Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart

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Presentation transcript:

Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart

Hannah Hoch, Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, collage of pasted papers, 90x144ﾊcm, Staatliche Museum, Berlin.

Peter Blake, On the Balcony, 1955 - 1957, collage, mixed media, Tate Gallery

New York City Moe. One eyed man with a scar on his face and a peg leg Drives his cab fifty miles per hour down Broadway Looks at me with his crooked smile while Gershwin plays Hits his breaks and points out the freaks on St. Mark's place Its the rhythm of the rain that falls Its a cab ride at five a.m. Manhattan goddess with your Levis and curls New York City I'm comin’ home again I sit and smile thinkin 'bout summer sundays and the roller skates Afro wigs and rainbow socks float past like a ballet Peanut roasters poppin' up on every corner, can't you taste that taste Makes me long for an early morning ride on a subway New York City I'm coming home again You can steal a line or a phrase, the record company'll cheer Sign you off make you an artist, make you a millionaire Shake your hand pat your back give you a big white smile Then they'll say that they're your biggest fans and say they love your style New York City I'm comin' home again New York City Moe.