Abduction of the Sabine Women

Slides:



Advertisements
Similar presentations
AP Art History Chapter 22 Italy, 1500 to 1600.
Advertisements

Gardner’s Art Through the Ages, 13e
Ms. Susan M. Pojer Horace Greeley HS Chappaqua, NY
Mannerist Style Characteristics
Cinquecento Italian Art
Chapter 21 Italy comparisons
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
Mannerism and the late 16th Century
Giulio Romano. Courtyard of the Palazzo del Te, Mantua. ca. 1527–34
KÕRGRENESSANSI ARHITEKTUUR ITAALIAS. DONATO BRAMANTE u
Michelangelo Raphael da Vinci. Michelangelo David c marble This work of art is significant because:
Unidentified artist, Spanish, 12th century, The Last Supper Frieze (the church of San Baudelio near Berlanga), Fresco secco transferred to canvas, Museum.
Baroque Art in Italy and Spain. Italian Baroque.
MANNERISM Rebels without a (united) cause. 2 Figure JACOPO DA PONTORMO, Entombment of Christ, Capponi Chapel, Santa Felicità, Florence, Italy, 1525–1528.
Mannerism & other Late Renaissance 1520s-1600 Intellectual Art The ideal world vs. the real world.
Quattrocento Italian Art
ARCHITECTURE.
Mannerism and Other Trends of Late Sixteenth Century Italy
The Renaissance. The Light at the end of the Dark Ages : In Early 800’s, Charlemagne & descendants mandated the creation Schools & Universities Exploration.
The High Renaissance 16 th century Italy Catholic Church is the dominant religious power Growing discontent with the Church primarily in the North Beginning.
The Baroque Architecture in Italy
Italian Gothic Arnolfo di Cambo, Francesco Talenti, Andrea Orcagna, and others. Florence Cathedral, Florence. Begun 1296; redesigned 1357 and 1366;
Early Renaissance Art in Europe Humanism Thomas Aquinas ( ) Summa Theologica,
Raphael The High Renaissance in Italy: Leonardo da Vinci and Raphael FA 0016 History of Western Art.
ITALY, to High and late renaissance.
ITALY, GARDNER CHAPTER 22-3 PP
Arch 2315 Exam 1 Review Exam 1 will consist of: Name of ID
Cinquecento Italian Art William V. Ganis, PhD. Leonardo da Vinci Virgin of the Rocks ca oil on wood 6 ft. 3 in. x 3 ft. 7 in.
Mannerism – Late Renaissance
Gardner’s Art Through the Ages, 12e
Humanism The Vitruvian Man Leonardo da Vinci. Humanism The Vitruvian Man Leonardo da Vinci.
QUIZ # 2 – early Christian to Baroque Building Identifications – 10 identifications/2.5points each During the Quiz you will be given 1 1/2 minutes to look.
RENAISSANCE TOUR. THE RENAISSANCE IS…… Let us say that the Renaissance is the age of European history that marks the transition from the medieval world.
Historical Timeline Sack of Rome in unpaid army of the Holy Roman Empire defeats the French Troops in Rome - loot and pillage to seek.
The Changing Role of the Artist ¬ Giorgio Vasari’s Lives of the Artists, ¬ He believed that the artist was no longer just a member of a crafts guild.
Mannerism KAUSHIK What is “Mannerism”?  The term "Mannerism" derived from the Italian word 'maniera'  Meaning style or stylishness,
Florence, Italy & Leonardo da Vinci By Caleb Schoettlin.
BAROQUE AND ROCOCO. mannerism Reflected the anxiety, uncertainty, and yearning for a spiritual experience that marked the end of the Renaissance… A deliberate.
Giacomo da Vignola Filippo Brunelleschi Michelanglo Buonarroti Andrea Palladio.
Italian Renaissance Gardens DR. LOU MILLS – SEPT 2015.
Michelangelo By James Beauchaine Michelangelo. Background Michelangelo’s artistic talent was discovered at age 13. –His talent was discovered at Lorenzo.
Michelangelo Raphael da Vinci. Title: Artist: c oil on wood panel, 98 x 53 cm This work of art is significant because this work demonstrates:
Chapter Thirteen: The High Renaissance and Mannerism in Italy
Baroque Art in Italy & Spain
The 16th Century in Venice
Italian Renaissance Art
Michelangelo Italian Artist 1475 – 1564 Renaissance
{Note that first identifications are usually correct.}
February 6, 2008 Esteemed classmates,
Renaissance and Reformation
Quiz #1 Results A+’s = Fully Prepared! A’s = Prepared
The City-States of Northern Italy
Cinquecento Italian Art (High Italian Renaissance)
Jan van Eyck, Giovanni Arnolfini and His Wife, oil on wood, 1434
Leonardo da Vinci VITRUVIAN MAN c Ink, 13-1/2" × 9-5/8" (34
Andrea Palladio By Rossana Wagner ITL
Raphael THE SMALL COWPER MADONNA c. 1505
MANNERISM MANNERISM Period from High Renaissance (1520) to Baroque (1590) Comes from the Italian maniera, or "style," in the sense of an artist's characteristic.
WHO? Cerasi Chapel, Santa Maria del Popolo Pontormo ( )
WHO? chiaroscuro Bronzino ( ) Pope Paul III (pont ) Veronese ( )
Renaissance Architecture
WHO? sfumato Leonardo da Vinci ( ) Raphael ( ) Agnelo Doni
WHO? Leonardo da Vinci ( ) Raphael ( ) Agnelo Doni Maddalena Strozzi
The Renaissance.
PRESENTATION OF THE LAND
The multiple faces of artwork diagnoses
Architecture and Construction The Renaissance of Science Architecture and Construction “ology”
Chapter 24 Italy & Spain
PART 5 MANNERISM 1530.
Mannerism From By Kevin Camarena.
Presentation transcript:

Abduction of the Sabine Women Artist: Giovanni da Bologna Date: 1583 Medium: Marble Title of work given later Sculpted as a set piece Spiral movement; precursor of the Baroque Must be seen in the round Negative space References to Laocoon It had been thought that the ancients sculpted monumental works from one block of stone; Renaissance artists discovered this was untrue; Bologna wanted to surpass the ancients by carving from one block. Symbolism of the Medici (young man) taking Florence (the woman) from the preceding government (old man)

Palazzo de Te Artist: Giulio Romano Date: 1525-1535 Location: Mantua, Italy Horse farm and a villa Unsettling architectural setting Triglyphs dip into the cornice, creating holes above. Pediment corners do not meet. Window openings at unconventional locations. Engaged columns divide façade into unequal bays Massive columns carry almost no weight, a narrow cornice Keystone pops out of the arches Oddly sized stones Highly unusual placement of arch below a pediment.

The Fall of the Giants, Palazzo del Te Artist: Giulio Romano Date: 1530-32 Medium: Fresco Location: Mantua, Italy The scene depicts the battle between the Olympians and Giants. Reference in concept to Mantegna’s Oculus. Use of perspective to create a sense of space Humanist theme

Palazzo del Te, Wall with Fall of the Giants Artist: Giulio Romano Date: 1530-32 Medium: Fresco Location: Mantua, Italy

Villa Protonda Artist: Andrea Palladio Date: 1565 Location: Vicenza, Venice Building has four identical facades, each with a different view When the building is viewed from afar, no matter from what angle, it looks complete Used as a working farm, family estate, villa retreat Symmetrical ground plan Villa appears as a minitemple; perhaps a residence of the Muses, ideal nature of the central plan evokes the ancients. Low round Roman-style dome, not the domes of the Renaissance Originally the dome had an oculus, like the pantheon, now glazed Building set on high podium; pediments dominate doors and windows. Interior has rotunda, with four larger rooms alternating with four smaller spaces to allow for more intimate settings

San Giorgio Maggiore Artist: Andrea Palladio Date: 1565 Location: Venice, Italy Interlocking pediments and columns High pedestals for columns More Mannerist than the Villa Rotunda, two Temple facades intersect Clearly lit interior

San Giorgio Maggiore Artist: Andrea Palladio Date: 1565 Location: Venice, Italy

Church of Il Geso Artist: Giacomo da Vignola and Giacomo della Porta Date: 1575-1584 Location: Rome, Italy Head church of the Jesuit Order Column groupings emphasize central doorway Tympana and pediment over central door Slight crescendo of forms toward the center Two stories separated by cornice; united by scrolls Framing niche acts as a unifying device Interior has no aisles, meant for grand ceremonies.

Church of Il Geso Artist: Giacomo da Vignola and Giacomo della Porta Date: 1575-1584 Location: Rome, Italy