked Products & Services Financial Services Sony.

The Impact of ICT on Entertainment. The Rise of the Internet In the UK today: A third of homes have broadband internet access In these homes, 25% of “media.

The Music Industry and the Digital Age Thanks to Stern 2010 Students Tess Carter, Chris Cramer, Adam Gromis, Cindy Miño and Rebecca Solow for their contribution.

Global Entertainment & Tourism Meeting 9. Tourism Largest global employer Travel communicates cultures Host and guest issues Visitor communications about.

Globalisation affects: music MOVEMENT OF PEOPLE - Immigration. With the migrants comes their music. Tourists and music sales. Education. - Effects of foreign.

Distribution & Marketing MUM 2700 Professor Calle.

Organisations In The Music Industry By: Shanann Thompson.

Media Industry Structure: Oligopoly The “few” selling to the many: Dominant firm oligopoly: One firm holds 50-90% of the market Tight oligopoly: Four firms.

1.What is meant by “convergence”? 2.What is meant by “synergy”? 3.What is meant by “proliferation”? 4.What is meant by “globalisation”? 5.What makes illegal.

DIGITAL TAKEOVER: THE REALITY OF MUSIC IN THE TWENTY FIRST CENTURY BY: BRITTANY BUCKLEY ARTS MANAGEMENT, SPEA

MUSIC INDUSTRY Oligopoly – the Big 4 Universal Sony BMG Warner EMI Economies of scale Both vertical & horizontal integration.

ATT REFERA – SÄG INTE VAD DU TYCKER. V AD ÄR ETT REFERAT ? Att referera innebär att återge/återberätta något. Ett referat är ett sammandrag av huvudinnehållet.

Internet Job Portal Adverts and Official Job Vacancy Statistics

The role of metadata in a generic production environment

Ambassador Per Sjögren

Diana Einmo Rob Holmes Kurt Weber

Business Plan StreamNet is a music and entertainment technology company whose primary business is to provide streaming entertainment content. The company’s.

THE STRUGGLE OF THE MUSIC INDUSTRY

MusicNet Announcement

Legion A Dawn Music Subsidiary.

Music Distribution Digital vs Physical.

Sample Radiohead: Music at Your Own Price

Media Industry Structure: Oligopoly

Entergates Utbildningspaket HR

Model Case Study Adele.

Presentation transcript:

30 juni 2014

Varför ska jag prata om musik industrin ?? Ibiza Zappa

3 CBS Records Sweden Int. Manager Vinyl & MC

4 Virgin Records Scandinavia CEO CD & Minidisc & Digital tape

MUSICBRIGADE – The Home Of Music Videos Grundare, delägare och styrelseledamot Digital music Web Mobilt DRM Mp3 WMP WMV

Music video partners: AOL UK, 3, Telenor, M6 France, RTL Tyskland, Channel 4...

Vi var för tidigt in i framtiden! Fujitsu-Siemens at CeBit, Hannover, in March 2002 • Musicbrigade is approved supplier to Ericsson´s WCDMA 3G customers worldwide • Musicbrigade has developed wireless interfaces for demo purposes for Ericsson Radio Systems (S), Compaq (S) and Fujitsu- Siemens (D).

Export Music Sweden AB Svensk (kommersiell) Musik Industri Skivbolag Producenter Musikförlag Agenter Bokare Live Artister Musiker - 4 major labels 75% - 6 indie labels 20% labels 5% - 4 major publ 80% - 10 indie publ15% publ 5 % - Live Nation 75% - United Stage - AEG Live - The Agency

Export Music Sweden AB Svensk skiv industri: - Universal25% (ENS distribution) - Sony24% (ENS distribution) - EMI15% (ENS distribution) - Warner15% (tysk distribution) - Independents21% : - Bonnier Amigo Music Group (egen distribution) - Playground Music(ENS distribution) - Razzia / Blixten & Co - Labrador - Service - Bad Taste Records - Dolores Records (del av Virgin/EMI = indie cred) - Diesel Music (del av Playground = indie cred) - Border Music (mer av distributör) (egen distribution) - CDA konstmusik statligt stöd (egen distribution)

Export Music Sweden AB Polygram Records Sonet RecordsPolygram Island Records UniversalUniversal 25% Polar Music Universal MusicUniversal Warner Music (WEA)Warner Metronome Warner Telegram RecordsTelegram Warner 15% Mariann MusicMariann EMI Records ChrysalisEMI EMI 15% Virgin RecordsVirgin CBS RecordsSony SonyBMGSony 24% BMG Ariola RecordsBMG RecordStation

Export Music Sweden AB Svensk musik förlags industri: - Universal Music Publishing25% - Sony/ATV Music Publishing10% - EMI Music Publishing22% - Warner/Chappell Music 15% - Independents28% : - Bonnier Music Publishing - Playground MusicPublishing - Razzia / Blixten & Co Musikförlag - och många småförlag

Export Music Sweden AB Svensk Musik Industri bransch organisationer IFPISTIM SAMI Live scenen - Major labels - SOM -utanför The Swedish Model - SMFF - SKAP - SwedMic - FST -Musikerförbundet -Nalen, Storan -DigFi

Recording Contract noteringar: - Territory: ”The World and any part of the Universe that may from time to time be visited by mankind”. -Territory: ”New artist introduction prize” (Japan) -Digital music royalty accounting: ”…as cd single sales…”

Export Music Sweden AB Skivbolag = bank ? 360 graders affärsmodell ? Partnerskap ?

Export Music Sweden AB 1.Fokusera på musiken : 4 låtar 2.När du märks – lägg ut fler låtar 3.Gör musiken tillgänglig – kör download på myspace 4.Jobba interaktivt online och prata INTE ner på dina fans 1.Be inte fans att pusha dig hårt 2.Jaga inte den traditionella mediat 3.Bygg en klubb – en community