TEXTURE in Art.

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Presentation transcript:

TEXTURE in Art

Let's be superficial Texture - the nature of the surface of painting, sculpture, or building materials

Impasto – the application of thick oil paint in a texture that would be rough if you were to touch it

Rembrandt begins to use impasto realistic images need to be viewed from a distance Rembrandt Self Portrait with Beret and Turned-Up Collar (right) 1659 oil on canvas, 84.4x66cm National Gallery of Art, Washington

VAN GOGH, Vincent The Starry Night 1889, Oil on canvas, 29 x 36 1/4 in p. 383

Illusionism Tromp l’oiel = fool the eye; tricks the viewer into perceiving that the actual objects represented are in fact there; usually a still-life painting, sometimes also used in murals (French, TROM-PLOY)

William Harnett, The Faithful Colt, 1890 Usually a very smooth surface to heighten the illusion – no evident brush strokes William Harnett, The Faithful Colt, 1890

Charles Sheeler American, 1917 Gelatin silver print 7 5/8 x 9 5/8 in. Charles Sheeler Side of a White Barn (1917) Gelatin silver print (photograph)

Texture in Sculpture

Meret Oppenheim, Fur covered cup, saucer, and spoon, 1936 (a. k. a Meret Oppenheim, Fur covered cup, saucer, and spoon, 1936 (a.k.a. The Object)

Constantin Brancusi French, b Constantin Brancusi French, b. Hobitza, Romania, 1876 - 1957 Sleeping Muse I, (1909-1910) Marble 6 3/4 x 10 7/8 x 8 3/8 in. SMOOTH

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Clay jar African 20th C. Lobi jar

DIFFERENT – you can’t touch music! TEXTURE in Music DIFFERENT – you can’t touch music!

wrapping up TEXTURE . . . - notice it in architecture and sculpture and watch for IMPASTO in painting

Impasto Not to be confused with an imposter in pesto