The Temptation of Christ in Art

Slides:



Advertisements
Similar presentations
Europe during the Renaissance ou. edu
Advertisements

Mathematical Perspective Linear Perspective One-Point Perspective
THE SUM OF GODS WORD Get your facts first, and then you can distort them as much as you please. Mark Twain.
“God Is Not…” “God is not a man” Numbers 23:19 God’s dependable nature
1
Chapter 24 Baroque, 1600 to 1700 (Italy and Spain)
Chapter 19 Italy, 14th Century
Gardner’s Art Through the Ages, 13e
Year 6/7 mental test 5 second questions
1. PHOTO INDEX Bayside: Page 5-7 Other Colour Leon: Page 8-10 Cabrera Page Canaria Page Driftwood Page 16 Florence Florence and Corfu Page.
PP Test Review Sections 6-1 to 6-6
Images from the Italian Renaissance. Italian Altarpieces and Polyptychs.
REMBRANDT(törzsanyag) Rembrandt Harmenszoon van Rijn ( ) (3. Csoportképek, önarcképek)
Exarte Bezoek aan de Mediacampus Bachelor in de grafische en digitale media April 2014.
Copyright © 2012, Elsevier Inc. All rights Reserved. 1 Chapter 7 Modeling Structure with Blocks.
Antonio del Pollaiuolo Battle of the Nudes engraving
Before Between After.
Da Vinci. sketchbooks.
Chapter 21 Italy comparisons
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
PRANTSUSMAA KUNST 15. JA 16. SAJANDIL. JEAN GOUJON u
MICHELANGELO Pieta c Marble 5 3/4 x 6 feet St. Peter, Vatican, Rome closeup.
Raffael Spozalizio (The Engagement of Virgin Mary) 1504 Oil on roundheaded panel, 170 x 117 cm Pinacoteca di Brera, Milan.
Early Northern Renaissance. Claus Sluter Well of Moses Chartreuse de Champmol, Dijon, France stone figures approximately 6 ft. high.
Gardner’s Art Through the Ages,
Unidentified artist, Spanish, 12th century, The Last Supper Frieze (the church of San Baudelio near Berlanga), Fresco secco transferred to canvas, Museum.
Sin, an offence against God 42 BOSCH, Hieronymus The Seven Deadly Sins (detail) c Oil on panel, diameter of detail: 36,3 cm Museo del Prado, Madrid.
Claims—Write a claim that could be used to begin a paragraph about this piece. The more specific your claim—the better. You are responsible for two images—you.
Ecce Ancilla Domini! Dante Gabriel Rossetti. John Ruskin and D. G. Rossetti William Downey June 29, 1863 Albumen Print.
~Lake Oswego Art Literacy~ Michelangelo 1475 – 1564 Italian Sculptor and Painter Portrait of Michelangelo, unfinished by Jacopino del Conte ca. 1540, oil.
REMBRANDT(törzsanyag) Rembrandt Harmenszoon van Rijn ( ) (5. Vegyes képek)
Rape of Persephone Locri, votive relief, ca 480 BC.
Cinquecento Italian Art William V. Ganis, PhD. Leonardo da Vinci Virgin of the Rocks ca oil on wood 6 ft. 3 in. x 3 ft. 7 in.
Your presentation will go in your test grade. You will know what you are responsible for because you will see you name on the title slide. This presentation.
Anais Fernandez P.I ARE 4341 Special Teaching Lab Art in the Grades 6-12 Professor W. Ritzi October 9, 2008 Visual Resources for the Art Classroom.
Public life of Jesus 13 LANFRANCO, Giovanni Miracle of the Bread and Fish Oil on canvas, 229 x 426 cm National Gallery of Ireland, Dublin.
Art in the Age of Romanticism ( ) Spain: Francisco Goya ( ) England: William Blake ( ) John Constable ( ) Joseph Mallord.
British Painting. Hans Holbein the Younger Anthony van Dyck
The Renaissance. Michelangelo Buonarotti Statues –The Statue of David –La Pieta –Moses Paintings oPaintings oThe Sistine Chapel oPatron by de Medici.
Chapter 7, Section 3 Renaissance Art.
The context of “The Party” John 12: Meanwhile a large crowd of Jews found out that Jesus was there and came, not only because of him but also to.
Medieval Art Early, High Middle & Late Middle. Medieval Art- The Age of Faith Fig. 1.1 Duccio, Christ Entering Jerusalem, from the back of the Maesta.
Palazzo Vecchio. Florence. 1299–1310. © Atlantide Phototravel/Corbis. [Fig. 13-1]
Duccio di Buoninsegna, Madonna, Museo dell'Opera del Duomo, Siena.
Introduction to Painting. 2-D vs. 3-D Art  Painting, drawing, and printmaking are considered ______ art, and sculpture is considered ______ art. Painting.
Artist- Giotto Title- “Isaac Rejects Esau” Artist- Giotto Title- “Isaac Rejects Esau”
A BRIEF HISTORY OF WESTERN ART CAVE MAN TO 21 ST CENTURY.
Michelangelo Raphael da Vinci. Title: Artist: c oil on wood panel, 98 x 53 cm This work of art is significant because this work demonstrates:
Baroque Art in Northern Europe: Flanders & Holland
13 Public life of Jesus LANFRANCO, Giovanni
Visual Resources for the Art Classroom
Daniel Mytens, Charles I (1600–1649), King of England, 1629
Merchants and Friars: Late Medieval Italy II
Italian Renaissance Art
The Adoration of the Magi Matthew 2:11
Palisades Art Literacy Artists for
Your presentation will go in your test grade
Ambrogio Lorenzetti, Effects of Good Government in the City, fresco,
Leonardo da Vinci VITRUVIAN MAN c Ink, 13-1/2" × 9-5/8" (34
Document 3 Cimabue Madonna Enthroned c Tempera on panel
Giotto, Lamentation, , Arena Chapel, Italy
GARTH 206 Quiz 1 Images.
Simone Martini (ca ) WHO? WHAT?
The Deposition from the Cross
Donatello DAVID***c (?). Bronze, height 5'2-1/4" [Fig ]
The Adoration of the Magi Matthew 2:11
Saint Peter Peter Paul Rubens 1577 – 1640 St Peter(베전1:1)
The Last Supper(최후의 만찬)
Presentation transcript:

The Temptation of Christ in Art Luke 4:1-13

The Temptation of Christ, ca The Temptation of Christ, ca. 1125 Hermitage of San Baudelio de Berlanga, province of Soria, Spain Fresco transferred to canvas; 84 in. x 9 ft. 10 in. (213.4 x 299.7 cm) The Cloisters Collection and Gift of E.B. Martindale, 1961 (61.248)

DUCCIO di Buoninsegna Temptation on the Mount 1308-11 Tempera on wood, 43 x 46 cm Frick Collection, New York

DUCCIO di Buoninsegna Temptation on the Temple 1308-11 Tempera on wood, 48 x 50 cm Museo dell'Opera del Duomo, Siena

Fra Angelico. Temptation of Christ. c. 1450. Fresco, 174 x 137 Fra Angelico. Temptation of Christ. c.1450. Fresco, 174 x 137. Museo di San Marco, Cell 32a, Florence, Italy

BOTTICELLI, Sandro Three Temptations of Christ 1481-82 Fresco, 345 x 555 cm Cappella Sistina, Vatican

Master LCz The Temptation of Christ, c Master LCz The Temptation of Christ, c. 1500/1505 engraving on laid paper, sheet: 22.7 x 16.5 cm Rosenwald Collection

Simon Bening Flemish, Bruges, about 1525 - 1530 Tempera colors, gold paint, gold leaf, and ink on parchment 6 5/8 x 4 1/2 in

MOMPER, Joos de Landscape with the Temptation of Christ Oil on oak, 51 x 83 cm National Gallery, Prague

Rubens, Peter Temptation of Christ 1620 Paul Oil on panel

Rembrandt van Rijn Satan Tempting Christ to Change Stones into Bread, 1635/1640

Jacques de Stella, Christ in the wilderness attended by angels c. 1650.

Charles de La Fosse, Christ in the wilderness surrounded by angels 1680's-90's.

John St John Long The Temptation in the Wilderness  1824 Oil on board support: 226 x 317 mm

Ary SCHEFFER The Temptation of Christ (1854) canvas

Joseph Mallord William Turner The Temptation on the Pinnacle  circa 1834 Pencil, watercolour and gouache on paper support: 212 x 160 mm

after Joseph Mallord William Turner The Temptation on the Mountain, engraved by J. Cousen  published 1835 Line engraving on paper image: 104 x 84 mm

Thomas cole Angels Ministering to Christ in the Wilderness 1843

Gustave Doré, The temptation of Jesus 1865.

Ivan Kramskoy, Christ in the Wilderness 1872.

Carl Bloch, Denying Satan, 1875

James B. Janknegt Temptation of Christ 26x22 oil/panel 1990

Temptation #1 40x36 oil/canvas 1999

Temptation #2 48x36 oil/canvas 1999

Temptation #3 40x36 oil/canvas 1999

African Mafa, The Temptation of Jesus

Kreg Yingst 2000 Temptation_of_Christ mixed media 7"x4"

Chris Cook, Jesus Tempted 12" x 18“ Acrylic on Masonite

Prof. M.M. Ninan, Stone to Bread

Power and Property

Miracles Evidence not Proof